First I wanted it to be 1.25″ tall, and a cut-out shape:
But this would snag on clothes, and bend. So I came up with this:
But it looks like a bottle opener. Plus the Chinese pin-making company emailed me back that a cut-out like this would have to be at least 2″ long. So instead of cut-out details I designed for 1.5″ hard enamel:
But then I thought to make the details shiny metal, and the main area color, with a thicker outline that would make the pin more stable:
But then I thought, why not make the details another color, with gold outlines:
But then I thought, hey why not put a sun in there, since the Great Mother gives birth to the Sun:
Then I made a bunch of different Sun designs, finally settling on this one:
Except the sun shape needed just a little bit of softening, so I exported it as a PNG, re-imported it to Moho (where I’ve been doing all this designing), and auto-traced it. Et voila:
And that’s what I hope to have made in China, until I change my mind again.
ONE DAY LATER: I changed my mind again. Now She’s a little stouter and has crescent instead of full moons. I made so many slight modifications to the shape I started to go crazy trying to decide, because each had its strengths and weaknesses. Eventually I had to just commit to one, so here’s what I just ordered 200 pins of:
Finally available for sale at the Seder-Masochism Merchandise Empire.
The Bee Goddess from The Golden Calf (Return of the Goddess) is available on Teespring shirts until September 17. All proceeds support me and the Seder-Masochism project! (You can also make a tax-deductible donation and get your name in the credits.)
After a little over a year and a half, and many interruptions, we finally finished our embroidermated short, Chad Gadya. While we were working on it (actually I was working, Theo was procrastinating) this other embroidered short came out, but there are differences. Thanks to Theodore Gray’s stitchcoding in Mathematica, we weren’t restricted by (invariably crappy) off-the-shelf software. This allowed us to automate beautiful iridescent stitches and preserve them from frame to frame, so the resulting animation really looks like moving embroidery.
Every single embroidered frame you see here is available for sale, signed and numbered and one-of-a-kind. Only 9 months ’til Passover!
Chad Gadya will function as a sort of “intermission” in my feature film Seder-Masochism, marking the end of the Passover meal but just the beginning of the Israelites’ trials in the desert.
Update: Theo’s post on the technical side of stitchcoding embroidermation.
“It took a while to get all this code right, but of course it’s crucial that it cover every possible case, because when you’re doing animation, it’s not about getting one frame right, it’s about having an automated process that always gets every frame right, not just once, but every time there is an iteration of the animation requiring a re-render of the frames. We must have generated tens of thousands of frames (just generated the files, not actually stitched them!) before it was all looking good.” Theodore Gray
Update 2: All the stitching files we made for this are Free (CC-BY-SA) at archive.org! Download ’em and stitch ’em out as you please. They’re PES format; wish we had something better, but all embroidery formats suck.
A fine haberdasher asked me to design this fine 100% silk 13″ x 13″ pocket square with designs from This Land Is Mine. They are very fancy! $45-a-piece fancy, which is what fine haberdasherous silk pocket squares go for. Buy yours here.
“This Land Is Mine”
pocket square: millennia of violent territorial disputes distilled into a charming, non-violent, 100% silk 13″x13″ pocket square. Square made in France; history made in the Levant. (Alternate video link at vimeo
. Note: pocket square does not play video.)