Back on ‘Zac

Why I am returning to my regular dose of Prozac after 2 years of tapering off.

Self Portrait, February 2025

A few days ago, at a candy store in another town, I asked if I could buy some empty chocolate boxes. The co-owner came out and said no, “we’re a candy store, we want you to buy candy not boxes.” I gave her the 4 homemade saffron-cardamom chocolates I had brought for her — she tried one right there, saying “ooh, funky!” I assured her I was just needing a few boxes to give away my culinary experiments to friends, not compete, because among other things I had chocolated myself out. She suggested I try Amazon or Michael’s.

Fair enough, but I felt like my heart was ripped open and my world falling apart. I cried inside as I walked back to my velomobile. I shattered. I wanted something, was told no, and internally was having a breakdown.

Intellectually I knew nothing bad had happened. I even patted myself on the head for giving her those chocolates — I am a thoughtful generous lady, that was nice of me, even though I didn’t get what I wanted — but oh god, inside I wanted to die. Fortunately I had many miles to bike home, something to do instead of cry, although I have cried plenty on rides too, especially these last 2 months. I pedaled home feeling horrific emotional pain, the Existential Grief-Hole. Simultaneously I marveled at my vulnerability, wondering why I now seemed to have regressed to an emotional 2-year-old, an infant, in spite of a good, healthy, brain-cleaning bike ride.

About 15 miles from home I stopped to drink some water and take a few pictures when I heard a woman’s voice: “What is that?” The owner of a nearby country house walked toward me, friendly and curious about my velomobile. I offered her a ride but although she wanted to get in, she determined she might injure herself getting out. She explained she’d had open heart surgery 9 years ago. “This is all held together with zip-ties,” she said, pointing at the center of her chest. She asked if I needed to use a bathroom or anything and invited me in. It was the kind of country stranger interaction I long for, friendly and trusting. She excitedly told her husband about the weird contraption outside and invited him to admire it while I used the toilet. As I prepared to leave she asked, “What do you do?” “I’m an artist.” This led quickly to my mentioning I had been cancelled. “Why?” “Because I said men can’t literally become women.” “Amen!” she responded, and we talked about Trump’s executive orders and our respective liberal friends and family freaking out. “They need our help,” she said. It was lovely.

I rode the rest of the way home marveling at my emotional volatility, comparing how nice that interaction felt, to wanting to die only an hour earlier.

Once home, I called back Susan, thus setting off a series of social gaffes and mistakes I can’t enumerate here. I called Cori to ask whether he was visiting Tuesday or Wednesday — he’d texted me his car is being repaired Tuesday so I thought that meant he’d delay until Wednesday. I was wrong, so I’d need to call back Susan yet again and say no, you can’t use the guest room after all; also I can’t have dinner Tuesday. Meanwhile Louise was texting me, upset that I’d invited Susan to Koffee Klatch, HER carefully curated Koffee Klatch of proper ladies she likes, not Susan, she doesn’t care for Susan’s company. And I said to Cori, fuck everything, I want to die. I said I was too tender to manage life, and to my surprise he said, without sarcasm, “you are.”

“I’ve known you several years now and I haven’t seen you like this,” he said.

So I told him about Prozac, my long history of it, my last two years tapering off slowly, slowly, slower than I’ve ever tapered off before. Skipping one 20mg capsule every 7 days for a month. Then one every 6 days for a month. Then 5, then 4. Pausing for months at a time, especially over last winter when I was dealing with a diagnosis of Crohn’s disease and some occasionally terrifying symptoms. By last Fall I was taking one capsule every other day and feeling fine.  At my annual physical my doctor halved my prescription from 20mg to 10mg, and soon I reduced to 2 days on, one day off, effectively 6.66 mg/day. Then December arrived.

First, I saw that fucking movie Flow, which had me crying for a week (it contains numerous scenes of a cat nearly drowning). Then there was the Family Fiasco, that batshit conversation with my brother, leaving me in physical shock. Then my Mom’s punchline the following week, which felt like a real punch. Then Cori’s cat died and we buried him, January 3rd, as grim as an Edward Gorey illustration. Then loneliness and under-stimulation, a vicious cold snap, and the failing of my furnace. Day after day of feeling in myself a great open wound which didn’t heal, does not heal, will not heal, seeps blood forever.

My 12-Step Program didn’t help, and prayer didn’t help. Or maybe they did; I’d probably be worse without them. But still, pain every day, much crying, this Primal Wound. And now finding almost everything hurts.

A depressed and neurotic early comic from 1988, several months before I got on Prozac. I felt significantly worse than this shows.

Long ago, my Mom said of my youthful depression: “you have no buffer.” Like my brain needs a layer of fat or lubricant or skin, and it’s just not there. Instead my raw brain is constantly exposed to the sandpaper of Life, and everything hurts.

