Notice: This has been popular! New orders temporarily suspended while I work on backlog. I’ll offer Hundred Dollar Drawings again soon.
Example of a $100 drawing
$100: Tell Nina what to draw* and she’ll draw it. It could be as vague as a word (“quadruped,” “equinox”) or more specific (“a cat driving a car,” “a sun and moon shaking hands”) or even more specific (“a tabby cat driving a convertible sportscar over a cardboard box,” “a sun and moon shaking hands over planet Earth, sky behind them half night and half day”). Nina will email you a photo of the finished drawing, and post it on her blog and social media.
*Specify drawing in Paypal checkout
+ $25: We’ll ship you the original art. Sizes will vary but it will be on 8.5 x 11″ or smaller paper.
+ $100: I will also make a “Making-of” video of the drawing, such as the above.
Example of cleaned-up, reproduction-ready PNG file
+ $100: Drawing cleaned-up and reproduction-ready for ANY USE YOU WANT!
Q: What if I don’t like my drawing?
A: Too bad, sorry.
Q: Can you submit a sketch and let me comment for revisions?
A: No. If you want revisions, commission another $100 drawing, and a third, fourth, etc. You can get 10 $100 drawings for less than my usual professional rate.
Q: Can I use the drawing as a commercial logo for my business?
Q: Can I use the drawing for advertising or other commercial purposes?
A: Yes, anything you want.
Q: Isn’t that crazy cheap for commercial art?
A: Yes. But some of these drawings are also non-commercial. It’s all less stress for me, and I don’t care what happens to the image after I draw it. (Actually I do care – the more it’s used, the better.)
Q: What about copyright?
A: Like most of my work this is Free Culture. There’s effectively no copyright to license or buy. You can do whatever you want with the art you commission, but it’s non-exclusive. I will be posting it on my blog and social media.
Q: What if I want exclusive rights?
A: Then you’ll have to pay more than $100 – same as most professional commercial art of this caliber. Shoot me an email to discuss.
Q: What if Nina finds my drawing instructions abhorrent?
A: I will refund your money and not do the drawing. Or I’ll keep the money and willfully misinterpret your request. That might be more interesting.
Q: Can you do a caricature if I send you a photo?
A: Not very well, but I’ll try. I am not a caricaturist so likenesses not guaranteed to be recognizable or remotely able to fulfill hopes and dreams.
Available again until November 24, because people apparently like to buy stuff in November.
Available until December 3 2014April 13October 18 November 24 here! There’s a pull-down menu that lets you choose between men’s and women’s crew necks, v-necks, and unisex long sleeved shirts. Teespring worked great for the Passover Satyr shirts – I was pleased with the quality of both the screen printing and the shirt stock. This is a much easier way for me to produce shirts than trying to figure out demand in advance and paying for everything up front.
After a little over a year and a half, and many interruptions, we finally finished our embroidermated short, Chad Gadya. While we were working on it (actually I was working, Theo was procrastinating) this other embroidered short came out, but there are differences. Thanks to Theodore Gray’s stitchcoding in Mathematica, we weren’t restricted by (invariably crappy) off-the-shelf software. This allowed us to automate beautiful iridescent stitches and preserve them from frame to frame, so the resulting animation really looks like moving embroidery.
“It took a while to get all this code right, but of course it’s crucial that it cover every possible case, because when you’re doing animation, it’s not about getting one frame right, it’s about having an automated process that always gets every frame right, not just once, but every time there is an iteration of the animation requiring a re-render of the frames. We must have generated tens of thousands of frames (just generated the files, not actually stitched them!) before it was all looking good.” Theodore Gray
Passover Satyr shirts are again available! You have until March 16 to order, and they’ll be delivered in time for Passover. Everyone (including me) seemed happy with the last run – the screen print quality was high, and the shirt stock was soft and well made, at least the women’s styles I got. I need 32 more orders to get a better profit margin, all of which supports my Seder-Masochism feature film project.
When I told a (gentile) friend I was making a movie about the Seder, she thought I said “satyr.” The idea cracked me up, but I didn’t illustrate it because who needs more associations of Jews with horns and cloven hooves? Until now. Here is the Passover Satyr.
I was worried this was in questionable taste. Too soon? But after posting this illustration on Facebook, so many people asked for a T-shirt that I set one up for pre-orders here.
