Category: Animation
Adios Encore
I’m off to France, Serbia and London, back mid-July. I’ll blog if I can, but posts may be sparse depending on internet access and free time. See you in Europe!
The Apprentice Moves On
Wayyyy back in the Summer of 2005, I took on my first – and only – apprentice, Jake Friedman. In exchange for my Flash guidance, Jake worked on monkey-on-demon violence in the “Battle of Lanka” chapter of Sita Sings the Blues, devising some charmingly creative gore.
3 years have passed, and now Jake brings us this:
Press for Success
Another round of articles about Sita Sings the Blues:
“imaginative, giddily witty, visually delicious”
—Seattle Weekly (Editor’s Pick)Animating a Personal Flash Epic: The Making of Nina Paley’s Sita Sings the Blues
a long, detailed, and honest (maybe too honest) interview with Bryant Frazer for Film&VideoGods, Princes and Demons
New Statesman article by Salil Tripathi about the British Library’s Ramayana exhibit, including a paragraph on SitaNina Paley’s Path to “Sita Sings the Blues”
a long article by Ed Liu for ToonZone
Return of the Stork
My short film The Stork went missing recently – in fact its entire host, clusterfunction.com, was alarmingly missing from the interwebs for a while. But it’s back now (whew!), and cluster-functional as ever. Nonetheless, here’s a link for another host, Channel13. (The clusterfunction link can always be accessed by clicking the little picture of a stork head on the right-hand column of this page. Click all the different pictures and see what happens!)
Channel13, like Frederator before them and every other corporate or commercial or just plain big web site wants me, the media creator, to direct my fans to their site for their benefit, throwing in a small bone – you can vote for my film, and if it wins it’ll be broadcast on Channel 13 next Saturday, and I’ll get $500. I can tell you that in spite of countless friends and family voting for the Sita Trailer, it failed to win the “Freddie Award” – meaning some other creator managed to send even more of their friends and family to the site (for free of course). So I’m not very optimistic about “winning,” and I’m pretty ambivalent about these contests, as they exploit small non-commercial fan communities. However, I want both the Sita Trailer and The Stork to be seen by as many people as possible, so I’ll continue to let bigger websites use them as hit-bait under the guise of a contest. I guess. Maybe.
Oh yeah, feel free to vote. Or not.
UPDATE: “Stork” didn’t win, but did lead for a while. Thanks to everyone who voted for it!
Whining Advisory Next 600 Words
I got back from Stuttgart, still coughing (albeit less), and slept for about 2 days. Now I’m slogging through my backed-up emails and figuring out what to do next. I looks like I’ll be touring the Eastern Hemisphere most of June and July, and sub-letting my Hell’s Kitchen apartment. Interested parties please get in touch – the apartment comes with my cat Bruno, who needs daily food and love.
You’d think I’d be all overjoyed about this, but actually I’m stressed and confused. Will Sita get a distribution deal? Will it win an award? Awards drive me crazy – I always want one, “for the sake of the film,” I tell myself, but surely it’s for my ego. Press too is like coke, I always want more; google blogsearch is becoming a compulsion. I compare Sita‘s progress with other films, which can’t be good. I’d like to detach from all this, but what about the festivals? This is my big chance to attend film festivals, it’s not like I can postpone them all until next year. But film festivals are orgies of comparison: who’s getting the most press? the best reviews? whose shows are selling out first? who’s getting the award? These are enemies of the Muse, and I’m not sufficiently mature to maintain my equilibrium in their midst.
Also, I am out of money and racking up expenses like you wouldn’t believe. Take “film festival rights”: publishers charge at least $500 a song just to play the film at festivals – and I don’t get money at festivals, I spend money to make the prints and stuff. I’m spending money I don’t have to get the film out there, and although something always works out, I have no idea how I’m going to pay for French subtitles (the “honor” of attending the Annecy Animation Festival is costing me over $5,000), or legal fees, or rent. Someday the film could bring money in, but I’m not sure how I’m going to make it to that day, if it ever comes.
What a whiney post this has turned out to be. On the brighter side, I’ll post next about all the sweeet reviews Sita got at Tribeca, with tasty little quotes selected by Publicity Bitch herself. But I am not Publicity Bitch. I am a servant of the Muse who is losing her way.