Animator. Director. Artist. Scapegoat.
Some people love Sita Sings the Blues enough to devote time and energy (and probably money!) to protesting it in public. My movie is now in the same league as the paintings of the late M. F. Hussein. I have arrived.
Related: Aseem Chhabra on Sita Sings the Blues and free speech, in the Mumbai Mirror.
Come see Sita Sings the Blues in Queens!
Thursday July 21st
5pm to 8pm
Starlite Pavillion
130-05 101st Avenue
Richmond Hill, NY 11419 (map)
Admission: $5
I will be there for a panel discussion afterwards, along with Aseem Chhabra (aka Shadow Puppet #1), Ravisharon Kaur, and Bina Mahabir.
There’s an extra special reason you should attend this screening: it was organized, at great effort, by a devout Hindu, Rohan Narine, for a largely Hindu audience. He originally set it up at his Mandir, but after a while someone nixed it. Then he rescheduled it at a Hindu senior center, and again, after a while, someone else nixed it. Finally he chose the neutral Starlite Pavillion, and of course the Hindutvadi fundamentalists want to “protest” it (in their usual classy way, by sending hundreds of batshit emails). Now, there have been thousands of Sita Sings the Blues screenings, but this is the first one to be specifically targeted. Why? Because this screening was organized by actual devout Hindus, and the Hindutvadis can’t stand that. So please, show some love for our real Hindu friends, and come to this screening.
Still not sure? Here’s Hinduism Today‘s endorsement of Sita Sings the Blues.
Love,
–Nina
Update: Tyrants only have power if you give it to them. Unfortunately, the Starlite Pavillion just canceled the Sita Sings the Blues screening.
After one or two (or more?) years of being blocked on German Youtube, the full-length noncommercial Sita Sings the Blues movie is once again viewable in Deutschland:
I assume this is because last week I posted this video, complaining about why my 100% legal and painstakingly and expensively licensed movie was blocked in Germany:
Apparently many Germans are none too pleased with GEMA themselves, as indicated by interesting comments here. Some industry shills weighed in as well, but it looks like popular sentiment is against them. The story was shared widely, including in Der Spiegel and the New York Times online editions.
It’s not clear how an American YouTube user is supposed to contest takedowns in Germany. When I was in Berlin recently, it was suggested I find a German lawyer to take some sort of action. At the very least, I would need someone in Germany to contest the takedown on my behalf. I imagine that would have been a slow and possibly expensive process. Then I thought of making this video. Although it took some work (writing a statement – yes I know it’s an imperfect statement, I did the best I could with the knowledge I had – shooting the video, recording the audio via a separate mic, transferring files, editing, compressing, etc.) it was less work than managing an international legal process. And it got results fast! Better still, it contributed to ongoing debates about GEMA and Intellectual Pooperty in general.
My thanks to everyone who helped spread the word about this, and especially people in Germany who checked the Sita Sings the Blues URL and confirmed when the movie was blocked, and when it was unblocked.
Apparently it’s been blocked there for over a year, but without lawyers there’s not much I can do about it from the US….so I made this video. Please share, especially if you’re in Germany.
Here’s what I’ve been working on the past couple weeks:
Yep that’s “Laxmi” from Sita Sings the Blues. Cotton fabric, polyester batting, polyester thread. 52″ wide by 72″ high – twice as big as any of my 4 Elements panels. I might sew some shiny gold sequin things coming out of Her open hand to symbolize the gold coins that are often shown pouring out of it. Continue reading “Laxmi Devi quilt”
Please don’t ask my permission to re-use my work. YOU ALREADY HAVE PERMISSION. Please copy, share, re-use, redistribute, edit, modify, sell, etc.
Asking permission wastes your time, and mine. You might not mind wasting your time. Many people think asking for permission is a “sign of respect.” But what about my time?
Information (including all of my work) is not scarce. Attention (time) is.
Emails get lost in spam filters. They get lost amid the hundreds of other emails in my inbox. I’ve been known to take vacations and actually get away from my computer for a few days – something I should be doing more often. So what happens if you don’t get any response to your permission request? Do you not reuse the work? A work that has been explicitly made Free in the hopes you will reuse it? Not reusing the work harms the work, and harming a work is disrespectful. Delaying reusing the work likewise harms the work, in smaller increments.
Suppose a “respectful” email asking for permission which has already been explicitly granted doesn’t get caught in a spam filter or lost in some other glitch. Suppose it actualy makes it into my inbox. Now I am obligated to respond – the requester essentially said, “I’m not going to use this work unless you respond.” As “respectful” as this sounds, it places an unfair burden on me. The work, and any use of the work, should not be held hostage pending my checking and responding to email.
It is not “respectful” to make me do more, unnecessary work.
More importantly, asking permission is bad for the work itself. If you refuse to reuse the work unless I send you an email, you are blocking an expression or distribution of the work. How many days or weeks or months are you willing to put it off pending my ability to process email? Or worse, someone thinks it’s “respectful” to require me to sign papers and mail them back. Yes, this happens. I have such paperwork sitting right here, telling me that unless I sign it and mail it back, they won’t use the work they already have explicit permission to use. How is it “respectful” to make me jump through more hoops before they redistribute or remix a work I’ve made explicitly Free?
If you want to show respect, please send me something like this instead:
Dear Nina,
I thought you might like to know I’ve reused _________________ in _________________. Check it out at (insert URL here). Thanks for making the work Free!
Love,
Someone Who Understands Yes means Yes
Ahh, lovely. Thank you!
A complaint I hear often is that nowadays thanks to the inerwebs, not only do artists “have to give their work away for free” but they also “have to be businessmen.” HA! One goal of freeing my work is to free me of paperwork, contracts, and the role of manager – and what is having to oversee and administrate every re-use but management? In the “Intellectual Property” model, artists either have to do much more negotiating and managing and paperwork, or they have to pay someone else to do it for them. They have to be businessmen, or hire businessmen. And hiring businessmen (agents, lawyers, etc.) still requires much paperwork, negotiating, and contracts.
Some still insist that I’ve “maintained more control” over Sita Sings the Blues. The point is I have maintained no control over it, and that benefits me. The point is I don’t have to be a business(wo)man. The point is that other people, the crowd, distribute the work, and cost me nothing.
As long as they don’t ask for permission.