Algorithmic quilt fill patterns by Chris Carlson
Concept, design, reverse-applique snipping by Nina Paley
Stitchcoding & binding by Theodore Gray
Stitched by Behemoth
Based on horse photographs by Eadweard Muybridge, 1878
Soon I hope to be able to make gifs that look a lot better than this. A friend is helping, but he first needs to teach me some command-line stuff which I’ve never done on my Mac. Meanwhile here’s a dithery giffy glimpse of the Promised Land that is smaller than 640×480 because WordPress has a 2MB limit for image uploads. My next modification to this scene will be adding milk and honey, and maybe some rainbows coming out of the flying unicorns’ butts.
So I’m animating an ass for Seder-Masochism, so the Hebrews have something to carry their stuff out of Egypt so their arms are free to let them walk jauntily and leap around. I export a test and see this weird artifact on the upper foreleg. Flash is rendering the shape as it looks in vector editing mode. If you look carefully you’ll see the point on the upper right has a little bezier handle. Weird, right?
It’s a bug in Flash (pre-Adobe Macromedia Flash 8, the only Flash I use), the likes of which I’ve never seen before. To make the artifact go away I had to re-draw the foreleg. Below is a render sans bug.
Gettin’ pumped to conquer the Promised Land!
Every country that exists originated through violent conquest. The victims of these conquests were victors and conquerors earlier. Is violent conquest legitimate? If not, then no country or nation is legitimate. If nations are legitimate, then violent conquest must be also. I ask these questions as I animate the mythical Ancient Hebrews’ quest to conquer Canaan (which was already occupied). There’s just no way to make it look good by modern humanitarian values, and I wonder why that is.
This Hebrew is getting ready to walk right out of Egypt, bouncing along to a song that has beats every 19 frames (oy!). Here’s how he looked in an earlier scene.