Money Laundering

Money LaunderingTheo machine-washed and dried our Thousand Dollar Quilt.

As is always the way with money, there was a little less of it than before.

Laundered and unlaundered money

Laundered and unlaundered

The 98-inch-long quilt shrank about 5 inches (approximately 5%). Shown above against our other $1,000 quilt test, pre-laundered, for comparison. Theo prefers the soft crinkly-ness the laundering imparts. I like them either way.

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$1Kat

$1Kat2Gray the cat approves of the $1,000 quilt.

$1Kat3 $1Kat4

 

 

Work in Progress: the $1K Quilt

$1Ktest2_01

This is a TEST of the One Thousand Dollar Quilt, conceived as a more affordable version of my handmade Ten Thousand Dollar Quilt.

$1K_laureldetail

This is a test, it is only a test. We stitched out two versions to see how the quilt plotter would handle it, how the thread density would look, etc. There’s well over half a million stitches here, and it took the plotter about a day to stitch. Then I spent half a day cutting, sewing, and ironing binding, and binding it.

$1KRae

Rae Spooner of Bent Bean Chocolates (Urbana, IL) enjoys the cozy warmth of One Thousand Dollars.

It’s about 8 feet long. The front is high thread count unbleached cotton muslin, the back is regular thread count same. The batting is a mystery – either polyester or poly-cotton, not sure because it’s left over from another project Theo bought it for, and he doesn’t remember. The quilt is remarkably soft and flexible given all the dense stitching

$1K_rtcloseup

Unlike the Ten Thousand Dollar Quilt, which uses reverse applique, this gets its color solely from the thread. The result is lower contrast, but I like all the stitch lines. Also there’s no way I could do a reverse applique version for under a thousand dollars.

$1K_SFseal

The bright green thread is 30-weight, thicker than the 40-weight dark green and white. What a nice solid effect it gives.

The thread is polyester: the dark green and white are 40 weight, and the lighter green is 30 weight, which is significantly thicker. We may do another test using 30 weight dark green. Heavy thread works beautifully, but it’s very expensive. Then again for a Thousand Dollars we can use expensive thread.

$1K_1000closeup

Registration is off as expected, but could be worse. He have a strategy for improving registration in the next test.

$1K_center

Medallion background fill will be crosshatched in the next iteration.

The portrait medallion fill will be crosshatched in the next version. I didn’t like these curved shading lines at all, because the machine double-stitched some of them which ruined the gradient effect. The next version will also have fill lines on Cleveland’s face, along with a larger border with more of the swirly fill.

$1K_back

The back. We had a few thread nests but overall it’s pretty clean.

$1K_NinaRae_sm

Rae helps me hold up the 8-foot comfy currency. Photo by anonymous friendly woman who was trying to buy chocolate at Rae’s shop.

Quilt Plotter action shot

A great “machine’s-eye-view” of our quilt plotter is at the one-minute mark of this Apple promo video. In addition to creating the Mathematica user interface and co-founding Touch Press, Theo is Science Officer of our own PaleGray Labs.

The Quilt Vault

The PaleGray Labs office/workshop/studio is in a former bank building, which is why our suite contains a vault.

Entering the Quilt Vault

Entering the Quilt Vault

When I bought a new mattress I stored the previous one in the office vault before it found a new home. I quickly realized the vault could be its new home, and the home of my art quilts, freshly returned from Sleepy Creek Vineyards. And so the Quilt Vault was born.

My former mattress now lives in the Quilt Vault

QuiltVault$10Kceiling

Shedu&$10K

IlGatto&friends

Two Goddesses

QuiltVault Laxmi ceiling

FireEarthLaxmi

QuiltVault01

Even though Theo’s kids call the Quilt Vault a “sex dungeon,” having a real bed on site is practical for a quilt studio. I’m currently designing minimalist quilt tops using the 44″ wide bolts of colored fabric I bought last year, to have more colorful bases for complex stitch patterns. The bed provided instant visual feedback as I pieced this together:

piecedtopblue

Of course it is also excellent for naps.

