Tuesday, December Thirtieth, Two thousand fourteen….
I have been kinda ‘offline’ since returning. The last legs of my flights were awful, and I still haven’t recovered, though at this point it’s probably jetlag more than exhaustion that has me failing to connect to ‘my’ world and identity. I haven’t felt connected online, and am concerned about how I let Facebook information just wash over me with no real engagement on my part. It’s a hell of a lot of information to just suck through me like a stream. I surely have more than enough information rattling around in my head already. Maybe it’s time to let it settle, to digest it and let it adjust to the habitat of my mind and maybe make something of itself instead of just washing through like a tsunami. I feel less satisfied being an information node than a full human animal. Jetlag reminds me I am an animal, and no amount of information can heal my exhausted body. I recently read that staring into screens is terrible for sleep – I read that staring into a screen, ha ha – so last night I didn’t check email or read Facebook.
Is Facebook the television of today? It’s not broadcast, and it can be useful sometimes, but I become very passive with it, especially at night when I turn to it in my insomnia.
Guess what I found at my parents’ house in Urbana? A VHS tape called “NINA PALEY DEMO REEL 1998.” It contained my very first animation as an adult (my very very first was when I was about 13, but I’ve lost those Super-8 reels). I didn’t go to school, I just taught myself from books and asking friends. It helped that I was dating an animator; he owned an animation table, which I’d never seen before let alone used, and it was on that that I made this:
For “Cancer” I drew, scratched and painted this directly on an old 35mm porn film. My boyfriend-at-the-time’s sister had just been diagnosed with breast cancer. Music is the Del Rubio Triplets singing the Rolling Stones’ “Satisfaction.”
Thanks, Cousin Phil!
It begins: you can now watch a streaming version of the entire film at channel13.org.
Many more formats will be online by March 7th, the day Sita Sings the Blues airs on WNET TV (part of Reel 13 on March 7 at 10:45 pm). These will be higher resolution and free to copy and share. If you want a copy, please wait for the higher quality formats instead of capturing the very compressed channel13.org streaming version. As the artist, I want the highest quality versions to circulate; it’d be sad if a super-compressed capture started torrenting first. Together, we can keep quality high!
On March 7, New York’s WNET Channel13 will broadcast Sita Sings the Blues. WNET hopes to make a compressed version available for streaming on their web site even earlier (they’re aiming for February 26; we’ll keep you posted).
But we also want to release it freely for decentralized audience distribution all over the web. To that end, we’re looking for multiple servers to host 500-600GB of data for public download (this includes the film-resolution image sequences as well as HD and compressed versions). We’re in touch with the usual suspects, but if you want to offer server space to join this project, please contact Karl Fogel of QuestionCopyright.org.
Note that we’re still in negotiations with the old music licensors, who may or may not allow us to freely share my film. PBS can broadcast and stream it regardless, due to special conditions in US copyright law. But the more”seed” sites we have lined up before the release, the better.
From Karl’s QuestionCopyright post:
Lloyd Kaufman, Chairman of the IFTA, delivers a speech on media consolidation and the dangers it poses to independent art.
Sita Sings the Blues is going to be broadcast on New York PBS station WNET Channel 13 on
PBS enjoys a special privilege among broadcasters: they can legally broadcast music without having to clear individual master or synchronization licenses. That means even while Sita is in copyright jail, she can still legally air on PBS. WNET is hoping to be the first of many PBS affiliates to air the film. You can write or call your local PBS affiliate and ask them to broadcast Sita too!
WNET is our first experiment with Sita’s copyleft plan. Although the film isn’t free under copyleft yet (because I still haven’t received the promised contracts from the rightsholders, let alone raised the money), we’re acting in accordance to those principles already. WNET is making a voluntary payment equivalent to what they normally offer programs on Reel13. That’s $3,000, a third of which will be spent updating the credits and having a new HD master made to their specifications. They understand Sita is non-exclusive, and that any derivative works they make (such as subtitles) must also be open-content. But as long as bad copyright laws prohibit everyone else from broadcasting Sita, PBS gets exclusive access by default.
We’re still looking for donors and underwriters. Want to see your name on PBS? Here’s the credit breakdown:
The credits lock Friday February 13. That’s exactly four weeks from today. After then, you can still donate (we hope you will!) but the tape will be locked for WNET.
Please donate here. Donations under $250 still gratefully appreciated, and all donor names (even the smallest) will be acknowledged in a special credits section on the official DVD, as well as the upcoming official web site.