Interestingly, money is not culture; currency is. More on that in my essay Culture is Anti-Rivalrous (scroll down to part IV). And here I am, a Free Culture advocate minting money on my quilt plotter. My impulse to share source files is mitigated by this. Free Culture readers of this blog: how can I best share the culture of this project without compromising the identity of the bills themselves? I like to share the “source code” of my projects once they’re out there, but I don’t see how I can do that with this one.
Handi Quilter Sweet Sixteen (I didn’t name it! I’d paint over the name but it would reduce resale value) sit-down long arm quilting machine. Less than one year old, only 134,228 stitches total.
Includes table, two table extensions, smooth table overlay, open-toe hopping foot (in addition to closed-toe foot it came with), extra needles, bobbins, tools, supplies, manual, documentation, etc.
Purchased May 8 2013 via Lori’s Pins ‘n’ Needles, Paris IL
Selling because I bought a full-frame computer-guided system, and now do any hand-guided work on treadles. It’s a great machine, practically brand new, and just gathering dust in my studio.
Pickup only in downtown Urbana IL. I’m happy to give instruction and let you “test drive” it before buying.
What I paid:
Machine package: $4965.94
2 18″ x 30″ table extensions: $478 ($239.00 each)
Table overlay: $89.95
Open toe hopping foot: $39.90
= $5,573 total
Selling for $4,500 without the separate bobbin winder, or $4,800 with.
“This Land Is Mine” pocket square: millennia of violent territorial disputes distilled into a charming, non-violent, 100% silk 13″x13″ pocket square. Square made in France; history made in the Levant. (Alternate video link at vimeo. Note: pocket square does not play video.)
I bought one of these this Spring. Hardly ever used it and it is now gathering dust. It is exactly this camera Amazon lists here. It has a very cool 3D viewer built in. Comes with all parts, box, and manual which is in Japanese. $300 O.B.O. Amazon lists it for $999; I paid about $650. Now there’s a newer model that’s only $369, which is heartbreaking from my perspective, but oh well. If you’re in New York, come and get it – no shipping! Leave a comment if you’re interested.
These aren’t dolls, or toys, or cushions – they’re SOFT SCULPTURES. Why? because regulatory capture means the cost of registrations, licenses, and fees to legally call it a doll are beyond anything we could possibly afford.
These limited edition soft sculptures were hand-appliqued, beaded, and embroidered in India by the craftswomen of Ubuntu at Work; each unique piece is signed in embroidery by the woman who fashioned it. Because of the cost of registrations, licenses, and fees to legally import them already stuffed, they were sent unstuffed to New York, where I and my colleagues lovingly stuffed each one with polyester fiber-fill and sewed them up by hand.
Bliss Blood, Bill Benzon and Karl Fogel help stuff and sew
That way, if calling them soft sculptures not dolls/toys/cushions, and including this “WARNING! DANGER! NOT FOR CHILDREN! UNREGULATED ITEM MAY CAUSE CHOKING, EXPLOSIONS, OR APOCALYPSE!” is not sufficient to avoid a lawsuit, it is I, Nina Paley, who will accept the liability, rather than Ubuntu at Work.
Stuffin' 'n' sewin'
While stuffing and sewing are exactly the sort of labor the craftswomen of Ubuntu at Work desire, and do efficiently and well and affordably, regulatory capture of stuffed goods in the U.S. ensures they won’t get this work, and established legacy toy corporations with legal teams will hire slave labor to make corporate crap instead. Therefore this is a LIMITED EDITION of only 30 soft sculptures. Each one is also signed and numbered by me, Nina Paley.
Made of cotton fabric; cotton and polyester thread; small glass beads; polyester fiber fill. About 15″” tall.
WARNING! DANGER! NOT FOR CHILDREN! UNREGULATED ITEM MAY CAUSE CHOKING, EXPLOSIONS, OR APOCALYPSE!
Shahjahan, Mubeena, and Saiqa, who sewed, beaded and embroidered the shells, see me finish them. They're in Bangalore and I'm in New York. This evidence of our collaboration kind of blows my mind.
“I laughed out loud!…[The Intellectual Pooperty cartoons] are very very funny….however, if you could inform readers that this naive concept doesn’t correspond to the laws that actually exist, it would avoid encouraging them to believe that it does.”
Here’s a photo of the book surrounded by more copies of the book with pages open in seductive poses: