Watch me go on and on (and on) about copyright!

See me babble away on my current favorite subject, copyright and what’s wrong with it, over at questioncopyright.org. Here’s a sample:


Yes, the video is squished horizontally, because it was in DV format but uploaded on square pixels (I can’t wait until everyone just uses solid-state progressive-scan cameras). Also the audio is way compressed – it thoundth like I’m lithping. But the ideas come through.

This interview was conducted by Karl Fogel on November 6, 2008, at the Software Freedom Law Center in New York.

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my next project

I’m finally ready to start my next project. It will be about freedom of speech, freedom of expression, and current threats to those traditions, especially our corrupted copyright system. As with Sita before it, “I’ve got a song in my heart and it’s gotta get out.” Also as with Sita before it, I have no idea at this point exactly what I’m going to make or how I’m going to make it, but I know it’s gotta be made.

Will it be another feature film? Or will it be a series of shorts, or a comic book? Whatever its form, I’m thinking it should be free by design. The problem with feature films is they’re still distributed through an old business model that runs counter to freedom of expression. It doesn’t have to be this way forever, but right now bad laws, media consolidation, and “gatekeepers” make the film world work against cultural progress. And I’m all about cultural progress, just like the US constitution:

“To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.”(link)

Unlike Sita before it, I am beginning from a place of financial ruin; I am broke and in debt. But I still have my computer, and I have as much time as the project needs. I do need a way to stay alive though. I need money, but NOT through suppressing speech or restricting access to my work, which doesn’t make money anyway. Suggestions? I could:

– ask for donations here
– partner with existing free speech organizations

If the latter, who can help? Where do they get money? Anyone want to partner up with me?

The copyright system has certainly failed me as a means to extract money from my art. Perhaps the old patronage system will work better, especially if distributed over thousands of supporters. Or maybe we should try this? What do you think?

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“copyright was designed by distributors, to subsidize distributors, not creators.”

Read more at QuestionCopyright.org. Or continue reading here after the fold – the author, Karl Fogel, actually wants people to read his essay – imagine that! – and therefore grants permission for all to copy it.

Continue reading ““copyright was designed by distributors, to subsidize distributors, not creators.””

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Free Culture

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If you want to know more about how the American copyright system became broken, and why instead of fostering creative innovation like it used to, it now suppresses it, read Free Culture by Lawrence Lessig. Heck, read it anyway. You can buy the printed book or download it for free. It illuminates everything Sita Sings the Blues is up against, and why you should care.

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…and on the Speech frontlines in India:

Salil Tripathi wrote an informative, well-informed article about whether Sita Sings the Blues can avoid being banned in India. It’s in the Far-Eastern Economic Review, and to read the whole thing you have to subscribe ($120 yikes!), but if you’re already a subscriber do check it out.

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