L’Shana Haba’a from Nina Paley on Vimeo.
Next year in Jerusalem!
Music: “L’shana Haba’a” performed by the Breslau Synagogue Chorus, c. 1998
L’Shana Haba’a from Nina Paley on Vimeo. Next year in Jerusalem! Due to horrific recent events, This Land Is Mine has gone viral again. Here’s a reminder that you don’t need permission to copy, share, broadcast, post, embed, subtitle, etc. Copying is an act of love, please copy and share. Yes means yes.
A fine haberdasher asked me to design this fine 100% silk 13″ x 13″ pocket square with designs from This Land Is Mine. They are very fancy! $45-a-piece fancy, which is what fine haberdasherous silk pocket squares go for. Buy yours here.
I just uploaded super-high-res versions of the This Land Is Mine Viewer’s Guide illustrations to archive.org. As so many of you pointed out, I didn’t explicitly name Persians in the guide. But the Assyrians and Babylonians I made up are based on Assyrian, Babylonian, AND Persian art! Did you know it’s all from the same region? Did you know This Land Is Mine is a cartoon? Did you know the pictures in the cartoon are more important than the labels on a blog post? Did you know none of the characters is an accurate historical representation, because (again) it’s a cartoon? Well now you do! As always, my work is Free-as-in-Freedom so you can use these images for whatever you want, except imposing artificial monopolies. Print ’em! Share ’em! Re-label ’em! Use ’em in your Ph.D. thesis, but don’t blame me if their accuracy is called into question! Download the whole set (as well as the whole short movie) at archive.org. The “European Jew/Zionist” label has has drawn the most criticism in This Land Is Mine. Apparently to Israelis (correct me if I’m wrong – this is what I’m learning from the many comments on the movie, and emails) “Zionist” means “historical Zionist” – the mostly-secular, mostly-socialist, hardworking kibbutz-founding idealists who settled mostly-peacefully in Palestine prior to the establishment of the State of Israel. According to one correspondent,
Some viewers seem to think my illustration is a Chasid. It’s not; it’s supposed to be an Orthodox-ish Jew. Orthodox Jews apparently don’t have to join the Israeli army (WTH not?!) so this depiction further bothers some people. Orthodox Jews, they point out, are not Zionists. Here I must clarify that “Zionist” means something slightly different to me, as an American Jew. Wikipedia sums it up:
I labelled my Orthodox-ish Jew “Zionist” to distinguish him from Jews who aren’t Zionist – like me. When I was growing up, well-meaning relatives and acquaintances would keep asking me when I was going to Israel. “Why should I go to Israel?” I’d ask. Stricken, they would explain how important Israel should be to me. “Everyone needs a homeland!” they’d insist. But I already had a honemland – Urbana, IL. I felt no need for another one, and was troubled that I should create in myself such a need where one didn’t exist. I had enough insecurities already. Many people use “Jew” and “Zionist” interchangeably, but they’re not the same thing. I am a Jew because I’m descended from a long line of Jews, and because even as atheists my family retained some Jewish cultural quirks. But I am not a Zionist. I don’t need a “homeland” in Israel, and I don’t care if my “Jewish identity” is upheld and assimilation resisted; in fact assimilation is part of my “Jewish identity,” something I’m proud of (as much as I can be legitimately proud of anything other people did before I was born). I realize as I write this that I represent the religious conservative’s worst nightmare. Like most religions, Judaism requires indoctrination at an early age; Orthodox and Chasids encourage breeding as many offspring as possible, to enlarge the tribe. Assimilation is anathema to religious Jews, because it leads to people like me. I’m supposed to be supporting the Tribe, and instead I’d rather make graven images and spout individualism. I’ve even refused to breed altogether, let alone indoctrinate any spawn.
Anyway, my Orthodox-ish Jew character, if he’s in Israel, is what I’d call a Zionist, although most Israelis would not. That said, I could have left the confusing Zionist label off of him, because he obviously was in Israel in my cartoon. The “European” part of the label refers to the pressure a vast influx of Jewish refugees from Europe put on Palestine. Yes, there were Zionists there already, living peacefully alongside Arabs and others in the region. And yes, the State of Israel welcomes (or is supposed to welcome) all Jews, not just European ones. But the post-war influx of European Jews really changed things in the region. Would the State of Israel have been established had that not occurred? Would the US have backed it otherwise? Why did I draw my character Orthodox-ish at all, when most Zionists and Jews and Israelis don’t look like that? To show the religious side of a “Jewish nation-state” (remember it’s the Jewish nation-state idea that defines Zionists here in the U.S.) And to refer to what I consider the most problematic element in Israel and elsewhere: religious nuts. My character doesn’t look too different from these folks hanging out at the Wailing Wall: Sayeth Wikipedia:
Then of course you have “The Settlers“:
There are Jews who are not Zionists. There are Zionists who are not Jews. Most Jews are not Israelis; most Israelis are Jews. Many Jews are not religious; many Israelis are not religious. There are deeply religious people who aren’t violent. There are violent people who aren’t deeply religious. But when you combine religion, cultural identity, and statehood, you get a bigger mess than any of those things alone. My Orthox-ish dude is contemporary to his State counterpart: (Thanks to another group of comments, I now know he’s holding the wrong kind of gun, and he’s holding it wrong. That I can live with.) I envisioned This Land Is Mine as the last scene of my potential-possible-maybe- feature film, Seder-Masochism, but it’s the first (and so far only) scene I’ve animated. As the Bible says, “So the last will be first, and the first will be last.”
This Land Is Mine from Nina Paley on Vimeo. Who’s Killing Who? A Viewer’s GuideBecause you can’t tell the players without a pogrom!
Early Man
Canaanite
Egyptian
Assyrian
Israelite
Babylonian
Macedonian/Greek
Greek/Macedonian
Ptolemaic
Seleucid
Hebrew Priest
Maccabee
Roman
Byzantine
Arab Caliph
Crusader
Mamluk of Egypt
Ottoman Turk
Arab
British
Palestinian
European Jew/Zionist
PLO/Hamas/Hezbollah
Guerrilla/Freedom Fighter/Terrorist
and finally… The Angel of Death
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Last night I finally watched Exodus, as research for my Seder-Masochism project. It was actually a much better movie than I expected. The film is mainly about showing a very hot young 1960 Paul Newman from various angles, mostly in sexy profile but sometimes portrait, but it’s also about the pressures that created Israel, and very sympathetic to the desire for a Jewish Homeland. Today, fortunately, we have this excellent alternative: I never learned Hebrew so I don’t know what that headline means – I just cut and pasted the name of the jpeg Gilat sent me. I do know Sita Sings the Blues will screen with Hebrew subtitles at Holon Cinimateq/Animateq on November 12 for Animation Day. I won’t be there (I’ll be in San Francisco) but my ASIFA-Israel friends will be. Tell your Hebrew-knowing friends! |
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♡ Copying is an act of love. Please copy. |