Open Letter to the University of Illinois

February 28, 2019

In July of 2018, Arcadia, a cafe in Urbana, announced on Facebook an “Art Salon” at which my new film would be screened. The next day, Professor Mimi Thi Nguyen commented on Arcadia’s event page: “She’s a transphobe. I will never attend your events now.”

My crime was, months earlier, sharing on Facebook the following lyric: “If a person has a penis he’s a man.” At various times I have also shared such contentious views as, “women don’t have penises,” “sex is not gender,” “woman means adult human female,” and “everyone is free to identify however they wish, but not to force me to identify them the same way.” Nonetheless, “If a person has a penis he’s a man” is continually quoted as my greatest hit of so-called ‘hate speech.’ It is also a fact.

When asked by other commenters why my stating biological facts was ‘transphobic’ and grounds for no-platforming, Ms. Nguyen replied “I’m the chair of Gender and Women’s Studies. I know what I’m talking about.” Speaking not merely as an individual, but in her capacity as a UIUC faculty member, Ms. Nguyen threatened a local business and libeled a community member and encouraged others to join in.

Arcadia promptly cancelled the event.

That October, my film, Seder-Masochism, screened to enthusiastic audiences at the Vancouver International Film Festival. In attendance were film scholars Kristin Thompson and David Bordwell, frequent speakers at past Ebertfests, who loved the film and emailed Ebertfest director Nate Kohn to recommend it. Kohn replied they already knew about Seder-Masochism, and it was at the top of their list. Which makes sense, since it’s by an Urbana filmmaker (me) whose last film was a star at the festival (Sita Sings the Blues) and contains my late father’s voice, which is known to much of the festival’s audience (Hiram Paley used to be Mayor of Urbana, as well as a math professor at the U of I).

Later that Fall, I turned down an invitation to judge a major film festival in Buenos Aires, because its dates overlapped with Ebertfest. Since Seder-Masochism was “at the top of (their) list,” I didn’t want to miss it. In January, I emailed Nate Kohn and Chaz Ebert to ask if in fact Seder-Masochism would screen. For over a week, they didn’t respond. That same week, I was attacked by a Twitter mob accusing me of ‘hate speech,’ once again for having said “If a person has a penis he’s a man.” Then all trace of my film was removed from the website of a women’s film festival in Belgium, after they were bullied by a Belgian transactivist.

Still awaiting a response, at the end of January I emailed Ebertfest again. They replied: “Sorry, we don’t have room for it.”

I’m not entitled to be at any film festival, and the decisions of Ebertfest – a special event of the University of Illinois College of Media – are made behind closed doors, preventing any hope of accountability. But going from the top of Ebertfest’s list to “sorry there’s no room” in the midst of libel campaigns is consistent with the blacklisting and no-platforming of feminists at universities nationally and internationally. From the banishing of noted feminist speakers like Sheila Jeffreys and Julie Bindel; to the suppression of ‘politically incorrect’ research at Bath Spa University and Brown University; to secret blacklists of female academics uncovered at Goldsmiths University, the speech-suppressing behavior at the University of Illinois is consistent with unsavory developments around the world.

In 2017, the U of I adopted “Guiding Principles” on Freedom of Speech and Civic Engagement. I list some ways they are failing to uphold these principles:

  • “We have a duty to vigorously and even-handedly protect community members against conduct that falls outside the First Amendment – including true threats, pervasive harassment, incitement to imminent lawless action, and libel…” Ms. Nguyen’s accusation, “she is a transphobe,” is libel. I do not fear or hate trans people. Although it shouldn’t be anyone’s business, I have had trans friends and lovers, and stood for the human rights of trans people, since before Ms. Nguyen entered college.
  • ”We will create conditions for a safe and robust exchange of viewpoints.” This has not happened at the U of I. While one-sided policies of “preferred pronouns” dominate, no voice is given to those who use English sex-based pronouns over newly imposed “gender identity” rules.
  • “In all matters involving freedom of speech, the University of Illinois system will endeavor to maintain a high level of transparency.” I am confident anti-feminist blacklisting occurs here, as it does on many other campuses. Blacklisting is by its nature non-transparent and unaccountable, but its effects are devastating.
  • “We will not condone shouting down or physically obstructing or threatening a speaker or the speaker’s audience.” Does this include on Social Media? Because Facebook is where Ms. Nguyen did just that, and got my event shut down.
  • “We must always strive to be valued local partners, learning from and collaborating with the communities that are home to our universities and programs.” Bullying a local venue into shutting down a screening by a local artist achieves the opposite of that mission.
  • “We owe our students opportunities for substantive civic engagement so that they graduate not only prepared for personal success but also knowing what is expected of them as productive global citizens.” Certainly the University has already failed its students and faculty by refusing any open discussion of genderist ideology and policies. This failure to foster free speech has spilled beyond campus and into the surrounding cities of Urbana-Champaign, harming the community.

