1 And when the people saw that Moses delayed to come down out of the mount, the people gathered themselves together unto Aaron, and said unto him, Up, make us gods, which shall go before us; for as for this Moses, the man that brought us up out of the land of Egypt, we wot not what is become of him.
2 And Aaron said unto them, Break off the golden earrings, which are in the ears of your wives, of your sons, and of your daughters, and bring them unto me.
3 And all the people brake off the golden earrings which were in their ears, and brought them unto Aaron.
4 And he received them at their hand, and fashioned it with a graving tool, after he had made it a molten calf: and they said, These be thy gods, O Israel, which brought thee up out of the land of Egypt.
5 And when Aaron saw it, he built an altar before it; and Aaron made proclamation, and said, To morrow is a feast to the Lord.
6 And they rose up early on the morrow, and offered burnt offerings, and brought peace offerings; and the people sat down to eat and to drink, and rose up to play.
I took some liberties in this design. “Why all the boobies?” you may ask. Once upon a time, boobies were an object of respect, not shame and ridicule. My goddesses have big, bare breasts to represent that mindset. Not that I think boobies should be worshipped; I’m not into biological fertility, and I’m not a “breast (wo)man”. Having breasts myself, I can say they’re kind of a pain in the ass (nor am I an “ass (wo)man”). But there’s so much shame around female breasts these days, I make ’em big and plentiful on deities to remind myself, and hopefully you, that the shame, discomfort, and anger they provoke is about patriarchy, not women’s bodies.
Here’s Hathor as a golden idol:
My favorite interpretation of Exodus 32 posits the Golden Calf was Hathor, a very popular Egyptian cow goddess. I’m running with that in my film. Fun!
The Creation Museum in Kentucky is really a marvelous testament to what money can buy. A temple of Mammon, if you will. Designers and craftspeople work for money, not ideology, and the money here paid for some good ones. It reminded me a lot of Las Vegas that way.
You won’t learn much about the Bible here, since creationists really pick and choose. From an Old Testament perspective the whole place is outrageously idolatrous, violating the Second Commandment: “Thou shalt not make unto thee any graven image, or any likeness [of any thing] that [is] in heaven above, or that [is] in the earth beneath, or that [is] in the water under the earth…” —Exodus 20:4-6 (KJV)
Finally, the Creation Museum is a magnificent monument to the limits of human psychology. Here it’s especially easy to see the extraordinary lengths humans go to to make some kind of PALATABLE sense of the world. I vastly prefer science to biblical authority, but even the best method of inquiry gets mashed through our squishy, emotional, fallible, fragile human minds. It’s easy to make fun of creationists, but we all have similar longings to understand the world, and there’s only so much cognitive discomfort we can handle before we just project on reality as we see fit.
Big ol’ bible dinosaur at the entrance
The Bible is authoritative, without error, and inspired by God. UNLIKE YOUR SILLY “SCIENCE” NONSENSE!
“17 Thus saith the Lord, In this thou shalt know that I am the Lord: behold, I will smite with the rod that is in mine hand upon the waters which are in the river, and they shall be turned to blood.
“18 And the fish that is in the river shall die, and the river shall stink; and the Egyptians shall lothe to drink of the water of the river.
“19 And the Lord spake unto Moses, Say unto Aaron, Take thy rod, and stretch out thine hand upon the waters of Egypt, upon their streams, upon their rivers, and upon their ponds, and upon all their pools of water, that they may become blood; and that there may be blood throughout all the land of Egypt, both in vessels of wood, and in vessels of stone.” — Exodus 7, King James Version
Like many storytellers, I use Moses alone to represent both Moses and Aharon. When I deviate from the texts, it’s on purpose.
Music: “Blood Red River Blues” by Josh White (1933), severely edited by me. With great effort I bought a CD with this song, but the quality was terrible – it sounded like a tape player under a mattress – so I ended up copying audio from this YouTube video.
The second stanza depicts Anuket, goddess of the Nile. I hope there are no Ancient Egyptian Religious fundamentalists out there, because they might not like the implication She’s menstruating. Then again, the whole Book of Exodus is anti-Ancient-Egypt propaganda. If there were an Ancient-Egyptian-Anti-Defamation League, Exodus would be banned.
“3 Now Moses kept the flock of Jethro his father in law, the priest of Midian: and he led the flock to the backside of the desert, and came to the mountain of God, even to Horeb.
