Where is Seder-Masochism?

Seder-Masochism is currently doing its film festival rounds. There are a number of festivals lined up this Fall and Winter, most of which I can’t name until they make their official announcements. I really, REALLY want to free the thing online, like, yesterday, but many festivals will disqualify any film that has an “online platform.” Film festivals are the only theatrical screenings it’s ever likely to have, so I’m not going to publicize an online release – even a Free, peer-to-peer one – until its “regional premieres” (which some festivals insist on) are done. If it’s any consolation, this waiting drives me crazy. But I’m going to wait, so that it may see the light of theater screens.

Love,

–Nina

P.S. If you haven’t seen my first feature, Sita Sings the Blues, now would be a good time to watch it! It’s Free all over the place.

 

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Is There A Doctor In The House?

Note: updated below
I NEED HELP. I have an orange-sized fibroid in my cervix, among other problems. The local hospital system is dysfunctional and corrupt – doctors don’t communicate with each other, or with patients (it is, however, one of the most PROFITABLE systems in the country! Isn’t that nice). My so-called “primary care physician” hasn’t seen me in 3 years, though not for lack of trying on my part. I visited the emergency room in great pain last year and since then have gotten bumped from specialist to specialist, and then dropped – it took 4 months to get a referral from the useless rheumatologist for the gynecologist, because someone somewhere dropped the ball and didn’t feel like it was important. Surgery that was supposed to happen this month or next, now won’t even start to be scheduled until July. Maybe. Every time Carle says they’ll do something by a certain time, they don’t – like I said, they took 4 months for a simple referral (and I had to get on their case to do anything about it at all). So even if I absolutely knew surgery was what I needed, there is an enormous trust problem at this point. Do I want these corrupt clowns cutting me?

A doctor in my family recommended someone at Loyola Medical Center who looked promising. So I called, and while they accept Medicaid, they don’t accept Medicaid managed by Meridian, which is what I have. So I called Illinois Medicaid and asked if I could switch to Molina, and they said no, I’m locked in until April of next year. So I called Meridian, who put me on hold for half an hour and then gave me numbers of nearby medical establishments which aren’t Carle. One of them was a disconnected number, the other, Kirby Med Center in Monticello, has no gynecologists at all. I called an affiliated gynecologist in Peoria, but his office is booked until at least July – and that would just be for an initial appointment.

What I REALLY want is a doctor that actually pays attention and can help me figure out what I should do. I won’t get that through my local med system. I probably won’t get that anywhere. But here’s my last-ditch effort before I resign myself to a life of pain and permanent celibacy (I can’t have sex without getting violently ill; celibacy is how I’ve been managing at all):

Are there any gynecologists among my fans? Any? I will travel to your state. I just want someone who will actually pay attention to my case. I am desperate.

Update 5-18: Due to help found through my cry of despair here & on fecebook, I have an appointment Monday with a gynecologist at SIU Med Center in Springfield IL. I was advised that teaching hospitals are eager for patients like me, and so far that seems to be the case. I called this morning, they were very helpful, and called back within 4 hours with said expedited consult appointment.

Then all I had to do was get my records released from Carle. Carle doesn’t accept emails for this (“they take too long,” they said on the phone). You have to visit their new vortex-of-evil administrative hell-plex on Staley road at Curtis, on the outside of town. Fortunately, SpecialManFriend(tm) was kind enough to take me there. I filled out the form, talked to the clerk, and came back after lunch. “Here are your records!” they said, handing me a big envelope. I almost walked off with it, but then decided to read through them first. Good thing, too – they’d neglected the most important, recent, and pertinent records of my MRI and ultrasound. They also neglected to include images, which I specifically requested. I politely asked for these things and they said, “oh, sorry, we’ll print those out now,” and “oh, ok, we’ll burn you a disc.” I’d be disgusted but I’m feeling too hopeful about getting a new doctor in a completely new, totally non-Carle system.

Seder-Masochism Progress Report

My two goals for 2017 were to bicycle 5,000 miles, and to finish Seder-Masochism. I have 30 miles to go on the first goal, slowed down by mysterious health problems (for which I’m about to undergo a series of invasive tests). But the second goal keeps getting farther away.

I have all the pieces made, and they’re pretty good. The musical numbers are entertaining, and the “Our Father” scenes, based on recordings of my own father shortly before his death in 2012, worked remarkably well.