HARMS

Many local residents were looking forward to the event at Arcadia. Due to the bullying by Ms. Nguyen, representing the University of Illinois, and her associates, the event was cancelled. Many more locals hoped Seder-Masochism would screen at Ebertfest this year. Now, they will not see it.

Many in this college town are afraid to voice support for me, or express any gender-critical thought, for fear of being branded “transphobic.” Academics who even question ‘gender identity’ have been disciplined or denounced in open letters; those who express fully gender critical views have lost their jobs. Between that and the imposition of ‘preferred pronouns,’ requiring the speaker to suppress their correct recognition of biological sex in favor of compelled speech – that is, lying – University employees, their spouses, and friends, feel compelled to keep quiet.

So, instead of the “opportunities for substantive civic engagement” promised in the University’s Principles, the University instead fosters a climate of fear and silence in the wider community.

Beyond this harm to our community, I have been harmed personally as well. I can’t calculate the cost this has had on my professional reputation, career, and livelihood. I have certainly suffered psychological harm: being falsely accused and shut down in my hometown, with no accountability for the accusers, evokes a despair I had previously only read about in books like “The Crucible” and histories of witch trials.

REMEDIES

The University needs to protect speech.

I acknowledge the University is in a bind. Recent State interpretations of Title IX have – perhaps unwittingly – redefined ‘sex’ to include ‘gender identity.’ As long as Title IX fails to uphold its original purpose – protections based on sex – and instead protects incoherent, ill-defined, and fundamentally sexist concepts of ‘gender identity,’ it is at odds with the First Amendment – and with itself.

The University’s Student Affairs web page states:

We will continue to protect and treat all students according to their gender identities and gender expressions, honoring chosen names, pronouns, and restroom access, as is current campus policy.”

‘Preferred pronouns’ are compelled speech, forcing the speaker to contradict their own recognition of another’s sex. This compulsion violates the First Amendment. But ‘preferred pronouns’ also violate Title IX itself, insofar as it still protects sex. Although trans activists vehemently deny this, there is ample evidence that some trans-identified males are autogynephiles – that is, fetishists who are sexually aroused by imagining themselves as women. Being forced to call such men “she” is forced participation in sexual activity without consent. That is just one way privileging ‘gender identity’ over sex is institutionalized sexual coercion.

‘Sex’ and ‘gender identity’ are fundamentally mutually exclusive; you cannot protect one without delegitimizing the other. The University considers failure to use ‘preferred pronouns’ harassment against the individual who imposes them. But ‘preferred pronouns’ themselves are harassment, including sexual harassment, against individuals compelled to use them.

My plea to the University is to reaffirm its commitment to Free Speech and acknowledge the untenable and inconsistent demands added to Title IX by the redefinition of sex. It is tragic that the former integrity of Title IX, which has been instrumental in providing sex-based protections and opportunities for women and girls, is now in opposition to the First Amendment. Free Speech is important. Sex-based protections are important. Redefining ‘sex’ to include ‘gender identity’ is an assault on both.

On an immediate and practical level, the University should:

Assure the right of all employees and students to use whatever pronouns they see fit;

Assure the right of all students and employees to question and discuss current “gender identity” politics without fear of libel or punishment, and;

Host meaningful discussion on this subject. Feminist Journalist Meghan Murphy is available to debate anyone on the topic, “Does Trans Activism Negatively Impact Women’s Rights?” The University would do well to host such a debate here.

Finally, having lost two screening opportunities in my hometown because of the University’s negligence, I would like the University to sponsor a screening of my film Seder-Masochism for the community.