“2 And the angel of the Lord appeared unto him in a flame of fire out of the midst of a bush: and he looked, and, behold, the bush burned with fire, and the bush was not consumed.
“3 And Moses said, I will now turn aside, and see this great sight, why the bush is not burnt.
“4 And when the Lord saw that he turned aside to see, God called unto him out of the midst of the bush, and said, Moses, Moses. And he said, Here am I.”
–Exodus 3 King James Version (KJV)
Obviously I took a few liberties here.
This is a work-in-progress and may be modified for the final film, Seder-Masochism. Stay tuned for the immediate next scene, where the burning bush gives instructions to Moses!
Based on Exodus 12:
21 Then Moses called for all the elders of Israel, and said unto them, Draw out and take you a lamb according to your families, and kill the passover.
22 And ye shall take a bunch of hyssop, and dip it in the blood that is in the bason, and strike the lintel and the two side posts with the blood that is in the bason; and none of you shall go out at the door of his house until the morning.
23 For the Lord will pass through to smite the Egyptians; and when he seeth the blood upon the lintel, and on the two side posts, the Lord will pass over the door, and will not suffer the destroyer to come in unto your houses to smite you.
24 And ye shall observe this thing for an ordinance to thee and to thy sons for ever.
25 And it shall come to pass, when ye be come to the land which the Lord will give you, according as he hath promised, that ye shall keep this service.
26 And it shall come to pass, when your children shall say unto you, What mean ye by this service?
27 That ye shall say, It is the sacrifice of the Lord’s passover, who passed over the houses of the children of Israel in Egypt, when he smote the Egyptians, and delivered our houses. And the people bowed the head and worshipped.
28 And the children of Israel went away, and did as the Lord had commanded Moses and Aaron, so did they.
29 And it came to pass, that at midnight the Lord smote all the firstborn in the land of Egypt, from the firstborn of Pharaoh that sat on his throne unto the firstborn of the captive that was in the dungeon; and all the firstborn of cattle.
30 And Pharaoh rose up in the night, he, and all his servants, and all the Egyptians; and there was a great cry in Egypt; for there was not a house where there was not one dead.
DEATH: Falling stars you wished upon
are cinders now and now they’re gone
their residue festoons my fetid field.
Unfeeling husks of lovers past
the shells are all that ever last
I’ve taken everything that they concealed.
Whoever told you life was fair?
Look around you, everywhere
the cruelty of nature is displayed!
Why the scorn?
Why the surprise?
Everything that’s born must die
and it isn’t I who made the world that way.
What wicked little twist of fate
placed you her upon my plate
Here, where no one hears your cries?
Where was your god to steer you through
Perhaps your god’s forsaken you
Otherwise why lead you here to die?
BA (spirit of the dead): I, I know the way how
I’ll melt away now
I know the way.
I’m feeling bliss now
Dissolved to mist how
strangely I go
Now I finally know
DEATH: It’s merely moments now,
moments now until
your feeble flesh bends to my will
and it will
so rest your weary head.
There’ll be no pain,
no pain at all
as everything you are dissolves
Your fate resolved
upon my silky thread.
BA: I, I know the way how
I’ll melt away now
I know the way.
I’m feeling bliss now
Dissolved to mist how
strangely I go
Now I finally know
…and smote the Angel of Death that slew the Slaughterer that killed the Ox that drank the Water that extinguished the Fire that burnt the Stick that beat the Dog that bit the Cat that ate the Goat that my father bought for two zuzim. Chad Gadya
“This Land Is Mine” pocket square: millennia of violent territorial disputes distilled into a charming, non-violent, 100% silk 13″x13″ pocket square. Square made in France; history made in the Levant. (Alternate video link at vimeo. Note: pocket square does not play video.)
Maybe the timing’s not good on this, given current events. This is LITERALLY about Hebrews and sheep, per Exodus. It is not a political statement.
Here is Aharon, following God’s commandments per Exodus 29. Exodus is a pretty depressing read. Last night when I animated this, I found it depressing. This morning I found it kind of funny. Cartoon violence is magical that way.
Here’s the interior of the Tabernacle known as “The Holy Place.” Behind those cherub-adorned curtains (“the veil”) is the “Holy of Holies”, the remote chamber containing the Ark of the Covenant with its cherub-adorned Mercy Seat. For a deity that prohibited graven images, YHWH sure demanded a lot of graven images of cherubs.
