I am awesome

I was neither prepared nor in a particularly good mood when I did this “webinar” for Agora I/O. It was eerie having a “conversation” in which I could neither see nor hear the other participants. It was just me and my own voice, with questions and comments occasionally popping up in text on another webpage. Because of that, I couldn’t read anyone’s body language and try to pre-emptively smooth things over and “people please”; I could only speak my mind. Which I did. Which, upon reviewing, was a pretty great thing. You may not like me, but I sure do!

The fun starts about 8 minutes in, and gets better as it goes along. If you know about my story and Sita Sings the Blues, you can skip what comes before that, which is a basic recap.

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correction again, again

I’m reposting this (originally posted July 2009) for a third time, because misinformation continues to spread all over the interwebs. I should post it more often.

correction

Dear Journalists Dear Journalists, bloggers, commenters, etc.,

Some of you are writing that I was forced to choose the Creative Commons Attribution Share Alike license because the film is violating copyright. That is completely untrue, but has become the dominant motif of stories I read about the project. The confusion is understandable, so I attempt to sort it out below.

Sita Sings the Blues is 100% legal. I am free to release it commercially, which is why the film is gaining a number of commercial distributors in addition to its free sharing/audience distribution, which is also legal, and wonderful.

Sita Sings the Blues is in complete compliance with copyright regulations. I was forced to pay $50,000 in license fees and another $20,000 in legal costs to make it so. That is why I am in debt.  My compliance with copyright law is by no means an endorsement of it. Being $70,000 in the hole reminds me daily what an ass the law is. The film is legal, and that legality gives me a higher moral ground to stamp my feet upon as I denounce the failure that is copyright.

Having paid these extortionate fees, I could have gone with conventional distribution, and was invited to. I chose to free the film because I could see that would be most beneficial to me, my film, and culture at large. A CC-SA license does not absolve a creator of compliance with copyright law. The law could have sent me to prison for non-commercial copyright infringement. I was forced to borrow $70,000 to decriminalize my film, regardless of how I chose to release it.

Note that in some ways the film is not, and never will be free. For each disc sold, distributors must pay $1.65 to these faceless money sinks.  Transaction costs raise that amount to about $2.00 per disc. That is why my own Artist’s Edition is limited to 4,999 copies. I’ve already bled $50,000 into their vampiric maws; I have no intention of paying more.

Thank you for your attention.

Love,

–Nina

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Authoritarian update

crossposted from Mimi & Eunice

Authoritarian

I’m re-posting this cartoon today because the US Department of Homeland Security seized more than 70 web sites over the weekend (while sites like arstechnica.com and techdirt were on vacation, and the mainstream media were devoted to stories about holiday shopping). Democrats: unless you stand up to stop this NOW, I am never voting for you again.

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Driving Without a License?

Since posting about Creative Commons’ branding confusion, several French patriots have suggested I switch to the Art Libre License.  I am resisting because I can’t work up enthusiasm for any license today.

The idea that every user could and should understand the complexities of copyright licensing appears increasingly delusional to me. The only people who should need to understand licenses are lawyers and their clients. Most users don’t have legal teams involved with their creative and distributive processes, nor should they. Using licenses – even ShareAlike and Art Libre licenses – legitimizes copyright lawyers and copyright laws and the absurd notion that artists should have to give a damn about them.

The only entities my ShareAlike license would really affect are corporations (or in rare cases, people) with lawyers. But for everyone else, I’m considering marking my work thusly:

All Rights Reversed 1

There’s no lawyer-approved legalese behind this. It’s just a statement of intent. It’s certainly compatible with the ShareAlike license and its attendant legal code, which I can still use where appropriate (like on the © page of a book, if I really want to back up my intentions with legal force).

Mike Masnick of Techdirt doesn’t use any license at all. It’s a nice idea, not legitimizing copyright law at all, but because everything is copyrighted by default, there’s no way for users to know they are free to copy and share. Every few days some commenter “threatens” Masnick with “unauthorized copying,” to which he responds that he genuinely doesn’t care, so that periodically informs Techdirt regulars. But that’s more labor than I want to put into assuaging users’ fear.

Hopefully users will have less and less fear as time goes on, and there will be less need to assuage. The fact is, most people really don’t care about copyright. Yet they copy. Even as we argue about different licenses, and how to license, and what the Free-est kind of license is, people are ignoring us and just copying what they feel like. They’re not just ignoring the RIAA and MPAA and copyright moralists; they’re ignoring copyright reformers and abolitionists and Creative Commons and the “copy left” too. They may feel some guilt and fear, but our licenses really aren’t going to do anything about that. They don’t care. And that’s fine with me. They shouldn’t care. No one should care about copyright, because copyright shouldn’t exist.

P.S. – which “all rights reversed” style do you like the most?

All Rights Reversed 1: lower case

All Rights Reversed 2#2: ALL-CAPS

All Rights Reversed 3#3: colon

UPDATE: Maybe I should just use this:

http://4.bp.blogspot.com/_gJRH0WBm3Xw/SXU5xZrL1ZI/AAAAAAAAAM8/RuDmMwsUDw4/S1600-R/PleaseRecycle.png

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