Sincerely,

—Nina Paley

Director, Seder-Masochism and Sita Sings the Blues

Urbana, IL

ninapaley.com

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Blacklisted

Ebertfest (Roger Ebert’s Film Festival) is the big film festival in my town (Champaign-Urbana, Illinois). In October, its director told 2 film critics/scholars I know that my new feature film Seder-Masochism was “at the top of our list.” Which makes sense, since it’s by an Urbana filmmaker (me) whose last film was a star at the festival (Sita Sings the Blues) and contains my late father’s voice, which is known to much of the fest’s audience (he used to be Mayor of Urbana, as well as a math professor at the U of I). I emailed Ebertfest in January to ask if they were going to screen it, because I have to make plans in April. They didn’t reply. I emailed them again over a week later (Friday). “Sorry, we don’t have room for it.”

A week earlier Seder-Masochism was the target of a de-platforming campaign in Belgium. The women’s film festival that programmed its Belgian premiere removed all traces of it from their web site after transactivists threatened them. A few days before that, I was the target of a Twitter mob for sharing opinions with Graham Linehan.

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Ebertfest’s decisions are made behind closed doors, and I’m certainly not entitled to be at any film festival. But it is my opinion that their decision is very much related to my defamation and condemnation as a “TERF”. Much of the witch-hunt against gender-critical feminists comes from Academia, and Ebertfest is an extension of the University of Illinois College of Media. Last Fall the self-described “Chair of Gender Studies” Mimi Nguyen led a campaign against me to have my film de-platformed at a local cafe.

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I am blacklisted, but I will not shut up.

Seder-Masochism now Free online!

https://archive.org/details/sedermasochism/

A week early. Enjoy!

PRESS RELEASE: Seder-Masochism to go Public Domain January 31, 2019

—PRESS RELEASE—

On Thursday, January 31, Nina Paley will dedicate her new feature film Seder-Masochism to the public domain, releasing master files on archive.org.

Seder-Masochism, an animated musical, loosely follows the Passover Seder story, with events from the Book of Exodus retold by Moses, Aharon, the Angel of Death, Jesus and the director’s father. The film puts a twist on the traditional Biblical story by including a female deity perspective – the Goddess in a tragic struggle against the forces of patriarchy.

Seder-Masochism has been in the works since 2012 when Paley first animated a scene called This Land Is Mine, a parody about never-ending conflict in the Levant which has been viewed over 10 million times on various online channels.

In addition, Paley has written and designed a companion book, The Seder-Masochism: A Haggadah and Anti-Haggadah, currently available through Amazon.

Paley released her first feature, Sita Sings the Blues, for free to the public in March 2009 under a Creative Commons Share-Alike license, dedicating it to the public domain 5 years later. Contradicting movie industry expectations, the more people saw Sita online, the more they sought it out in theaters and film festivals. In December 2009, Sita enjoyed a 5-week run at the IFC Film Center in New York (extended by popular demand beyond its planned 1-week run), and it continues screening in theaters, festivals, and special events to this day.

Accustomed to working outside the mainstream movie industry, Paley has made Seder-Masochism a one-woman project: she wrote, directed, and animated it herself on a total budget of $20,000. Being independent allows her to release and distribute her films in unorthodox ways – such as into the public domain.

A Public Domain dedication (using a Creative Commons license called CC-0) means anyone can re-use, remix, and redistribute the work, with no restrictions. All of Paley’s animation and images will be free for anyone to use however they wish; however the music will continue to be controlled by its copyright holders.

Paley has no plans to pursue commercial distribution for Seder-Masochism. “I claim Fair Use for the music, but distributors are loath to do that. Instead they’d want to obtain music licenses, which would be daunting,” she says.

Seder-Masochism has screened at nearly 20 festivals thus far, including the Vancouver International Film Festival, the Annecy International Animation Festival, and the Jewish International Film Festival of Australia. It is scheduled for more festivals through Spring 2019, including the New York Jewish Film Festival in January.

The Digital Cinema Package (DCP) release will be issued later in 2019, so that upcoming film festivals can be assured of regional theatrical premieres.

The release of her films into the public domain is just the latest effort Paley has undertaken to advocate for Free Culture. In 2008, while navigating copyright for Sita Sings the Blues, she joined the nonprofit QuestionCopyright.org as artist-in-residence, where she later created a series of shorts about Free Culture called Minute Memes. She has spoken extensively about copy restrictions and art, including her 2015 TEDx talk “Copyright is Brain Damage”.