From my online research it seems there’s some demand for tabernacle pictures, and some sites charge a pretty penny for their use. Ironically, my blasphemous film will result in excellent Free, high-res, high quality, carefully rendered tabernacle assets that anyone can copy, modify, play with, and use for any reason (except to establish an artificial monopoly). When Seder-Masochism is finished, I’ll post all the source (.fla) files, just like I did with Sita Sings the Blues.
I designed some Hebrews for Seder-Masochism. Doing all 12 tribes was too daunting, but I’m calling the additions to Moses and Aharon Fatiman, Menorah, and Asher* respectively.
There aren’t a lot of representational images in Jewish art – not compared to rich delicious pagan religious art traditions like Hinduism and Catholicism – but there are a lot of visual symbols, which hopefully people will recognize. (The Hand of Fatimah isn’t Jewish per se, but it is popular in the region that includes Israel.)
I also made a little “before and after” illustrating what happened to the Levites in Exodus (hint: the Levites wrote Exodus):
*The Tribe of Asher is usually symbolized by a tree. I further simplified by using a leaf. Lately I’ve been reading Merlin Stone’s When God Was a Woman, which I’m enjoying very much despite its archeology being out of date. Asherah was a popular Goddess in Canaan during the Hebrew reign, and she was often symbolized by a tree. So when I was doing some research on the 12 Tribes, I was a little stunned to see one called Asher, with a tree symbol. Maybe these were some of the Israelites who pissed off Yahweh by worshipping idols – that would be cool, but we’ll never know, since they’re Lost.
I envisioned This Land Is Mine as the last scene of my potential-possible-maybe- feature film, Seder-Masochism, but it’s the first (and so far only) scene I’ve animated. As the Bible says, “So the last will be first, and the first will be last.”
Mamluk of Egypt
Wikipedia sez, “Over time, mamluks became a powerful military caste in various Muslim societies…In places such as Egypt from the Ayyubid dynasty to the time of Muhammad Ali of Egypt, mamluks were considered to be “true lords”, with social status above freeborn Muslims.” And apparently they controlled Palestine for a while.
Did I mention this is a cartoon? Probably no one went to battle looking like this. But big turbans, rich clothing and jewelry seemed to be in vogue among Ottoman Turkish elites, according to paintings I found on the Internet.
A gross generalization of a generic 19-century “Arab”.
The British formed alliances with Arabs, then occupied Palestine. This cartoon is an oversimplification, and uses this British caricature as a stand-in for Europeans in general.
The British occupied this guy’s land, only to leave it to a vast influx of….
Desperate and traumatized survivors of European pogroms and death camps, Jewish Zionist settlers were ready to fight to the death for a place to call home, but…
State of Israel Backed by “the West,” especially the US, they got lots of weapons and the only sanctioned nukes in the region.
Guerrilla/Freedom Fighter/Terrorist Sometimes people fight in military uniforms, sometimes they don’t. Creeping up alongside are illicit nukes possibly from Iran or elsewhere in the region. Who’s Next?
The Angel of Death
The real hero of the Old Testament, and right now too.
Note: If you want to support this project, please notice I have Paypal and Flattr buttons. TAX-DEDUCTIBLE donations accepted via the nonprofit QuestionCopyright.org.
Thursday July 21st
5pm to 8pm
130-05 101st Avenue
Richmond Hill, NY 11419 (map)
I will be there for a panel discussion afterwards, along with Aseem Chhabra (aka Shadow Puppet #1), Ravisharon Kaur, and Bina Mahabir.
There’s an extra special reason you should attend this screening: it was organized, at great effort, by a devout Hindu, Rohan Narine, for a largely Hindu audience. He originally set it up at his Mandir, but after a while someone nixed it. Then he rescheduled it at a Hindu senior center, and again, after a while, someone else nixed it. Finally he chose the neutral Starlite Pavillion, and of course the Hindutvadi fundamentalists want to “protest” it (in their usual classy way, by sending hundreds of batshit emails). Now, there have been thousands of Sita Sings the Blues screenings, but this is the first one to be specifically targeted. Why? Because this screening was organized by actual devout Hindus, and the Hindutvadis can’t stand that. So please, show some love for our real Hindu friends, and come to this screening.