Fibonacci Sequins and other news from PaleGray Labs

PaleGray Labs being the textile art collaboration of me and Theodore Gray. First up, we have a photo of Mathematician Ian Stewart holding up PaleGray Labs’ “Fibonacci Sequins” quilt Theo just gave him in London:

Fibonacci Sequins

Fibonacci Sequins

This was designed by me and Theo using a Mathematica tool he created for that purpose, stitched on the new quilt plotter, and bound on my 100-year-old Davis Vertical Feed treadle machine. I hand-sewed on the sequins and beads. This was a test, but we plan to make more of them, including large bed quilts.

What I call the “quilt plotter” is a Quilt Master IV Full Frame Quilting System. Actually the model IV isn’t on their web site yet – we’re early adopters! – but you get the idea.

quilt plotter 2

Below are some initial experiments with the quilt plotter. We’re still getting the hang of this thing, and working out some software issues that will require communicating through a Chinese interpreter some time in February after Chinese New Year vacations are over.

quilt plotter tests

All stitchcoding by Theo using tools he built in Mathematica. Above we have fibonacci spiral fractals, a big guilloche pattern, and a modified dancing Reena Shah cycle from Sita Sings the Blues. All just tests, because the machine ripped the fabric before we learned to let it “cycle” on before moving the head (a problem that could be fixed with improved software, but until we get the ear of the Chinese software company that controls its operating system we just have to be very careful and do a lot of work-arounds).

Davis Vertical FeedHere’s my treadle-operated  Davis Vertical Feed, which I am in love with. It makes binding almost a pleasure, a physical game of skill, a kind of meditation. If it weren’t for the time it takes to cut and iron the binding strips, I could see binding all PaleGray Labs quilts with this. (I’m also experimenting with bias tape and a Suisei binder attachment on my Singer treadle and Featherweight, which have the necessary mounting screw holes but lack the genuine walking foot that quality binding needs). Behind the Davis is the new 20″ long arm zig-zag machine, designed for making sails but which I intend to use for trapplique. It’s a powerful beast but we don’t get along because something’s wrong with its tension. The company is sending me a new tension assembly which will hopefully fix the problem.

PaleGray Labs embroideryThe domain palegraylabs.com currently just reroutes to the “Quilting” category of this blog. Hopefully we (meaning I, helped by Webmaster Ian) will design a nice web site of its own soon.

 

 

Then came the Holy One, Blessed be He…

God5

…and smote the Angel of Death that slew the Slaughterer that killed the Ox that drank the Water that extinguished the Fire that burnt the Stick that beat the Dog that bit the Cat that ate the Goat that my father bought for two zuzim. Chad Gadya

The Angel of Death came…

AngelODeath8

 

…and slew the Slaughterer that killed the Ox that drank the Water that extinguished the Fire that burnt the Stick that beat the Dog that bit the Cat that ate the Goat that my father bought for two zuzim. Chad Gadya

The Slaughterer came…

 

shochet4

…and killed the Ox that drank the Water that extinguished the Fire that burnt the Stick that beat the Dog that bit the Cat that ate the Goat that my father bought for two zuzim. Chad Gadya

 

Update: animation modified to show Shochet slicing from below. He’s still decapitating the poor beast, but it’s slightly more kosher for sticklers. Yes I know kosher slaughter involves slitting the animal’s throat, it just seems so grotesque that the cartoon shorthand of bloody decapitation expresses it best for me. But for those who consider slitting from below important, here ya go.

The Ox came…

ox5

 

…and drank the Water that extinguished the Fire that burnt the Stick that beat the Dog that bit the Cat that ate the Goat that my father bought for two zuzim. Chad Gadya

just water

water8

 

I made some improvements to the water animation cycle below. I’m quite pleased. Like waves, natural special effects don’t come intuitively to me. I didn’t know if I’d be able to figure this one out.

The Water came…

water+fire

 

…and extinguished the Fire, that burnt the Stick, that hit the Dog, that bit the Cat, that ate the Goat which my father bought for two zuzim. Chad Gadya

The Fire came

flame+stick…and burned the Stick that beat the Dog that bit the Cat that ate the Goat which my father bought for two zuzim. Chad Gadya

 

The Stick came…

stick1

 

and beat the Dog, that bit the Cat, that ate the Goat, which my father bought for two zuzim. Chad Gadya

…and bit the Cat…

dog12+cat

…that ate the Goat that my father bought for two zuzim. Chad Gadya