Here it is, the intro/prologue to Seder-Masochism. Uploaded at 1080p instead of 4K because I’m sure I’ll fuss with it still.
It is by far the slowest-paced thing I’ve ever animated. Be patient. Best at full screen.
Animated in Moho Pro.
I am a better line processor than any algorithm we currently have access to. Behold what I turned into a SINGLE LINE by hand:
Many people think we’re using Mathematica to do the drawings of our Quilt Money. We’re not! I am drawing all this stuff by hand. Theo uses Mathematica to route my drawings that contain T-intersections, but I’m learning to make my drawings single lines without T-intersections by hand, because they route much better that way. Everything below was drawn by me, by hand:
Only a few bits (the seals and part of the border) need to be routed in Mathematica. Everything else I drew as single paths. Which is quite a brain-hurter, lemme tell ya. Here’s a screen capture of me working on this same project last week:
I could do this much more efficiently now, using what I’ve learned since then. Which is good, because the better I get at this, the more I can help someone else create algorithms to automate this kind of work.
And yes, at some point we hope to offer an affordable $100 Quilt. But first I have to get the design right, and then our potential partner has to be able actually produce it without losing money. We’re working on it.
Single-line art is the holy grail of quilting design: the sewing machine head can stitch the entire design without starting, stopping, or breaking thread. To illustrate this for an upcoming talk I drew a holy grail as a single-line drawing. I did this by hand in Flash, and made this simulation of a simulator by deleting line segments one at a time.
I would love a program that intelligently automatically converts my line art into single-line art. Theo made something like that already, which preserves all the line segments and relies on back-tracking. But I’d also like something that replicates what I did here by hand: removing and adding small line segments so no back-tracking is needed. It would need to analyze which smaller line segments could be sacrificed, and which segments could be doubled (parallel lines can be easily added to a design like this).
You need single line art for automated quilting, and that’s what we do. But getting from regular line art to single-line art is currently no small task, for humans or computers.
I’m currently animating the Death of the Firstborn Egyptians (Exodus 11:1-12:36) for Seder-Masochism. This is the miracle that started Passover! Hooray! I’m being sarcastic!
Back on the Quiltimation front, I was wondering if I could arrange animated frames on a quilt in a mandala/medallion pattern, rather than left-to-right cells. This would essentially be a quilted phenakistoscope, with the animation emerging as the whole thing is rotated (we’d keep the camera and lights stable, and rotate the quilt).
This is a TEST of the One Thousand Dollar Quilt, conceived as a more affordable version of my handmade Ten Thousand Dollar Quilt.
This is a test, it is only a test. We stitched out two versions to see how the quilt plotter would handle it, how the thread density would look, etc. There’s well over half a million stitches here, and it took the plotter about a day to stitch. Then I spent half a day cutting, sewing, and ironing binding, and binding it.
It’s about 8 feet long. The front is high thread count unbleached cotton muslin, the back is regular thread count same. The batting is a mystery – either polyester or poly-cotton, not sure because it’s left over from another project Theo bought it for, and he doesn’t remember. The quilt is remarkably soft and flexible given all the dense stitching
Unlike the Ten Thousand Dollar Quilt, which uses reverse applique, this gets its color solely from the thread. The result is lower contrast, but I like all the stitch lines. Also there’s no way I could do a reverse applique version for under a thousand dollars.
The thread is polyester: the dark green and white are 40 weight, and the lighter green is 30 weight, which is significantly thicker. We may do another test using 30 weight dark green. Heavy thread works beautifully, but it’s very expensive. Then again for a Thousand Dollars we can use expensive thread.
Registration is off as expected, but could be worse. He have a strategy for improving registration in the next test.
The portrait medallion fill will be crosshatched in the next version. I didn’t like these curved shading lines at all, because the machine double-stitched some of them which ruined the gradient effect. The next version will also have fill lines on Cleveland’s face, along with a larger border with more of the swirly fill.