For more information, visit sedermasochism.com or email nina@sedermasochism.com.

Seder-Masochism at the NY Jewish Film Festival!

Seder-Masochism at the NY Jewish Film Festival Sunday January 13 at 9pm & Monday January 14 at 3:45pm. I will be at both screenings! Buy tickets here.

Death of Firstborn

The Seder-Masochism Book

Graven-on-demand copies available here! Transparency: I get about $6 per $35 order. Hopefully by next year some publisher will have them offset-printed in hardcover with sewn bindings, but until then, graven-on-demand is it.

It’s a Haggadah! It’s an Anti-Haggadah! It’s coming soon! It’s almost 200 pages, in full color! Here are some pictures of the proof I just got.

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Fall 2018 North American Festival Tour wrap-up

In the last month I traveled to Ottawa, Vancouver, Mill Valley, San Francisco, Santa Cruz, and Los Angeles, to attend numerous screenings of Seder-Masochism, including the festivals below:

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This is a LONG post with lots of photos, so start after the fold. Continue reading Fall 2018 North American Festival Tour wrap-up

Seder-Masochism festivals, September-October 2018

Festivals marked with * and Bold are ones I’m attending in person!

 

Athens International Film Festival
Athens, Greece
September 19-30

AnimaSyros
Syros, Greece
September 26-30

Ottawa International Animation Festival
Ottawa, Canada
September 26-30 2018

Vancouver International Film Festival
Vancouver, Canada
September 27-October 12 (SM screenings October 3 & 4)

Mill Valley Film Festival
Mill Valley, CA
October 4-14 (SM screenings October 8 & 9)

The Goddess Animated
Capitola, CA
October 14

Animation Is Film
Los Angeles CA
October 19-21 (SM screening October 19)

Fredrikstad Animation Festival
Fredrikstad, Norway
October 25-28

AniNation International Animation festival
Jerusalem, Israel
October 24-27

Big Cartoon Festival
Moscow, Russia
October 26-November 3

 

DCPs

10+ years ago, when I was preparing Sita Sings the Blues for film festivals, I had to make heavy, unwieldy, and expensive 35mm film prints. Thankfully I don’t have to do that any more. Instead, today’s cinemas use DCP (for Digital Cinema Package) hard drives. These take advantage of advances in digital technology, as fucked up by a film industry that can’t cope with advances in digital technology. Thanks to the insane and byzantine encoding protocols designed by Hollywood to thwart what computers are inherently best at – copying – making DCPs has long been shrouded in mystery and prohibitive costs.

Since I’m cheap and have practically no income these days, I didn’t want to use a DCP-making service (called a “lab,” as if). Instead, after begging around for favors, and doing much research online, I made them myself.
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I used DCP-o-matic. It’s Free Software, created and maintained by Carl Hetherington, to whom I and many other small filmmakers owe a debt of gratitude. I can’t recommend it enough. Apparently many screening venues now use it themselves. I used it to make 2K and 4K DCP files, and English and French “version files” for subtitles. I also burned in English subtitles over “Paroles, Paroles.”

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Once I made the DCPs, I had to get them onto portable hard drives, which is no small task. You can’t just drag-and-drop copy them like normal files. Fortunately I found DCP Transfer. It’s not Free, but it is affordable – $25 a month (ugh, subscriptions) plus a $25 initial charge. Today my subscription auto-renewed, just in time for me to be gone for a month, so I contacted the company to cancel and they refunded it. That’s good service! The software works great, too. I had no problem formatting and copying DCPs onto most external hard drives. The exception was flash drives, aka thumb drives; these overheated and usually failed. It’s a pity, since flash drives are so small and convenient. But I found some relatively inexpensive 320GB USB3 portable hard drives, and made enough DCPs to satisfy film festivals.

Whatever my complaints about DCP, it sure beats making (and distributing!) film.

Ten Plagues Illustrated

I illustrated the Plagues with videoclips in 2015, but never assembled still images before. Again, thinking about a book…

 

 

Blood

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Frogs

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Lice

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Flies

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Murrain (cattle disease)

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Boils

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Hail (and fire)

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Locusts

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Darkness

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Death of the Firstborn Egyptians

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Dayenu Illustrated

As I contemplate making a Seder-Masochism Haggadah, I chose some stills to illustrate the Passover song “Dayenu”. Song does not reflect my own opinions, etc.

