DCPs

10+ years ago, when I was preparing Sita Sings the Blues for film festivals, I had to make heavy, unwieldy, and expensive 35mm film prints. Thankfully I don’t have to do that any more. Instead, today’s cinemas use DCP (for Digital Cinema Package) hard drives. These take advantage of advances in digital technology, as fucked up by a film industry that can’t cope with advances in digital technology. Thanks to the insane and byzantine encoding protocols designed by Hollywood to thwart what computers are inherently best at – copying – making DCPs has long been shrouded in mystery and prohibitive costs.

Since I’m cheap and have practically no income these days, I didn’t want to use a DCP-making service (called a “lab,” as if). Instead, after begging around for favors, and doing much research online, I made them myself.
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I used DCP-o-matic. It’s Free Software, created and maintained by Carl Hetherington, to whom I and many other small filmmakers owe a debt of gratitude. I can’t recommend it enough. Apparently many screening venues now use it themselves. I used it to make 2K and 4K DCP files, and English and French “version files” for subtitles. I also burned in English subtitles over “Paroles, Paroles.”

New-DCP-Verify-05

Once I made the DCPs, I had to get them onto portable hard drives, which is no small task. You can’t just drag-and-drop copy them like normal files. Fortunately I found DCP Transfer. It’s not Free, but it is affordable – $25 a month (ugh, subscriptions) plus a $25 initial charge. Today my subscription auto-renewed, just in time for me to be gone for a month, so I contacted the company to cancel and they refunded it. That’s good service! The software works great, too. I had no problem formatting and copying DCPs onto most external hard drives. The exception was flash drives, aka thumb drives; these overheated and usually failed. It’s a pity, since flash drives are so small and convenient. But I found some relatively inexpensive 320GB USB3 portable hard drives, and made enough DCPs to satisfy film festivals.

Whatever my complaints about DCP, it sure beats making (and distributing!) film.

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October 14 event with Zsuzsanna Budapest

I’ll be returning to my old stomping grounds of Santa Cruz, CA in October (actually part of a longer North American film festival tour with Seder-Masochism, which I’ll announce soon).

Animated poster! Please share.

Animated poster! Please share.

The Goddess Animated: Nina Paley and Zsuzsanna Budapest

Double feature of Nina Paley animation! Each screening followed by dialog with Zsuzsanna Budapest and question-and-answer with audience.

1pm: Sita Sings the Blues
2009 Dir. Nina Paley
Paley’s award-winning 2009 animated musical interpretation of the Hindu epic Ramayana has earned widespread critical praise, a 100% rating on RottenTomatoes, and continued places on best-of lists. Roger Ebert wrote of it, “I am enchanted. I am swept away. I am smiling from one end of the film to the other.”

4pm: Seder-Masochism
2018 Dir. Nina Paley
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director’s own father. But there’s another side to this story: that of the Goddess, humankind’s original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.

Suggested donation: $20 to support the Women’s Spirituality Forum.
Tickets at the door.

AMAZONS ENCOURAGED TO ATTEND!

Sunday October 14, 2018

Click image for high resolution poster to print out

Click image for high resolution poster to print out

Brookdale Terrace Club House
300 Plum St., Capitola, CA
Please carpool; parking is limited.

Where is Seder-Masochism?

Seder-Masochism is currently doing its film festival rounds. There are a number of festivals lined up this Fall and Winter, most of which I can’t name until they make their official announcements. I really, REALLY want to free the thing online, like, yesterday, but many festivals will disqualify any film that has an “online platform.” Film festivals are the only theatrical screenings it’s ever likely to have, so I’m not going to publicize an online release – even a Free, peer-to-peer one – until its “regional premieres” (which some festivals insist on) are done. If it’s any consolation, this waiting drives me crazy. But I’m going to wait, so that it may see the light of theater screens.

Love,

–Nina

P.S. If you haven’t seen my first feature, Sita Sings the Blues, now would be a good time to watch it! It’s Free all over the place.

 

Sita Sings the Blues Paintings

RakshasaCU

I have finally, FINALLY catalogued the paintings I did for Sita Sings the Blues, and they’re all for sale at http://www.palegraylabs.com/sita-paintings/

Each one is signed, dated, and matted under glass in a 15”x12”x1-3/8” (except “Forest Hut” which is 13″ x 13″) unfinished wood frame.

The Sita Sings the Blues Merchandise Empire has MOVED!

It now lives at http://www.palegraylabs.com/sita-store/Screenshot 2018-06-06 14.39.41

This is all the leftover merch our previous order fulfillment service sent us when we closed our account. I’ve been inventorying and organizing and folding and removing cardboard box shreds with a lint roller since they dumped everything on our doorstep. Odd sizes! Everything must go!

