Big ups to my friend Barry Israelewitz, who wrote a shell script for ffmpeg (based on this article shared in this comment by Paul Wise) and taught me how to use Terminal on my mac to make much better animated gifs than Flash exports directly. Currently it’s significantly more work than just exporting .gif from Flash, because I have to instead export a PNG sequence, import the frames to Quicktime 7, and export as a new .mov to use as an input file for making the gif. This may be streamlined a little bit in the future, but for now at least I can make higher quality gifs if I need to.
Below are close-up details of single frames. “Before” is here, “after” is above.
Here’s a smaller-sized (because fewer frames) animated gif for side-by-side before-and-after comparison:
Much better, no? Plus using Terminal is METAL.
Head on over here between 2 and 4pm EST today, Friday February 27.
UPDATE: Reddit is not allowing me to post. On my own IAMA. Granted, this IAMA was set up by someone else, who said he had duly submitted my handle (Nina_Paley, created a week ago) to the mods. But it didn’t work. I was on the calendar, but I can’t respond to questions. I am not happy about this but mods aren’t responding, so I give up. You can AMA on Twitter instead.
UPDATE 2: after half an hour the problem was corrected, and I went back and answered questions.
Tuesday, December Thirtieth, Two thousand fourteen….
I have been kinda ‘offline’ since returning. The last legs of my flights were awful, and I still haven’t recovered, though at this point it’s probably jetlag more than exhaustion that has me failing to connect to ‘my’ world and identity. I haven’t felt connected online, and am concerned about how I let Facebook information just wash over me with no real engagement on my part. It’s a hell of a lot of information to just suck through me like a stream. I surely have more than enough information rattling around in my head already. Maybe it’s time to let it settle, to digest it and let it adjust to the habitat of my mind and maybe make something of itself instead of just washing through like a tsunami. I feel less satisfied being an information node than a full human animal. Jetlag reminds me I am an animal, and no amount of information can heal my exhausted body. I recently read that staring into screens is terrible for sleep – I read that staring into a screen, ha ha – so last night I didn’t check email or read Facebook.
Is Facebook the television of today? It’s not broadcast, and it can be useful sometimes, but I become very passive with it, especially at night when I turn to it in my insomnia.
Due to horrific recent events, This Land Is Mine has gone viral again.
As for the music, it is Fair Use. This Land Is Mine is a PARODY of “The Exodus Song.” That music was sort of the soundtrack of American zionism in the 1960’s and 70’s. It was supposed to express Jewish entitlement to Israel. By putting the song in the mouth of every warring party, I’m critiquing the original song.
I’ve never had any problem with Next New Networks. I like its founder Fred Siebert. Since I believe the folks at Next New Networks are cool, maybe they could assist with a “teaching moment” and figure out where along the chain of bureaucracy this happened. It would be helpful and enlightening for many to see just how easy it is to make a false copyright claim in YouTube’s hair-trigger content ID system.
Since Sita Sings the Blues is now CC-0 “Public Domain”, I can’t go legal over things like this, nor do I want to. I do wonder what happens with fraudulent claims over other Public Domain material. Do different entities just randomly claim PD works and then duke it out with each other? If PD material can be claimed by big corporations, that will exclude small players from using it because they don’t have the resources to challenge said false claims. But don’t get me started.
Update: Mike Schmitt, who took the screenshot at top, says,
Tupi’s strength is its simplicity; it’s great for kids and anyone new to animation. It doesn’t yet have the power I need to produce feature films, but its development is a good thing for all of us. Since it’s FLOSS (Free Libre Open Source), any innovations made in Tupi can be applied to other Free programs, and anyone who wants to customize it can. Oh, and it’s free – you can download and start playing with it right now.
“40 Years in the Desert,” a talk I gave at Copycamp in Warsaw, Poland, on November 26 2012. Audio is a bit messed up until 02:49, so just start there. I talk a bit about Questioncopyright.org and Minute Memes, liberally quote Rick Falkvinge, mention Fair Use and Creative Commons before getting into Intellectual Disobedience. Toward the end I discuss Seder-Masochism’s release plan.
Update: The account is now unblocked, with this message from Facebook:
This morning I posted this adorable photo on Facebook:
Being a cute picture of a cute cat, it got a lot of “likes” and comments. A few hours later I followed up with this photo (accompanying text in the caption):
Shortly thereafter, FB wouldn’t let me view my feed, instead giving me this message:
Then it took me directly to all my photos and said,
I didn’t have a single dirty photo to check, so I checked none and then clicked the box that said, “I have checked all my photos that violate Facebook’s policies.” For that, I was rewarded with this:
Followed by another checkbox that says,
But I haven’t checked that box yet, because I really don’t understand Facebook’s policies. At all. Maybe Franz Kafka could explain them to me. Can you?
UPDATE: several hours later, I still can’t see my FB home page/news feed. This is what I continue to get instead:
I envisioned This Land Is Mine as the last scene of my potential-possible-maybe- feature film, Seder-Masochism, but it’s the first (and so far only) scene I’ve animated. As the Bible says, “So the last will be first, and the first will be last.”
Who’s Killing Who? A Viewer’s Guide
Because you can’t tell the players without a pogrom!
Mamluk of Egypt
The Angel of Death
Note: If you want to support this project, please notice I have Paypal and Flattr buttons. TAX-DEDUCTIBLE donations accepted via the nonprofit QuestionCopyright.org.
With all the false copyright claims happening on Youtube, I’m lately asking myself why I use it at all. I guess the main reason is the Network Effect: Youtube is the most popular video host, so that’s where most people go to find videos. If my vids aren’t on Youtube, there’s a chance they won’t be found.
But I’m not sure that’s a good enough reason, in light of all the Content ID abuse. Thanks to Brewster’s comment yesterday, I’m embedding archive.org video below. If this works, it’ll be an ideal alternative.
Another alternative to Youtube is Vimeo. I’ve had problems with Vimeo’s speed, and have embedded videos fail to load. But maybe those problems will resolve.
A bonus feature of both of these: they don’t seem to use Flash (which my current Chrome browser doesn’t support anyway).
Today I received not one but two fraudulent copyright claims on my Free and Copyleft work (instances of Sita Sings the Blues and All Creative Work is Derivative). I’ve also received fraudulent claims on Copying Is Not Theft, as have others who have re-posted it and translations.
This is why I’m looking into Chinese video hosting. When China starts looking like a Free Speech haven, something is really wrong with the United States.
Youtube has been so rife with Content ID abuse – including multiple false claims on our Free Culture anthem, Copying Is Not Theft – I decided to try a Chinese video host. I’m embedding it here just to test how it works. So far the audio seems a little out of synch – anyone else getting that? Comments welcome below.
This afternoon I gave a Sita Sings the Blues talk to a roomful of 15-to-17-year-olds. Near the end I explained Free Culture and my stance against copyright, which led to some interesting discussion. Turns out most of them are manga fans, and familiar with publishers’ complaints about scanned and translated manga shared freely online. They all read them anyway (except one, who prefers to read entire manga in the bookstore). I asked them how they would choose to support artists they liked (once they had some disposable income) and they said:
Semi-related, I took an informal poll of how many would prefer to read a book on paper vs. an e-reader. The vast majority said paper, but what they really seemed to want was dual formats: paper copies to read comfortably and collect, and digital copies to search and reference. Makes sense to me. Only two of them had iPads, and none used them for “enhanced eBooks.”
My favorite quote of the afternoon: