Experimenting with a color alphabet. Here’s a clue for deciphering.
“40 Years in the Desert,” a talk I gave at Copycamp in Warsaw, Poland, on November 26 2012. Audio is a bit messed up until 02:49, so just start there. I talk a bit about Questioncopyright.org and Minute Memes, liberally quote Rick Falkvinge, mention Fair Use and Creative Commons before getting into Intellectual Disobedience. Toward the end I discuss Seder-Masochism’s release plan.
I just uploaded super-high-res versions of the This Land Is Mine Viewer’s Guide illustrations to archive.org. As so many of you pointed out, I didn’t explicitly name Persians in the guide. But the Assyrians and Babylonians I made up are based on Assyrian, Babylonian, AND Persian art! Did you know it’s all from the same region? Did you know This Land Is Mine is a cartoon? Did you know the pictures in the cartoon are more important than the labels on a blog post? Did you know none of the characters is an accurate historical representation, because (again) it’s a cartoon? Well now you do! As always, my work is Free-as-in-Freedom so you can use these images for whatever you want, except imposing artificial monopolies. Print ’em! Share ’em! Re-label ’em! Use ’em in your Ph.D. thesis, but don’t blame me if their accuracy is called into question! Download the whole set (as well as the whole short movie) at archive.org.
Here’s the interior of the Tabernacle known as “The Holy Place.” Behind those cherub-adorned curtains (“the veil”) is the “Holy of Holies”, the remote chamber containing the Ark of the Covenant with its cherub-adorned Mercy Seat. For a deity that prohibited graven images, YHWH sure demanded a lot of graven images of cherubs.
From my online research it seems there’s some demand for tabernacle pictures, and some sites charge a pretty penny for their use. Ironically, my blasphemous film will result in excellent Free, high-res, high quality, carefully rendered tabernacle assets that anyone can copy, modify, play with, and use for any reason (except to establish an artificial monopoly). When Seder-Masochism is finished, I’ll post all the source (.fla) files, just like I did with Sita Sings the Blues.
I envisioned This Land Is Mine as the last scene of my potential-possible-maybe- feature film, Seder-Masochism, but it’s the first (and so far only) scene I’ve animated. As the Bible says, “So the last will be first, and the first will be last.”
Who’s Killing Who? A Viewer’s Guide
Because you can’t tell the players without a pogrom!
Mamluk of Egypt
The Angel of Death
Note: If you want to support this project, please notice I have Paypal and Flattr buttons. TAX-DEDUCTIBLE donations accepted via the nonprofit QuestionCopyright.org.
With all the false copyright claims happening on Youtube, I’m lately asking myself why I use it at all. I guess the main reason is the Network Effect: Youtube is the most popular video host, so that’s where most people go to find videos. If my vids aren’t on Youtube, there’s a chance they won’t be found.
But I’m not sure that’s a good enough reason, in light of all the Content ID abuse. Thanks to Brewster’s comment yesterday, I’m embedding archive.org video below. If this works, it’ll be an ideal alternative.
Another alternative to Youtube is Vimeo. I’ve had problems with Vimeo’s speed, and have embedded videos fail to load. But maybe those problems will resolve.
A bonus feature of both of these: they don’t seem to use Flash (which my current Chrome browser doesn’t support anyway).
Youtube has been so rife with Content ID abuse – including multiple false claims on our Free Culture anthem, Copying Is Not Theft – I decided to try a Chinese video host. I’m embedding it here just to test how it works. So far the audio seems a little out of synch – anyone else getting that? Comments welcome below.
A little talk I gave about Seder-Masochism-in-progress and Civil Disobedience at Brooklyn Law School’s “Legal Hackathon” several weeks ago.
This afternoon I gave a Sita Sings the Blues talk to a roomful of 15-to-17-year-olds. Near the end I explained Free Culture and my stance against copyright, which led to some interesting discussion. Turns out most of them are manga fans, and familiar with publishers’ complaints about scanned and translated manga shared freely online. They all read them anyway (except one, who prefers to read entire manga in the bookstore). I asked them how they would choose to support artists they liked (once they had some disposable income) and they said:
Semi-related, I took an informal poll of how many would prefer to read a book on paper vs. an e-reader. The vast majority said paper, but what they really seemed to want was dual formats: paper copies to read comfortably and collect, and digital copies to search and reference. Makes sense to me. Only two of them had iPads, and none used them for “enhanced eBooks.”
My favorite quote of the afternoon:
Guess what I found at my parents’ house in Urbana? A VHS tape called “NINA PALEY DEMO REEL 1998.” It contained my very first animation as an adult (my very very first was when I was about 13, but I’ve lost those Super-8 reels). I didn’t go to school, I just taught myself from books and asking friends. It helped that I was dating an animator; he owned an animation table, which I’d never seen before let alone used, and it was on that that I made this:
For “Cancer” I drew, scratched and painted this directly on an old 35mm porn film. My boyfriend-at-the-time’s sister had just been diagnosed with breast cancer. Music is the Del Rubio Triplets singing the Rolling Stones’ “Satisfaction.”
If anyone needs to download Sita Sings the Blues or copy Mimi & Eunice or anything from any of my web sites, including this blog, do it now because they’re all going dark for 24 hours in protest of SOPA/PIPA and the lobbyists and bought politicians who wrote them and will write the next stupid bills attempting to break the internet even after SOPA and PIPA “die” only to be resurrected zombie-like under new stupid acronyms.
Although I’ll truly miss Wikipedia while it’s down tomorrow, maybe I’ll use the time to get some actual animation done instead of just “research.”