Happy Summer Solstice!

SunEdit: Happy Summer Solstice to everyone in the Northern Hemisphere! And Happy Winter Solstice to everyone in the Southern Hemishpere. And to those in the tropics, Happy Just Another Day Pretty Much Like All The Rest.

 

A new video about meeeeeeeee

Original Sita Sings the Blues Paintings

Someone has been emailing me saying they REALLY want to buy an original Sita Sings the Blues painting. These have been in storage since I moved from New York to Urbana IL last year, but I just excavated them and took some crappy photos (reflective glass! Wide-angle pocket camera lens!) for her to choose from. Click thumbnail for hi-res jpeg.

If anyone else wants to buy an original painting let me know: nina underscore paley at yahoo dot com. The outside dimensions of the wooden frames are about 12″ x 14.8″. They’re about $1000 each, give or take for more or less complex/competent paintings.

My first solo Art Quilt Show Opens June 15 at Sleepy Creek Vineyards

Mark yer calendars! My first Art Quilt Show opens June 15 at Sleepy Creek Vineyards in hip, happenin’ rural-area-between-Urbana-and-Danville, IL.

Nina Paley Art Quilt Show 2013

Art Quilts will be on the walls June 15-September 15, 2013

Opening: June 15
Reception: 6pm
Screening of Sita Sings the Blues: 8pm

Sleepy Creek Vineyards is three miles south of Oakwood, Illinois, just off Interstate 74 between Danville and Champaign, IL.
Address:  8254 E 1425 North Rd., Fairmount, IL 61841
Phone: 217-733-0330
Directions

Want to see the place? Sleepy Creek has a funny webseries you can watch right now! My favorite is episode 6, it cracks me up.

Ahimsa: Sita Sings the Blues now CC-0 “Public Domain”

I am hereby changing Sita Sings the Blues CC-BY-SA (Share Alike) license to CC-0.

A few years ago I started thinking about taking a vow of non-violence: a commitment to never sue anyone over Knowledge (or Culture, Cultural Works, Art, Intellectual Pooperty, whatever you call it). Copyright law is hopelessly broken; indeed, the Law in the US is broken all over the place. Why would I resort to the same broken law to try to fix abuses that occur within it?

We live in a messed-up world. My choices, however principled, will not change that. People will continue to censor, suppress, and enclose Knowledge. Share-Alike – the legal requirement to keep Knowledge Free – has ironically resulted in the suppression of same.

Not using knowledge is an offense to it,” wrote Jeff Jarvis, reflecting on the death of Aaron Swartz.

I learned of Aaron’s death on Sunday; on Monday, the National Film Board of Canada told me I had to fill out paperwork to “allow” filmmaker (and personal friend) Chris Landreth to refer to Sita Sings the Blues in his upcoming short, Subconscious Password, even though Fair Use already freed the NFB from any legitimate fear of Share-Alike’s viral properties. I make compromises to my principles every day, but that Monday I just couldn’t. The idiocy of NFB’s lawyers was part of the same idiocy that Aaron fought in liberating documents from JSTOR. I couldn’t bear to enable more bad lawyers, more bad decisions, more copyright bullshit, by doing unpaid paperwork for a corrupt and stupid system. I just couldn’t.

So the NFB told Chris to remove all references to SSTB from his film.

There are consequences for taking a principled stance. People criticize you, fear you, and pity you. You get plenty of public condemnation. You lose money. Sometimes the law goes after you, and although that hasn’t happened to me yet, it could as I do more civil disobedience in the future.

But the real victim of my principled stance isn’t me, it’s my work. When I took a principled stance against Netflix’s DRM, the result was fewer people saw SSTB. When countless television stations asked for the “rights” to SSTB and I told them they already had them, the result was they didn’t broadcast it. When publishers wanted to make a SSTB-based book, the Share-Alike license was a dealbreaker, so there are no SSTB books.

My punishment for opposing enclosure, restrictions, censorship, all the abuses of copyright, is that my work gets it.

Not using knowledge is an offense to it.

So, to the NFB, to Netflix, to all you publishers and broadcasters, to you legions of fucking lawyers: Sita Sings  the Blues is now in the Public Domain. You have no excuse for suppressing it now.

Am I still fighting? Yes. BUT NOT WITH THE LAW. I still believe in all the reasons for BY-SA, but the reality is I would never, ever sue anyone over SSTB or any cultural work. I will still publicly condemn abuses like enclosure and willful misattribution, but why point a loaded gun at everyone when I’d never fire it? CC-0 is an acknowledgement I’ll never go legal on anyone, no matter how abusive and evil they are.