Scene of Our Father

Our Father

But the overall story isn’t holding together. In fact, it’s hard to tell what the overall story is. I set out to retell “The Passover Story,” but what is that? It’s Exodus. But it’s also more than Exodus, and far less. I tried structuring the film around the Passover Seder, and the result is incoherent. Perhaps because as a story, the Passover Seder is itself incoherent, its popularity and persistence due to early indoctrination and strict rules rather than narrative quality.

So now I’m looking for the story again, at this rather late stage. The narrative quality of the Book of Exodus itself is dubious, but it does contain at least one strong story: the going out, the leaving, the separation, the exit, the Exodus itself. I thought a lot about the meaning of Exodus a few years ago when I animated Death of the Firstborn Egyptians (the solo clip of which has become rather popular, at over a million views on YouTube alone).

Even as the mythological Hebrews exited mythological Egypt, the mythological Firstborn Egyptians exited Life, led by the profound power of Death – who is the Abrahamic God Himself, according to many Haggadot. According to the ancient Egyptian conception of Death and the afterlife, this was not necessarily a tragedy; in fact it would have meant something entirely different to the mythological Egyptians than it does to us. Still an Exodus, but from another point of view.

And that’s where I’m returning to seek my story. To Abrahamics, the Exodus is the story of going forth from the “narrow place,” from cruel slavery to freedom. But what were they exiting, really? According to them it was slavery, oppression, and, worst of all, the worship of false idols. “Thou shalt have no other gods before me,” commands Yahweh in Exodus 20. How does this story look from the point of view of “other gods”? Specifically, goddesses?

Patriarchy celebrates Exodus as a triumph of civilization. But these days I question the value of civilization, since it’s (we’re) killing the planet and perhaps our souls and minds as well. The popular myth, amongst anxious environmentalists like myself, is that Once Upon a Time humans lived in harmony with nature, gathering and hunting, attuned to the natural world through animism and reverence for the Great Mother. There followed a Great Fall: Agriculture, and its attendant sins of property, hierarchy, and slavery. With the plow we were expelled from the Garden, and things have gotten worse ever since. Genesis in a nutshell.

Exodus is a different angle. This time the Great Mother isn’t a nurturing Garden, but a suffocating oppressor. Man isn’t expelled; he escapes. All those (formerly) animistic spirits are now ridiculous and evil idols. The sacred snake becomes the demonic serpent. Nature and fertility become disgusting things to be controlled. Yeast – spores of Life in the very air – is loathed and mastered through the fetishized Unleavened Bread. This loathing and mastering continues today, as we continually kill Life in the soil with fertilizers, herbicides and pesticides. (My 4,970 miles of cycling mostly took place in Central Illinois, the heart of the agri-desert, where yesterday I rode past tanks of ammonia being dragged through denuded fields.)

What does Exodus look like from the point of view of the Goddess? She was in Egypt as Hathor, Hekket, Wadjet, Nut, Maat, Isis, and others portrayed already in Moses Goes Down. She was elsewhere in Mesopotamia as Ishtar, Astarte, the “Queen of Heaven” and other mis-named or un-named “idols.” She was in Europe. She was everywhere – all humans conceived the divine as female, long before the invention of the male God.

The Golden Calf (Return of the Goddess) from Nina Paley on Vimeo.

Watching Man walk out on Her, going forth from revering Nature to enslaving and killing it – would she even want Him back?

So I’m currently trying to articulate the Exodus from the Goddesses’ point of view. I hope it works. I’ve put a lot of effort into Seder-Masochism so far, I’d hate for it to be a BIG FAILURE WITH NO COHERENT STORY. Then again, I may end up with a coherent story that is despised. If my current storytelling angle succeeds, even more people will hate it, especially men. But that I could live with. Releasing a weak, incoherent film would be harder.

But this late in the game, that may be its fate – it’s up to the Goddess.

More horse gifs

Horse new2_2 Horse new2_1

I spent all day grappling with a bug in Moho. It was distorting shapes on duplicate layers, making it impossible for me to do my work. Hours and hours spent banging my head into a wall. I submitted a bug report and the corrupted files and…the techs could’t see the distortions. And in fact, when I re-opened my files, the distortions were gone, even though they were absolutely there before. I made new files and the same distortions occurred. But when I quit Moho and reopened the very same files – that were absolutely distorted and not just in the work area, but on renders too – the distortions were gone. So I finally have my workaround, and it only took a day of agony and despair.

Now I can duplicate layers again, so here are some horse gifs.