Troll Sena

With the tagline, “Offended Hindus uprising against Anti-Hindus!” Troll Sena is the World’s best (and possibly only) Hindu Nationalist parody site. Covering such outrages as Ban Valmiki Filth!, Raavan Ballsphemy!, Shame of Khajuraho!, and Cowardly Cow Outrage!, they’re barely distinguishable from the real thing. Or maybe they are the real thing. Who cares?

With the tagline, “Offended Hindus uprising against Anti-Hindus!” Troll Sena is the World’s best (and possibly only) Hindu Nationalist parody site. Covering such outrages as Ban Valmiki Filth!,

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Sita at the Starlite, Thursday July 21st

Come see Sita Sings the Blues in Queens!

Thursday July 21st
5pm to 8pm
Starlite Pavillion
130-05 101st Avenue
Richmond Hill, NY 11419 (map)
Admission: $5

I will be there for a panel discussion afterwards, along with Aseem Chhabra (aka Shadow Puppet #1), Ravisharon Kaur, and Bina Mahabir.

There’s an extra special reason you should attend this screening: it was organized, at great effort, by a devout Hindu, Rohan Narine, for a largely Hindu audience. He originally set it up at his Mandir, but after a while someone nixed it. Then he rescheduled it at a Hindu senior center, and again, after a while, someone else nixed it. Finally he chose the neutral Starlite Pavillion, and of course the

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Success! Sita Sings the Blues Once Again Viewable on German Youtube

After one or two (or more?) years of being blocked on German Youtube, the full-length noncommercial Sita Sings the Blues movie is once again viewable in Deutschland:

I assume this is because last week I posted this video, complaining about why my 100% legal and painstakingly and expensively licensed movie was blocked in Germany:

Apparently many Germans are none too pleased with GEMA themselves, as indicated by interesting comments here. Some industry shills weighed in as well, but it looks like popular sentiment is against them. The story was shared widely, including in Der Spiegel and the New York Times online editions.

It’s not clear how an American YouTube user is supposed to contest

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GEMA issues fraudulent takedown of Sita Sings the Blues in Germany

Apparently it’s been blocked there for over a year, but without lawyers there’s not much I can do about it from the US….so I made this video. Please share, especially if you’re in Germany.

Apparently it’s been blocked there for over a year, but without lawyers there’s not much I can do about it from the US….so I made this video. Please

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Addendum: Why do I say Culture is not a Commons?

Addendum to Culture is Anti Rivalrous

Why do I say Culture is not a Commons?

Because a commons is a publicly or collectively owned good, and culture can’t be owned. Page 12 in Lewis Hyde’s Common As Air (see article on why air isn’t a metaphor I’d use) refers to “the old idea of ‘the commons’ as a way to approach the collective side of ownership.” Whoa there. We agree that Culture shouldn’t be privately owned, but where I differ is that Culture shouldn’t – and can’t – be owned at all. When we call Culture a commons we remain in the framework of culture-as-property, the framework of ownership.

But: Culture. Can’t. Be. Owned.

The

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Culture is Anti-Rivalrous

Economists talk about rivalrous and non-rivalrous goods, but Culture is neither rivalrous, nor non-rivalrous; it is anti-rivalrous.

I. Rivalrous

Rivalrous goods diminish in value the more they are used. For example, a bicycle: if I use it, it gets me from here to there, if you use it, it gets me nowhere. If I acquire your bicycle, you don’t have it any more. Only one of us can have the bicycle at one time. We can share it to a limited extent, but the more it’s used the less it’s worth; it gets dinged up and wears out. The more people use the bicycle, the less utility it has.

If I steal

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RANTIFESTO

Adapted from a talk and slide show I presented at the Open Knowledge Conference in Berlin on July 1, 2011. –NP

Why are the Freedoms guaranteed for Free Software not guaranteed for Free Culture?

Free software is a matter of the users’ freedom to run, copy, distribute, study, change and improve the software. More precisely, it means that the program’s users have the four essential freedoms:

The freedom to run the program, for any purpose (freedom 0).
The freedom to study how the program works, and change it to make it do what you wish (freedom 1). Access to the source code is a

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