The Creation Museum in Kentucky is really a marvelous testament to what money can buy. A temple of Mammon, if you will. Designers and craftspeople work for money, not ideology, and the money here paid for some good ones. It reminded me a lot of Las Vegas that way.
You won’t learn much about the Bible here, since creationists really pick and choose. From an Old Testament perspective the whole place is outrageously idolatrous, violating the Second Commandment: “Thou shalt not make unto thee any graven image, or any likeness [of any thing] that [is] in heaven above, or that [is] in the earth beneath, or that [is] in the water under the earth…” —Exodus 20:4-6 (KJV)
Finally, the Creation Museum is a magnificent monument to the limits of human psychology. Here it’s especially easy to see the extraordinary lengths humans go to to make some kind of PALATABLE sense of the world. I vastly prefer science to biblical authority, but even the best method of inquiry gets mashed through our squishy, emotional, fallible, fragile human minds. It’s easy to make fun of creationists, but we all have similar longings to understand the world, and there’s only so much cognitive discomfort we can handle before we just project on reality as we see fit.
Big ol’ bible dinosaur at the entrance
The Bible is authoritative, without error, and inspired by God. UNLIKE YOUR SILLY “SCIENCE” NONSENSE!
Sigh. No one “owns” Sita Sings the Blues, or any of my Free works, but things like this fraudulent copyright claim keep happening:
false copyright claim
I’ve never had any problem with Next New Networks. I like its founder Fred Siebert. Since I believe the folks at Next New Networks are cool, maybe they could assist with a “teaching moment” and figure out where along the chain of bureaucracy this happened. It would be helpful and enlightening for many to see just how easy it is to make a false copyright claim in YouTube’s hair-trigger content ID system.
Since Sita Sings the Blues is now CC-0 “Public Domain”, I can’t go legal over things like this, nor do I want to. I do wonder what happens with fraudulent claims over other Public Domain material. Do different entities just randomly claim PD works and then duke it out with each other? If PD material can be claimed by big corporations, that will exclude small players from using it because they don’t have the resources to challenge said false claims. But don’t get me started.
Update: Mike Schmitt, who took the screenshot at top, says,
“BTW, the copyright claim flags the 0:34-second mark in the trailer, which is the exact point at which the percussion-heavy song starts. So AFAIK it’s a content claim against the song (since there seems to be some confusion here). The same entity holds a copyright claim against the other Sita trailer on my channel, which starts with a different song. ETA: the video in question is here: http://www.youtube.com/watch?v=GI0ehPVUGzs “
Your machines are amazing. There is so much I could do with one! I could render a vector-based animated movie, convert each frame into a simple embroidery file, and sew out a frame at a time as a quilt. It would be amazing. I want to do that so much! And your domestic embroidery machines could do it. They are reasonably priced – a few thousand dollars is quite reasonable for a machine that can do that, and many are priced even lower. Such potential! The artist in me is drooling.
But the software. For some reason you sell software for insanely high prices. All I need is software that converts common vector formats (like .eps or .ai) to an embroidery file, and allows me to size it to fit your hoops, and get it into your machine.
To do that would cost me a minimum of $900*. And is Windoze only. Brother’s PE Design NEXT (which is the minimal “level” of software I’d need for my simple vector-to-stitches conversion) appears to cost about $1,000. But I’m not sure – Brother’s web site doesn’t say, and they don’t offer it for sale online, only through “dealers.”
I understand it costs money to develop software for your machines. It also costs money to develop the machines. That’s why you sell the machines. Here’s a tip: The more useful your machines are, the more you will sell! Under the current regime of ridiculous embroidery software prices, you are selling fewer machines. I am not buying your potentially amazing machines because of the software issue. And I really really want an embroidery machine and would be happy to pay many thousands of dollars for one. I’m a ready and eager customer! But no sale.
I would buy one if I could design my own stuff for it.
Imagine a sewing machine that shipped with a limited set of licensed Disney® dress patterns, with a few more online you could download for $5 to $20 each. But sewing your own dress pattern would require expensive proprietary software, closed-source of course so it can’t be improved or debugged or customized. Or how about a sewing machine that uses only proprietary fabric? Which the sewing machine company has a monopoly on, so they sell it for $500 a yard? Sewing machines are popular and diverse because fabric is inexpensive, widely available, and can be used in any machine. The cheaper fabric is, the more sewing machines sell. Expensive proprietary fabric would mean fewer machines would sell. But that is exactly the idiotic business model embroidery machine makers have locked themselves into.
The more useful your machines are, the more you will sell!
Sewing machines are great because you can sew anything with them. Computers are great because you can make anything with them. Computers+automated embroidery machines would be great if you could embroider anything with them, but you can’t. Embroidery software for my Mac is $2,299!
Functional, accessible software makes your machines more valuable. Expensive, restricted software makes them useless.
Let me repeat: functional, accessible software makes your machines more valuable. Expensive, restricted software makes them useless. Which is a pity because they have so much potential.
*P.S. Yes I know there is Embird, which would “only” cost me $309 ($164 basic module + $145 font engine, to convert vector files) to be minimally useful for me (maybe – I can’t even be sure of that). Plus the cost of a PC (which isn’t actually that much because PC manufacturers, unlike embroidery machine manufacturers, know the value of their product increases the more useful it is, and so they encourage lots of software and even support Free Software so they sell lots of PCs, thus driving the price down further even while their manufacturers’ profits increase – think about that!) But Embird only converts EMF, WMF and CMX vector formats, so I’d need yet another program to convert a .eps sequence (or .ai or .swf) first.