Out of Egypt

If He had brought us out from Egypt,

and not carried out judgements against them,

– Dayenu, it would have been enough!

Pharaoh Moses Aharon Snake

If He had carried out judgements against them,

and not against their idols

– Dayenu, it would have been enough!

Moses Ishtar1

If He had destroyed their idols,

and not killed their first-born

– Dayenu, it would have been enough!

Death of Firstborn

If He had killed their first-born,

and had not given us their wealth

– Dayenu, it would have been enough!

Wealth

If He had given us their wealth,

and had not split the sea for us

– Dayenu, it would have been enough!

Split the Sea

If He had split the sea for us,

and had not taken us through it on dry land

– Dayenu, it would have been enough!

Dry Land 2

If He had taken us through the sea on dry land,

and had not drowned our oppressors in it

– Dayenu, it would have been enough!

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If He had drowned our oppressors in it,

and had not supplied our needs in the desert for forty years

– Dayenu, it would have been enough!

Needs in Desert

If He had supplied our needs in the desert for forty years,

and had not fed us the manna

– Dayenu, it would have been enough!

Manna1

If He had fed us the manna,

and had not given us the Shabbat,

– Dayenu, it would have been enough!

Shabbat1

If He had given us the Shabbat,

and had not led us before Mount Sinai

– Dayenu, it would have been enough!

Mount Sinai1

If He had brought us before Mount Sinai,

and had not given us the Torah

– Dayenu, it would have been enough!

Torah2

If He had given us the Torah,

and had not brought us into the land of Israel

– Dayenu, it would have been enough!

Drown Oppressors2

If He had brought us into the land of Israel,

and not built for us the Holy Temple

– Dayenu, it would have been enough!

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Seder-Masochism Wikipedia article

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Today (September 10 2018) it was on Wikipedia’s main page, so I got screenshots for posterity. The article itself is here. As of my last reading it had not yet been defaced by misogynists! But sooner or later it will be.

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October 14 event with Zsuzsanna Budapest

I’ll be returning to my old stomping grounds of Santa Cruz, CA in October (actually part of a longer North American film festival tour with Seder-Masochism, which I’ll announce soon).

Animated poster! Please share.

Animated poster! Please share.

The Goddess Animated: Nina Paley and Zsuzsanna Budapest

Double feature of Nina Paley animation! Each screening followed by dialog with Zsuzsanna Budapest and question-and-answer with audience.

1pm: Sita Sings the Blues
2009 Dir. Nina Paley
Paley’s award-winning 2009 animated musical interpretation of the Hindu epic Ramayana has earned widespread critical praise, a 100% rating on RottenTomatoes, and continued places on best-of lists. Roger Ebert wrote of it, “I am enchanted. I am swept away. I am smiling from one end of the film to the other.”

4pm: Seder-Masochism
2018 Dir. Nina Paley
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director’s own father. But there’s another side to this story: that of the Goddess, humankind’s original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.

Suggested donation: $20 to support the Women’s Spirituality Forum.
Tickets at the door.

AMAZONS ENCOURAGED TO ATTEND!

Sunday October 14, 2018

Click image for high resolution poster to print out

Click image for high resolution poster to print out

Brookdale Terrace Club House
300 Plum St., Capitola, CA
Please carpool; parking is limited.

New “Prehistoric Goddess/Female Figures” Quilts

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These and more at the Seder-Masochism Merchandise Empire.

Where is Seder-Masochism?

Seder-Masochism is currently doing its film festival rounds. There are a number of festivals lined up this Fall and Winter, most of which I can’t name until they make their official announcements. I really, REALLY want to free the thing online, like, yesterday, but many festivals will disqualify any film that has an “online platform.” Film festivals are the only theatrical screenings it’s ever likely to have, so I’m not going to publicize an online release – even a Free, peer-to-peer one – until its “regional premieres” (which some festivals insist on) are done. If it’s any consolation, this waiting drives me crazy. But I’m going to wait, so that it may see the light of theater screens.

Love,

–Nina

P.S. If you haven’t seen my first feature, Sita Sings the Blues, now would be a good time to watch it! It’s Free all over the place.