Notice: This has been popular! New orders temporarily suspended while I work on backlog. I’ll offer Hundred Dollar Drawings again soon.
Example of a $100 drawing
$100: Tell Nina what to draw* and she’ll draw it. It could be as vague as a word (“quadruped,” “equinox”) or more specific (“a cat driving a car,” “a sun and moon shaking hands”) or even more specific (“a tabby cat driving a convertible sportscar over a cardboard box,” “a sun and moon shaking hands over planet Earth, sky behind them half night and half day”). Nina will email you a photo of the finished drawing, and post it on her blog and social media.
*Specify drawing in Paypal checkout
+ $25: We’ll ship you the original art. Sizes will vary but it will be on 8.5 x 11″ or smaller paper.
+ $100: I will also make a “Making-of” video of the drawing, such as the above.
Example of cleaned-up, reproduction-ready PNG file
+ $100: Drawing cleaned-up and reproduction-ready for ANY USE YOU WANT!
Q: What if I don’t like my drawing?
A: Too bad, sorry.
Q: Can you submit a sketch and let me comment for revisions?
A: No. If you want revisions, commission another $100 drawing, and a third, fourth, etc. You can get 10 $100 drawings for less than my usual professional rate.
Q: Can I use the drawing as a commercial logo for my business?
Q: Can I use the drawing for advertising or other commercial purposes?
A: Yes, anything you want.
Q: Isn’t that crazy cheap for commercial art?
A: Yes. But some of these drawings are also non-commercial. It’s all less stress for me, and I don’t care what happens to the image after I draw it. (Actually I do care – the more it’s used, the better.)
Q: What about copyright?
A: Like most of my work this is Free Culture. There’s effectively no copyright to license or buy. You can do whatever you want with the art you commission, but it’s non-exclusive. I will be posting it on my blog and social media.
Q: What if I want exclusive rights?
A: Then you’ll have to pay more than $100 – same as most professional commercial art of this caliber. Shoot me an email to discuss.
Q: What if Nina finds my drawing instructions abhorrent?
A: I will refund your money and not do the drawing. Or I’ll keep the money and willfully misinterpret your request. That might be more interesting.
Q: Can you do a caricature if I send you a photo?
A: Not very well, but I’ll try. I am not a caricaturist so likenesses not guaranteed to be recognizable or remotely able to fulfill hopes and dreams.
I noticed some artist and animator friends were posting drawings with the hashtag #inktober. This is the sort of thing I never do. But it had been years since I’d respectfully drawn with ink on paper, and I kind of missed it. So I ordered myself some different brush pens, and the day they arrived I sat down and drew these:
No warm-ups, no practice, just bam, out they came.
It’s been more than a decade since I’ve drawn in this style, with ink on paper. I’ve avoided it due to burn-out from drawing daily comic strips. Advice to you kids: turning something you enjoy into a daily job is a great way to make you hate it. I quit my last daily comic, The Hots, in 2003 (before that I did another mainstream daily, Fluff, and before that was my self-syndicated weekly Nina’s Adventures, the entire archive of which you may download here.) I guess 12 years is enough time to recover from style burn-out, at least a little.
“Inktober” has a list of “daily prompts” and I decided to just follow them:
“Squeeze” processed in GIMP to function as a black and white illustration. This is from the same photo I took with my cel phone. No scanner needed, apparently. Welcome to the future!
“Big.” I’m really liking that Uni Mitsubishi brush pen, more than the nylon hair brush pens I used to use professionally. It’ll wear out fast because it’s a compressed felt tip, but it sure is clean and easy to use.
“Big” cleaned up. in GIMP, sans scanner.
“Little” cleaned up in GIMP, from that same cell phone photo above.
I actually did 2 versions of “Little.” The one I posted before was outlined with the double ended Uni Mitsubishi felt brush pen. This one was with the nylon hair Pentel Pocket brush. I have less patience for messiness now, I guess.
Honestly I’m enjoying this so much right now I’d kind of like to take on an illu$tration gig while I’m still fresh. Too much of that and I might burn out again, but right now it would be fun.
I am blessed with a terrible memory, which allows me to get fresh enjoyment from my own work after enough time passes. So it was especially fun to come across a Facebook post in an unfamiliar language with a gif of my animation from 2004:
By some miracle, the original .fla files were on one of my main disk drives, so I reformatted one for today’s preferred 16:9 aspect ratio, and voila:
Maybe I’ll find some way to use it in a new project, and render it as 4K video. It was originally part of a short I was going to do about depression, because in 2004 I was very depressed. Instead I made Sita Sings the Blues, which was probably more therapeutic. But I sure like this walk cycle.
The original 640 x 480 gif is here, uploaded by some anonymous archivist.
