Theo stitched the yesterday’s dancer outline with the background inverted to make a fill.
Today’s embroidermation features a rotoscoped dance outtake performed by Reena Shah about 7 years ago for Sita Sings the Blues. Theo coded the stitches and the animated sin wave loop background. This is designed for larger quilts, but this version is tiny as it was stitched on our embroidery machine.
I sewed the 16 panels together like so:
That’s what Theo Gray and I are calling our quilting/embroidery/stitchcoding/animation collaboration. PaleGrayLabs.com currently redirects to the “quilting” category of this blog, but hopefully it’ll get its own web site eventually. Mostly so we can use this logo I designed:
It took me a while, but I finally got around to stitching the Ziz quiltimation into a single wallhanging. To recap, here’s how these frames look in a movie:
Last weekend Theo and I visited Central Missouri to look at a quilt plotter. We brought our own design to test. Here’s a video:
And here’s our finished test quilt:
Theo did all the stitchcoding, and made the graduated spirals in Mathematica.
This certainly gives us a lot to think about.
The source animation (a vector file sequence) was adapted from my short segment for the upcoming feature film “The Prophet.” That will definitely not be rendered in Embroidermation, but the Tree of Life is such a classic, traditional embroidery motif it was just crying out to be used in this test.
In addition to stitchcoding, Theo hooped and ran the machine on all 96 frames, and then he made them into a flipbook.
Because he’s crazy, that’s why. He even crafted a copper rig to cut out the frames precisely, and register them for photography (he photographed them too).