Blacklisted

Update: Chaz Ebert confirms Ebertfest’s decisions had nothing to do with my no-platforming in Urbana and Beligium, and they were unaware of any controversy.

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Ebertfest (Roger Ebert’s Film Festival) is the big film festival in my town (Champaign-Urbana, Illinois). In October, its director told 2 film critics/scholars I know that my new feature film Seder-Masochism was “at the top of our list.” Which makes sense, since it’s by an Urbana filmmaker (me) whose last film was a star at the festival (Sita Sings the Blues) and contains my late father’s voice, which is known to much of the fest’s audience (he used to be Mayor of Urbana, as well as a math professor at the U of I). I emailed Ebertfest in January to ask if they were going to screen it, because I have to make plans in April. They didn’t reply. I emailed them again over a week later (Friday). “Sorry, we don’t have room for it.”

A week earlier Seder-Masochism was the target of a de-platforming campaign in Belgium. The women’s film festival that programmed its Belgian premiere removed all traces of it from their web site after transactivists threatened them. A few days before that, I was the target of a Twitter mob for sharing opinions with Graham Linehan.

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Ebertfest’s decisions are made behind closed doors, and I’m certainly not entitled to be at any film festival. But it is my opinion that their decision is very much related to my defamation and condemnation as a “TERF”. Much of the witch-hunt against gender-critical feminists comes from Academia, and Ebertfest is an extension of the University of Illinois College of Media. Last Fall the self-described “Chair of Gender Studies” Mimi Nguyen led a campaign against me to have my film de-platformed at a local cafe.

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I am blacklisted, but I will not shut up.

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Academics! “Sita” cited in Humanities paper

Cultural Evolution: A Vehicle For Cooperative Interaction Between The Sciences And The Humanities by William Benzon was just published at On The Human, a project of the National Humanities Center. The paper focuses on Cultural Evolution and uses Sita Sings the Blues as a primary example. For the next two weeks (until July 19) the comments are open to all. There’s a lot of Academese there, but I’m assured plain English is also acceptable.

Also from Bill Benzon: Sita Sings the Blues’ Agni Pariksha in context.

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