If I had known how long this would take, and how unable I would be to do or think about anything else, I would never have started. But I didn’t know, so on Sunday I bought some polyester “silk”, because I’ve long wanted to quilt on silk and this was on sale and pretty and no silkworms were harmed and I could just experiment with it.
Pleased with my previous shedu quilt, I decided to make another, but with smaller, more oblong “bricks.” I cut strips and sewed them together, then cut those into more strips and sewed them in a staggered, brick-like pattern.
I’d heard polyester silk was difficult to work with,
Continue reading Polyester Silk Shedu Obsession
I’ve had some requests for This Land Is Mine quilts. I can produce a small edition of them if the price is right and the buyers are there. The question is: how to price them? I’ve sold signed limited-edition prints in the past for $350-$500. This quilt is essentially a print on fabric, but requires an additional day of work for me to layer, free-motion quilt, and bind it (and sign it too of course). So I’d want no less than $500 a piece. However, it’s technically a quilt, one of the most under-valued art forms out there. Plus it’s rather small (about 34″ square), and meant for the wall –
Continue reading TLIM Quilt on the Auction Block!
This is a Shedu on a background inspired by the blue-glazed bricks of the Ishtar Gate. It combines trapplique with pieced quilting – my first! It’s approximately 42″ x 29″.
My Shedu design laser-printed on 6 pieces of letter paper and taped together. To maximize size I allowed gaps in the margins.
The design traced onto light fabric with an air erasable marker, layered, basted, and free-motion quilted in white thread.
I used scissors to cut out the Shedu as close to the sewing line as possible, then thread basted it onto the background which I previously free-motion quilted with simple spirals.
Finally I satin-stitched “the snot out of it” as (Leah Day would say),
Continue reading Shedu quilt