Big ups to my friend Barry Israelewitz, who wrote a shell script for ffmpeg (based on this article shared in this comment by Paul Wise) and taught me how to use Terminal on my mac to make much better animated gifs than Flash exports directly. Currently it’s significantly more work than just exporting .gif from Flash, because I have to instead export a PNG sequence, import the frames to Quicktime 7, and export as a new .mov to use as an input file for making the gif. This may be streamlined a little bit in the future, but for now at least I can make higher quality gifs if I need to.
Below are close-up details of single frames. “Before” is here, “after” is above.
Here’s a smaller-sized (because fewer frames) animated gif for side-by-side before-and-after comparison:
Head on over here between 2 and 4pm EST today, Friday February 27.
UPDATE: Reddit is not allowing me to post. On my own IAMA. Granted, this IAMA was set up by someone else, who said he had duly submitted my handle (Nina_Paley, created a week ago) to the mods. But it didn’t work. I was on the calendar, but I can’t respond to questions. I am not happy about this but mods aren’t responding, so I give up. You can AMA on Twitter instead.
UPDATE 2: after half an hour the problem was corrected, and I went back and answered questions.
On a recent trip to Trivandrum, India, I decided to try learning to touch-type in Dvorak (after decades of hunt-and-peck in QWERTY). Here I share some excerpts of my “Dvorak Diary”.
Tuesday, December Thirtieth, Two thousand fourteen….
I have been kinda ‘offline’ since returning. The last legs of my flights were awful, and I still haven’t recovered, though at this point it’s probably jetlag more than exhaustion that has me failing to connect to ‘my’ world and identity. I haven’t felt connected online, and am concerned about how I let Facebook information just wash over me with no real engagement on my part. It’s a hell of a lot of information to just suck through me like a stream. I surely have more than enough information rattling around in my head already. Maybe it’s time to let it settle, to digest it and let it adjust to the habitat of my mind and maybe make something of itself instead of just washing through like a tsunami. I feel less satisfied being an information node than a full human animal. Jetlag reminds me I am an animal, and no amount of information can heal my exhausted body. I recently read that staring into screens is terrible for sleep – I read that staring into a screen, ha ha – so last night I didn’t check email or read Facebook.
Is Facebook the television of today? It’s not broadcast, and it can be useful sometimes, but I become very passive with it, especially at night when I turn to it in my insomnia.
As for the music, it is Fair Use. This Land Is Mine is a PARODY of “The Exodus Song.” That music was sort of the soundtrack of American zionism in the 1960’s and 70’s. It was supposed to express Jewish entitlement to Israel. By putting the song in the mouth of every warring party, I’m critiquing the original song.
Sigh. No one “owns” Sita Sings the Blues, or any of my Free works, but things like this fraudulent copyright claim keep happening:
false copyright claim
I’ve never had any problem with Next New Networks. I like its founder Fred Siebert. Since I believe the folks at Next New Networks are cool, maybe they could assist with a “teaching moment” and figure out where along the chain of bureaucracy this happened. It would be helpful and enlightening for many to see just how easy it is to make a false copyright claim in YouTube’s hair-trigger content ID system.
Since Sita Sings the Blues is now CC-0 “Public Domain”, I can’t go legal over things like this, nor do I want to. I do wonder what happens with fraudulent claims over other Public Domain material. Do different entities just randomly claim PD works and then duke it out with each other? If PD material can be claimed by big corporations, that will exclude small players from using it because they don’t have the resources to challenge said false claims. But don’t get me started.
Update: Mike Schmitt, who took the screenshot at top, says,
“BTW, the copyright claim flags the 0:34-second mark in the trailer, which is the exact point at which the percussion-heavy song starts. So AFAIK it’s a content claim against the song (since there seems to be some confusion here). The same entity holds a copyright claim against the other Sita trailer on my channel, which starts with a different song. ETA: the video in question is here: http://www.youtube.com/watch?v=GI0ehPVUGzs “
Tupi’s strength is its simplicity; it’s great for kids and anyone new to animation. It doesn’t yet have the power I need to produce feature films, but its development is a good thing for all of us. Since it’s FLOSS (Free Libre Open Source), any innovations made in Tupi can be applied to other Free programs, and anyone who wants to customize it can. Oh, and it’s free – you can download and start playing with it right now.
“40 Years in the Desert,” a talk I gave at Copycamp in Warsaw, Poland, on November 26 2012. Audio is a bit messed up until 02:49, so just start there. I talk a bit about Questioncopyright.org and Minute Memes, liberally quote Rick Falkvinge, mention Fair Use and Creative Commons before getting into Intellectual Disobedience. Toward the end I discuss Seder-Masochism’s release plan.
