“fairies are forever”

As we know from the US Constitution, copyright is permitted

To promote the Progress of Science and useful Arts

This was supposed to be for limited Times, but Big Media corporations like Disney have managed to extend copyright terms continually. How are their efforts promoting the Progress of Science and useful Arts?

Fairies!

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That’s right, the way for the new Disney Fairies franchise has been paved by Disney’s tireless efforts to secure endless copyright extensions. Limited copyright terms would conflict with their “Fairies” business plan:

Mr. Iger said he singled out the Fairies line as a potential blockbuster in part because longevity would not be reliant on the aging of human stars, as is the case with “Hannah Montana” or “High School Musical.”

“As everyone knows,” Mr. Iger said, “fairies are forever.” (link)

Unlike nasty ol’ human beings, who age, and nasty ol’ constitutional limits to copyright monopolies, today’s copyrights – and the Fairy Franchises they protect – are forever. Let’s hope that’s worth sacrificing freedom of expression for, ’cause this is what “culture” is going to look like for a long, long time.

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my next project

I’m finally ready to start my next project. It will be about freedom of speech, freedom of expression, and current threats to those traditions, especially our corrupted copyright system. As with Sita before it, “I’ve got a song in my heart and it’s gotta get out.” Also as with Sita before it, I have no idea at this point exactly what I’m going to make or how I’m going to make it, but I know it’s gotta be made.

Will it be another feature film? Or will it be a series of shorts, or a comic book? Whatever its form, I’m thinking it should be free by design. The problem with feature films is they’re still distributed through an old business model that runs counter to freedom of expression. It doesn’t have to be this way forever, but right now bad laws, media consolidation, and “gatekeepers” make the film world work against cultural progress. And I’m all about cultural progress, just like the US constitution:

“To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.”(link)

Unlike Sita before it, I am beginning from a place of financial ruin; I am broke and in debt. But I still have my computer, and I have as much time as the project needs. I do need a way to stay alive though. I need money, but NOT through suppressing speech or restricting access to my work, which doesn’t make money anyway. Suggestions? I could:

– ask for donations here
– partner with existing free speech organizations

If the latter, who can help? Where do they get money? Anyone want to partner up with me?

The copyright system has certainly failed me as a means to extract money from my art. Perhaps the old patronage system will work better, especially if distributed over thousands of supporters. Or maybe we should try this? What do you think?

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November Sita screenings

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We have a whole mess o’ festival screenings coming up in November. The ones I will actually be at, in person:

NEW YORK, Nov 8 and 9:

Saturday, Nov. 8, 11:00 am
Sunday, Nov. 9, 11:00 am
IFC Center (323 6th Ave @W 4th St., Greenwich Village)

These matinee screenings are part of the New York Children’s Film Festival. (Sita isn’t exactly a kid’s movie, but it plays very well to older kids and teens and their parents)

SAN FRANCISCO, Nov. 13:

Nov. 13: 7:00 pm and 9:15 pm with a reception in between.
Opening the San Francisco International Animation Festival
Landmark’s Embarcadero Center Cinema (Battery @ Clay st, downtown SF)

NEW YORK again:

Thursday Nov. 20, 6:00 pm
Saturday Nov. 22, 3:00 pm

MoMA (11 W. 53 Street, between 5th & 6th aves)
In the Film exhibition Best Film Not Playing at a Theater Near You (Gotham Award nominees)

Monday November 24: Panel Discussion
The five nominees for this year’s Best Film Not Playing at a Theater Near You award gather for a panel discussion illustrated with film clips. Program 90 min.
MoMA‘s Theater 3, mezzanine, Education & Research Center

More November screenings that I won’t be able to attend, but I hope you go if you’re in the area:

Ft. Lauderdale (FL) Int’l Film Festival, Nov 7
World Film Festival of Bangkok (Thailand), Oct 24-Nov 2
Winnipeg Animation Festival (MN, Canada), Oct 29-Nov 2
Festival voix d’Etoiles (France), Oct 30-Nov 2
Moscow Big Cartoons Festival (Russia), Nov 1-16
Leeds Int’l Film Festival (UK), Nov 4-16
Holland Animation Festival (The Netherlands), Nov 5-9
Asheville Film Festival (NC), Nov 6-9
Flip Animation Festival (UK), Nov 6-8
Olympia Film Festival (WA), Nov 14
Beyond Borders Film Festival, (MN), Nov 15

Check out the occasionally-updated full screening list here.

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“copyright was designed by distributors, to subsidize distributors, not creators.”

Read more at QuestionCopyright.org. Or continue reading here after the fold – the author, Karl Fogel, actually wants people to read his essay – imagine that! – and therefore grants permission for all to copy it.

Continue reading ““copyright was designed by distributors, to subsidize distributors, not creators.””

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Congratulations to Greg Sextro

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Greg Sextro was Sita‘s sound designer, and my closest collaborator on the film. He also did the sound design for Bill Plympton‘s latest feature, Idiots and Angels, which just won BEST SOUND at the 2nd Annual 2morrow International Festival of Contemporary Cinema in Moscow. Yay!

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יום האנימציה הבין לאומי

I never learned Hebrew so I don’t know what that headline means – I just cut and pasted the name of the jpeg Gilat sent me. I do know Sita Sings the Blues will screen with Hebrew subtitles at Holon Cinimateq/Animateq on November 12 for Animation Day. I won’t be there (I’ll be in San Francisco) but my ASIFA-Israel friends will be. Tell your Hebrew-knowing friends!

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