Hooray for Entropy!

Remember the days before digital copying? Every copy introduced small errors; a copy was always a degraded, inferior version of its parent. But entropy has a beauty of its own, as in this beautiful film By Alexander Stewart (it’s not embeddable, so you have to follow this link):

Errata is an animation made by photocopying copies of copies. Starting with a blank sheet of paper, each successive copy becomes a frame of animation, meaning that each on-screen image is a copy of the last. All movements, pans and zooms in the film were accomplished using standard zoom and shrink features on copy machines; the animation camera used to shoot the copies onto 16mm film was not used to manipulate or direct the film’s motion. Comprising thousands of copies made on a dozen copiers, the resulting imagery is a moving Rorschach test of analog textures, bleeding ink spots and pareidolic cloud formations.

In contrast, digital copies are perfect – indistinguishable from their “originals.” Compression, however, retains that exciting element of entropy, as artist hadto demonstrates:

Granted he intentionally increased the compression from frame to frame; the discussion on the video page  is enlightening (and led me to Errata in the first place).

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Updated “Sita” trailer at archive.org

I finished it back in March, but neglected to upload it to archive.org until today. This one features the voices of Bhavana Nagulapally, Aseem Chhabra and Manish Acharya at the beginning.

You can see some other clips from Sita on composer Todd Michaelsen’s professional reel here.

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