Update: The account is now unblocked, with this message from Facebook:
I’m so sorry for the inconvenience caused, there was a temporary misconfiguration in our photo review systems which caused a very small subset of users to be incorrectly enrolled in one of our checkpoints. There was no issue with your original photo, we have a combination of automated and human-review systems dedicated to keeping people safe, and a bug caused one of these systems to incorrectly enroll a small number of users into checkpoints.
We have since remedied the issue, and remediated all affected accounts. Please let me know if you or others are still experiencing any difficulties.
This morning I posted this adorable photo on Facebook:
Nut the cat hugging my face. Photo by Theodore Gray
Being a cute picture of a cute cat, it got a lot of “likes” and comments. A few hours later I followed up with this photo (accompanying text in the caption):
Another photo of Nut and me. Here you can see in more detail how Nut presses her face as hard as she can into mine. She does this all night, by the way. If I move my face away, she rearranges herself to grip the back of my head as tightly as possible. If I'm face-down on the pillow, she slides her paws under into my eye sockets and mashes her head into my ear. It's very cute but I don't think I could stand it every night.
Shortly thereafter, FB wouldn’t let me view my feed, instead giving me this message:
“We noticed you may be posting photos that violate our Community Standards. Help make Facebook better by cleaning up your photos and removing friends that post nudity or other things that violate our standards.”
Then it took me directly to all my photos and said,
“To keep your account active, please remove any photos that contain nudity or sexually inappropriate content. Check the box next to each photo you need to remove.”
I didn’t have a single dirty photo to check, so I checked none and then clicked the box that said, “I have checked all my photos that violate Facebook’s policies.” For that, I was rewarded with this:
“Because you uploaded photos that violate our policies, you won’t be able to upload photos for 3 days.
“If you have other photos on the site that violate our policies, be sure to remove them immediately or you could be blocked for longer. After this block is lifted, please make sure any photos you upload follow Facebook’s Policies.”
Followed by another checkbox that says,
“I understand Facebook’s policies and I won’t upload any photos that violate these policies.”
But I haven’t checked that box yet, because I really don’t understand Facebook’s policies. At all. Maybe Franz Kafka could explain them to me. Can you?
UPDATE: several hours later, I still can’t see my FB home page/news feed. This is what I continue to get instead:
I envisioned This Land Is Mine as the last scene of my potential-possible-maybe- feature film, Seder-Masochism, but it’s the first (and so far only) scene I’ve animated. As the Bible says, “So the last will be first, and the first will be last.”
Mamluk of Egypt
Wikipedia sez, “Over time, mamluks became a powerful military caste in various Muslim societies…In places such as Egypt from the Ayyubid dynasty to the time of Muhammad Ali of Egypt, mamluks were considered to be “true lords”, with social status above freeborn Muslims.” And apparently they controlled Palestine for a while.
Did I mention this is a cartoon? Probably no one went to battle looking like this. But big turbans, rich clothing and jewelry seemed to be in vogue among Ottoman Turkish elites, according to paintings I found on the Internet.
A gross generalization of a generic 19-century “Arab”.
The British formed alliances with Arabs, then occupied Palestine. This cartoon is an oversimplification, and uses this British caricature as a stand-in for Europeans in general.
The British occupied this guy’s land, only to leave it to a vast influx of….
Desperate and traumatized survivors of European pogroms and death camps, Jewish Zionist settlers were ready to fight to the death for a place to call home, but…
State of Israel Backed by “the West,” especially the US, they got lots of weapons and the only sanctioned nukes in the region.
Guerrilla/Freedom Fighter/Terrorist Sometimes people fight in military uniforms, sometimes they don’t. Creeping up alongside are illicit nukes possibly from Iran or elsewhere in the region. Who’s Next?
The Angel of Death
The real hero of the Old Testament, and right now too.
Note: If you want to support this project, please notice I have Paypal and Flattr buttons. TAX-DEDUCTIBLE donations accepted via the nonprofit QuestionCopyright.org.
With all the false copyright claims happening on Youtube, I’m lately asking myself why I use it at all. I guess the main reason is the Network Effect: Youtube is the most popular video host, so that’s where most people go to find videos. If my vids aren’t on Youtube, there’s a chance they won’t be found.
But I’m not sure that’s a good enough reason, in light of all the Content ID abuse. Thanks to Brewster’s comment yesterday, I’m embedding archive.org video below. If this works, it’ll be an ideal alternative.
Another alternative to Youtube is Vimeo. I’ve had problems with Vimeo’s speed, and have embedded videos fail to load. But maybe those problems will resolve.
A bonus feature of both of these: they don’t seem to use Flash (which my current Chrome browser doesn’t support anyway).
Anyone care to comment on the quality of the archive.org and vimeo embeds above?