Who is Producer X?

Astute observers of Seder-Masochism will notice one “Producer X” on the poster:

Poster_ProducerX

This is consistent with the film’s opening credits:

Moses_ProducerX_edit

and end credits:

Endcredit_ProducerX_edit

Why? Who? WTF?

I made Sita Sings the Blues almost entirely alone. That caused an unforeseen problem when it came time to send the film out into the world: I was usually the only person who could represent it at festivals. Other films have producers who aren’t also the director. Other films also have crews, staff, multiple executives, and money. As SSTB’s only executive, I couldn’t be everywhere at once. Often I couldn’t be anywhere at once, due to having a life that includes occasional crises. Sometimes, if I was lucky, I could send an actor like Reena Shah, or musician like Todd Michaelesen, or narrator like Aseem Chaabra, or sound designer Greg Sextro. But most of the time it meant there was no human being representing the film when it screened at film festivals.

I’m even more hermitic now, and made Seder-Masochism in splendid isolation in Central Illinois. This time I worked with no actors, narrators, or musicians. I did try recording some friends discussing Passover, but that experiment didn’t make it into the film. Greg Sextro is again doing the sound design, but we’re working remotely (he’s in New York).

I like working alone. But I don’t like going to film festivals alone. And sometimes, I can’t go at all.

Such as right now: in June, Seder-Masochism is having its world premiere at Annecy, but I have to stay in Illinois and get surgery. I have an orange-sized fibroid in my cervix, and finally get to have my uterus removed. (I’ve suffered a lifetime of debilitating periods, but was consistently instructed to just suck it up, buttercup; no doctor bothered looking for fibroids over the last 30 years in spite of my pain. But now that I’m almost menopausal, out it goes at last!)

Film festivals are “people” events, and having a human there helps bring attention to the film. The reason I want my film in festivals is to increase attention. The more attention, the better for the film, especially as a Free Culture project. So I want a producer with it at festivals.

Fortunately, Producer X has been with Seder-Masochism from the very beginning. After Sita’s festival years, I knew that credit would be built into my next film.

So who is Producer X?

Whoever I say it is.

She’ll see you in Annecy!

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New Merch! “This Land Is Mine” Silk Pocket Square

pure silk This Land Is Mine 13" pocket square

A fine haberdasher asked me to design this fine 100% silk 13″ x 13″ pocket square with designs from This Land Is Mine. They are very fancy! $45-a-piece fancy, which is what fine haberdasherous silk pocket squares go for. Buy yours here.

This Land Is Mine pocket square shown to scale

Product Description

“This Land Is Mine” pocket square: millennia of violent territorial disputes distilled into a charming, non-violent, 100% silk 13″x13″ pocket square. Square made in France; history made in the Levant. (Alternate video link at vimeo. Note: pocket square does not play video.)

 

Copying n’est pas Theft

Because I’m in France:

Merci, Daphne!

I’m outta here

I’ll be in Europe until October 17 (on which date I will be speaking at MoMA!) so I may be virtually non-existent online. Or not, depending on how many free wireless connections are available and how well my netbook holds up.

Again, I’m gonna be in:

France:
September 25 – NancyA l’ère Libre Festival de la culture Libre
September 26 – Pessac, near Bordeaux
Journée des Cultures Libres
Armenia:
October 3-6 – YerevanReAnimania Animation Festival
London:
Oct. 14-16 – Power to the Pixel Conference

Have fun while I’m away! Don’t burn the house down!