Render Unto D-Cinema

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So I haven’t raised enough money to make a 35mm film print (yet). But I did raise enough to make a Digital Cinema Package, because the Stuttgart International Animation Festival offered a deal. And I borrowed enough to buy a new computer to re-render the entire 82-minute feature at a suitable higher resolution.

See, when I started Sita Sings the Blues, I couldn’t afford the processor power or disk space to work at the ideal resolution: 1920 x 1080 pixels. Instead I compromised at 1280 x 720 pixels, which in spite of being half the ideal resolution looks almost as good. The 35mm film test I did of Battle of Lanka looks great, anyway. But film has a natural grain, plus film floats around the screen a little, a result of analog frame registration (aka sprockets), both of which mask and “warm up” digital flaws. D-Cinema, however, has rock-solid registration and no grain, making it potentially less forgiving than film. Meanwhile computers and hard drives have gotten predictably cheaper since I began the project, and December is a “lost month” in New York anyway, it’s not like I’d have any freelance gigs or make any headway on promotions, and everyone gets lazy at work or leaves town, so… here I am, watching little blue progress bars for hours and days on end. Boring? You bet! But it will make the movie look infinitesimally better, so it’s all worth it. Also, D-Cinema supports 6-channel audio, so my sound designer is planning a super-duper surround-sound experience, which will make the picture look a lot better.

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Author: Nina Paley

Animator. Director. Artist. Scapegoat.

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