In 2008 I vowed that the only animation software I’d switch to, once I had to give up Macromedia Flash 8, would be Free software. Why? Because Adobe bought Flash and ruined it. Among their other unforgivable crimes was crippling Quicktime video output. Old Macromedia Flash could export to any video codec Quicktime supported, including the luscious and useful “Animation” codec. Adobe removed high quality output options to force users to process .swf files through After Effects. I could have lived with the insult and expense of being forced to buy After Effects, but not of having my workload and production time increased just so Adobe could try to squeeze more money out of its customers.
Now it’s 2013 and I’m still using the same copy of Macromedia Flash 8 from 2005, on an old Mac that supports OS 10.5, because old Flash doesn’t work on newer computers or newer operating systems. I’m frozen in time, and it’s starting to hurt.
5 years have passed and there’s no viable Free vector animation software for me to switch to. Synfig supposedly can do all sorts of wonderful things, but it’s simply not useable by anyone not actually developing the software. I devoted quite a bit of time and effort trying to switch, even getting a devoted Linux box for it; it didn’t suck from lack of effort on my part. That said, I do trust that the problem is with the user interface, not the back end; existing Synfig could conceivably serve as a starting point for making some really good software I could actually use.
Whether it’s a massive Synfig UI overhaul, or something new built from scratch, I need a good, Free vector animation program to switch to. I’m talking Free as in Freedom. It’s not the price of the software that puts me off. I’d pay to switch to ToonBoom, for example, if I thought it would be reliable. But no proprietary software is reliable. At any time its “owners” can cripple it and otherwise screw over their customers, in pursuit of whatever misguided business model they fancy at the time. It’s not the loss of my good money I can’t tolerate, it’s the loss of ALL MY WORK. Meanwhile the world moves on, new file formats and codecs are developed, and whether my work is compatible with progress remains at the mercy of my software’s corporate overlords. Even now I can’t export my Flash illustrations as .svg files; SVG wasn’t in demand when Macromedia released Flash 8, and because Flash is proprietary no one can add an SVG export feature to it now.
I need vector animation software I can use in the years and decades to come, that can grow with the times, and allow the future access to the work I do today.
What else do I need? Things like Flash 8*:
Mac compatible (I’m a pragmatist, not a purist)
Timeline similar to Flash 8
Visible audio waveform in timeline
“Symbol” grammar, where symbols can be animated and nested
good vector drawing tools
expansive video export options
and things Flash 8 doesn’t have, but should:
parent-child registration points
“bones” (maybe – aww, who cares)
custom vector strokes (beyond just dotted and dashed lines)
fewer bugs 😉
Time alone has not made this elusive software come into being. Could money? How much would I have to raise to commission an excellent programmer or two to give me what I want? Should I try a Kickstarter? A project like this should have a million dollars; I would aim for one tenth of that. Would even $100,000 be possible?
The result would be excellent Free vector animation software for everyone in the world.
If that doesn’t work I’m going to have to switch to some other proprietary software for the near future. That would be very disappointing. But I can’t stay in 2005 forever.
*What I don’t need is anything related to .swf files or the Flash Player or ActionScript. Almost all of Flash’s development since Flash 5 has been around “interactivity” and “web delivery”- things professional animators don’t use. If only we could separate the animation production part of Flash, from the “web player” part! The former has been almost perfect from the beginning, the latter has become a bloated monster that needs to die.
Update: The account is now unblocked, with this message from Facebook:
I’m so sorry for the inconvenience caused, there was a temporary misconfiguration in our photo review systems which caused a very small subset of users to be incorrectly enrolled in one of our checkpoints. There was no issue with your original photo, we have a combination of automated and human-review systems dedicated to keeping people safe, and a bug caused one of these systems to incorrectly enroll a small number of users into checkpoints.
We have since remedied the issue, and remediated all affected accounts. Please let me know if you or others are still experiencing any difficulties.
This morning I posted this adorable photo on Facebook:
Nut the cat hugging my face. Photo by Theodore Gray
Being a cute picture of a cute cat, it got a lot of “likes” and comments. A few hours later I followed up with this photo (accompanying text in the caption):
Another photo of Nut and me. Here you can see in more detail how Nut presses her face as hard as she can into mine. She does this all night, by the way. If I move my face away, she rearranges herself to grip the back of my head as tightly as possible. If I'm face-down on the pillow, she slides her paws under into my eye sockets and mashes her head into my ear. It's very cute but I don't think I could stand it every night.
Shortly thereafter, FB wouldn’t let me view my feed, instead giving me this message:
“We noticed you may be posting photos that violate our Community Standards. Help make Facebook better by cleaning up your photos and removing friends that post nudity or other things that violate our standards.”
Then it took me directly to all my photos and said,
“To keep your account active, please remove any photos that contain nudity or sexually inappropriate content. Check the box next to each photo you need to remove.”
I didn’t have a single dirty photo to check, so I checked none and then clicked the box that said, “I have checked all my photos that violate Facebook’s policies.” For that, I was rewarded with this:
“Because you uploaded photos that violate our policies, you won’t be able to upload photos for 3 days.
“If you have other photos on the site that violate our policies, be sure to remove them immediately or you could be blocked for longer. After this block is lifted, please make sure any photos you upload follow Facebook’s Policies.”
Followed by another checkbox that says,
“I understand Facebook’s policies and I won’t upload any photos that violate these policies.”
But I haven’t checked that box yet, because I really don’t understand Facebook’s policies. At all. Maybe Franz Kafka could explain them to me. Can you?
UPDATE: several hours later, I still can’t see my FB home page/news feed. This is what I continue to get instead: