UPDATE 2: So many people have RSVP’ed we’re adding a second show at 9pm. 7pm is full. If you show up at 7 and your name’s not on the list, you can still see the preview at 9. Or there may be some no-shows you can replace.

UPDATE: if you want to attend the New York screening, please RSVP with “Sita NY” in the subject, to:nospam.jpg
Space is limited, and priority will be given to those with names on the list. This is just a sneak preview; the bigger and better genuine premiere will happen in 2008.


New York:

Saturday, November 17, 7:00 pm and 9:00pm
NYU Tisch School of the Arts, room 006 (lower level)
721 Broadway, between Waverly Place and Washington Place
New York City

We’ll screen the whole 82-minute feature on DVD, then the 3-minute 35mm film test of “Battle of Lanka,” so you can see just how gorgeous it looks on film.

San Francisco:

Saturday, December 1, 8:00 pm
Oddball Film
275 Capp Street
San Francisco, CA 94110
$10 donation
RSVP 415.558.8117 or email info at

See the whole 82-minute feature on DVD. We’ll have samosas, T-shirts, and GOOD TIMES.

Both screenings are excellent opportunities for those of you who wish to contribute to the making of the 35mm film print to see what you may be supporting. And hopefully I’ll have fiscal sponsorship by then, meaning any donations (as opposed to loans) will be tax-deductible! Of course I’ll be there, answering questions, hawking art prints and begging for money. FUN!



Why Film?

Ms. Laaw-yuhr asks a good question: why go through the trouble and expense of putting Sita Sings the Blues on 35mm film?

1. The most prestigious and important film festivals still show only film, not video. The next deadline for the first of these is Berlin, November 1st. If Sita is accepted, she’ll have to be on film by the end of January.

There’s been a huge proliferation of film festivals in recent years, and many do screen video and DVD. But the “big five” (Berlin, Cannes, Venice, Toronto and Sundance) retain a strong preference – if not outright requirement – for film.

2. Professional distributors prefer film, and I hope to attract a distributor.

3. The digital projectors in mainstream theaters use a proprietary codec, as deigned by the Motion Picture Association. Obtaining the license for that codec is expensive.

4. Art houses, the likeliest theatrical destination for “Sita,” seldom have the fancy new digital systems anyway, relying instead on inferior tape and DVD projectors, or good ol’ gorgeous film.

5. Film looks great. And I have designed the entire production with film in mind as the final destination. Everything is 24 frames per second, at a film-worthy resolution.

6. Film is a universal platform that works around the world. Video standards differ from region to region, and digital projection technologies are ephemeral. Since “Sita” is likely to be seen overseas in a variety of countries, including many places that can’t afford the latest digital systems, film is the best vehicle for her.

7. Add your own reason in the comments.


Snake Wrangler

Speaking of raising $30,000, anyone who invests can have a credit of their choice in the film! Director, Writer and Animator are all taken, but there are so many more:

Best Boy
Key Grip
Location Scout
Sita’s Gowns by
Set Dresser
Animal Trainer
Third Unit Supervisor
Grand Poobah
Executive Poobah
Associate Poobah
Stunt Double

…and so many more. Buy your credit today!




Anyone have $30,000 lying around I can borrow? That’s about how much it will cost to get the digital film-out, soundtrack and processing for a 35mm print of Sita Sings the Blues. I promise I’ll pay you right back once the big bucks start rolling in. There’s big bucks in quirky little self-animated art films, right? And the dollar’s weak right now, so if you loan me $30,000 in euros or rupees it’s like a good deal or something.