Evolution of a pin design

First I wanted it to be 1.25″ tall, and a cut-out shape:

Goddess_pin3 - wht BG

But this would snag on clothes, and bend. So I came up with this:

Goddess_pin4_whiteBG

But it looks like a bottle opener. Plus the Chinese pin-making company emailed me back that a cut-out like this would have to be at least 2″ long. So instead of cut-out details I designed for 1.5″ hard enamel:

Goddess_pin5 goldblack

Goddess_pin5 goldbrown

But then I thought to make the details shiny metal, and the main area color, with a thicker outline that would make the pin more stable:

Goddess_pin5 blackgoldGoddess_pin5 browngoldGoddess_pin5 redgold

But then I thought, why not make the details another color, with gold outlines:

Goddess_pin5 blackbrownGoddess_pin5 brownblack

But then I thought, hey why not put a sun in there, since the Great Mother gives birth to the Sun:

MotherSun2

Then I made a bunch of different Sun designs, finally settling on this one:

Sun symmetric

Et voila:

MotherSun_Pin

Except the sun shape needed just a little bit of softening, so I exported it as a PNG, re-imported it to Moho (where I’ve been doing all this designing), and auto-traced it. Et voila:

MotherSun_Pin3 - Frame 0

And that’s what I hope to have made in China, until I change my mind again.

ONE DAY LATER: I changed my mind again. Now She’s a little stouter and has crescent instead of full moons. I made so many slight modifications to the shape I started to go crazy trying to decide, because each had its strengths and weaknesses. Eventually I had to just commit to one, so here’s what I just ordered 200 pins of:

MotherSun_Pin5_1

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Chad Gadya embroidermation finished at last!

After a little over a year and a half, and many interruptions, we finally finished our embroidermated short, Chad Gadya. While we were working on it (actually I was working, Theo was procrastinating) this other embroidered short came out, but there are differences. Thanks to Theodore Gray’s stitchcoding in Mathematica, we weren’t restricted by (invariably crappy) off-the-shelf software. This allowed us to automate beautiful iridescent stitches and preserve them from frame to frame, so the resulting animation really looks like moving embroidery.

Every single embroidered frame you see here is available for sale, signed and numbered and one-of-a-kind. Only 9 months ’til Passover!

Chad Gadya will function as a sort of “intermission” in my feature film Seder-Masochism, marking the end of the Passover meal but just the beginning of the Israelites’ trials in the desert.

Update: Theo’s post on the technical side of stitchcoding embroidermation.

“It took a while to get all this code right, but of course it’s crucial that it cover every possible case, because when you’re doing animation, it’s not about getting one frame right, it’s about having an automated process that always gets every frame right, not just once, but every time there is an iteration of the animation requiring a re-render of the frames. We must have generated tens of thousands of frames (just generated the files, not actually stitched them!) before it was all looking good.” Theodore Gray

Update 2: All the stitching files we made for this are Free (CC-BY-SA) at archive.org! Download ’em and stitch ’em out as you please. They’re PES format; wish we had something better, but all embroidery formats suck.

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New Merch! “This Land Is Mine” Silk Pocket Square

pure silk This Land Is Mine 13" pocket square

A fine haberdasher asked me to design this fine 100% silk 13″ x 13″ pocket square with designs from This Land Is Mine. They are very fancy! $45-a-piece fancy, which is what fine haberdasherous silk pocket squares go for. Buy yours here.

This Land Is Mine pocket square shown to scale

Product Description

“This Land Is Mine” pocket square: millennia of violent territorial disputes distilled into a charming, non-violent, 100% silk 13″x13″ pocket square. Square made in France; history made in the Levant. (Alternate video link at vimeo. Note: pocket square does not play video.)

 

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