CC-0 is as close as I can come to a public vow of legal nonviolence. The law is an ass I just don’t want to ride.

I cannot abolish evil. The Law cannot abolish evil; indeed, it perpetuates and expands it. People will continue to censor, silence, threaten, and abuse Knowledge, and our broken disaster of a copyright regime will continue encouraging that. But in fighting monsters, I do not wish myself to become a monster, nor feed the monster I’m fighting.

Neither CC-BY-SA nor CC-0 will fix our flawed world with its terribly broken copyright regime. What I can say is SSTB has been under CC-BY-SA for the last 4 years, so I know what that’s like and can share results of that experiment. Going forward under CC-0 I will learn new things and have more results to share. That seems like a win even if some bad scenarios come into play. I honestly have not been able to determine which Free license is “better,” and switching to CC-0 may help answer that question.

A bull, a lamb, and a goat

What do you suppose happens to these cute little fellows? Read all about it in Exodus 29.

I modified the bull (formerly a cow) and goat-ram (formerly the vehicle of Agni) from Sita Sings the Blues. The sheep is new.

The Highest Praise

Some people love Sita Sings the Blues enough to devote time and energy (and probably money!) to protesting it in public. My movie is now in the same league as the paintings of the late M. F. Hussein. I have arrived.

Article: Troll Sena protests Sita Sings the Blues in San Jose

Related: Aseem Chhabra on Sita Sings the Blues and free speech, in the Mumbai Mirror.

Sita at the Starlite, Thursday July 21st

Come see Sita Sings the Blues in Queens!

Thursday July 21st
5pm to 8pm
Starlite Pavillion
130-05 101st Avenue
Richmond Hill, NY 11419 (map)
Admission: $5

I will be there for a panel discussion afterwards, along with Aseem Chhabra (aka Shadow Puppet #1), Ravisharon Kaur, and Bina Mahabir.

There’s an extra special reason you should attend this screening: it was organized, at great effort, by a devout Hindu, Rohan Narine, for a largely Hindu audience. He originally set it up at his Mandir, but after a while someone nixed it. Then he rescheduled it at a Hindu senior center, and again, after a while, someone else nixed it. Finally he chose the neutral Starlite Pavillion, and of course the Hindutvadi fundamentalists want to “protest” it (in their usual classy way, by sending hundreds of batshit emails). Now, there have been thousands of Sita Sings the Blues screenings, but this is the first one to be specifically targeted. Why? Because this screening was organized by actual devout Hindus, and  the Hindutvadis can’t stand that. So please, show some love for our real Hindu friends, and come to this screening.

Still not sure? Here’s Hinduism Today‘s endorsement of Sita Sings the Blues.

Love,

–Nina

Update: Tyrants only have power if you give it to them. Unfortunately, the Starlite Pavillion just canceled the Sita Sings the Blues screening.

Success! Sita Sings the Blues Once Again Viewable on German Youtube

After one or two (or more?) years of being blocked on German Youtube, the full-length noncommercial Sita Sings the Blues movie is once again viewable in Deutschland:

I assume this is because last week I posted this video, complaining about why my 100% legal and painstakingly and expensively licensed movie was blocked in Germany:

Apparently many Germans are none too pleased with GEMA themselves, as indicated by interesting comments here. Some industry shills weighed in as well, but it looks like popular sentiment is against them. The story was shared widely, including in Der Spiegel and the New York Times online editions.

It’s not clear how an American YouTube user is supposed to contest takedowns in Germany. When I was in Berlin recently, it was suggested I find a German lawyer to take some sort of action. At the very least, I would need someone in Germany to contest the takedown on my behalf. I imagine that would have been a slow and possibly expensive process. Then I thought of making this video. Although it took some work (writing a statement – yes I know it’s an imperfect statement, I did the best I could with the knowledge I had – shooting the video, recording the audio via a separate mic, transferring files, editing, compressing, etc.) it was less work than managing an international legal process. And it got results fast! Better still, it contributed to ongoing debates about GEMA and Intellectual Pooperty in general.

My thanks to everyone who helped spread the word about this, and especially people in Germany who checked the Sita Sings the Blues URL and confirmed when the movie was blocked, and when it was unblocked.

GEMA issues fraudulent takedown of Sita Sings the Blues in Germany

Apparently it’s been blocked there for over a year, but without lawyers there’s not much I can do about it from the US….so I made this video. Please share, especially if you’re in Germany.