But not everything; I clearly enjoyed meeting that friendly country woman. If I am treated kindly and get what I want, I’m fine. Problem is, Life isn’t like that. Life is full of negotiations and mistakes. Life is full of Other People with their own wants and needs and mishegas, and some of them — many, perhaps — are at least as sick and wounded as I am.

I’ve been hating my life enough lately to desire travel again, in a futile attempt to get the hell away from myself. I know what would happen if I tried: I would melt down at the airport from whatever inevitable indignity or small altercation arose. Traveling is nonstop negotiation and conflict, constant rubbing up against other people, and without a brain-world barrier I would be reduced to a metaphorical bloody pulp in short order. No buffer, no skin.

I am no stranger to this excruciating state. I was in it for years, from my early teens until I finally got on Prozac at age 20. I am not like normal people. Unmedicated, I can’t do normal people things like watch a sad movie or move through an airport or go to a store. “Nina was born without a pleasure gene,” joked an artist friend in 1987. “But that’s okay, she makes up for it with an extra pain gene.” I suppose my condition is a kind of neurodivergence. I wonder if brain-rawness is a variation of autism.

No one really knows how brains work. “Chemical imbalance” is another way to say, “whatever’s going on here won’t respond to therapy.” Or, “you’re fucked.”

When my life in 2025 starts resembling my life in 1988, something has gone terribly wrong.

Unlike therapy (which I have done plenty of), Prozac worked. My first months on it, in 1989, were a revelation. After only a few weeks I could be in the world without everything hurting. I still felt bad sometimes, but suddenly I could do something about it. Exercise, which everyone recommended for my “depression” (I don’t think depression is even the right word for my special hell, it’s just the closest I’ve found) became effective once I was on Prozac. Therapy finally made sense. You need a certain baseline of mental/emotional function — let’s say brain function, even though we don’t understand the brain or how SSRI’s really work — for therapy. Once I achieved that baseline, I was off like a rocket.

I suffered no negative side effects that I’m aware of. I remained creative — more creative, because I grew more functional and active. I stayed horny as ever (to my detriment), and orgasmic. I didn’t feel remotely “numb.” I slept better, albeit with vivid dreams for a while.

Over the years I had occasional “breakthrough depressions,” and eventually suffered poop-out (loss of efficacy) and had to switch drugs. Zoloft worked for a while; some years later, Lexapro did not. Every time my SSRI pooped out, I had to find another psychiatrist to prescribe the stuff, on my below-poverty-line, uninsured-artist’s budget, while in the throes of mental breakdown. At those times, not killing myself became my full-time job. Guess I succeeded at that vocation, because I’m still here.

“Acceptance is the answer to all my problems today…” So saieth the Big Book of Alcoholics Anonymous, the Bible of the closest thing to a church I have. But for me, today, acceptance is not the answer. Drugs are. Specifically, Prozac. No amount of acceptance, prayer, slogans, spiritual practice, meditation, meetings, outreach calls, literature, etc., can solve my fundamental problem today, which is brain lesions (according to the model that depression is “inflammation” and allegedly real lesions develop in its sufferers) or “neurodiversity” or “chemical imbalance.” Something physical, in other words, which I hate.

Physical diagnoses sit uneasily with me because they may not be true. A drug seems to effectively treat my depression; physical cure therefore implies physical problem. But drugs can mask and manage all kinds of spiritual, psychological, and mental maladies. Just because a treatment is chemical, doesn’t meant mean the disease is.

I also hate how diagnoses of “chemical imbalance” leave everyone else off the hook*, especially families. A family scapegoats one member, who becomes the Identified Patient, and now it’s all because of a “chemical imbalance.” The scapegoat was just Born That Way, the rest of the family has nothing to do with it except to be supportive of medical treatment, the poor dear. This dynamic is played out by “trans kids” — you can see it in the “I Am Jazz” TV show as insightfully analyzed by Exulansic. A newer variation on “chemical imbalance” is “born in the wrong body,” a physical condition allegedly unrelated to batshit abusive family systems, or trauma.

Even if childhood trauma resulted in a physical brain condition, it’s mine alone to deal with now. I resent that in taking Prozac to treat it, I reinforce a model that lets families, schools, and society at large keep scapegoating children into medical patients.

On the other hand, if my condition was caused by trauma (and I’ll never know, will I? Probably it’s some combination of congenital propensity plus events that wouldn’t have traumatized someone less vulnerable) I shouldn’t begrudge those who initiated my wounds. I could have been hit by a tree in childhood, or been injured in a storm or a fire or other “act of God.” We don’t hold trees, storms and fires forever accountable, expecting them to apologize or change their ways. I know that social contagions, cult-like behaviors, ganging up on the vulnerable, and scapegoating are part of human nature. I know humans, families, schools, and societies know not what they do, just like trees and storms. Some of us get injured early on. While it’s not fair that our wounds, inflicted by other people and powers beyond our control, become our own responsibility for the rest of our lives, it’s also true that Life Isn’t Fair.

In that light I am grateful to have a drug that works so well for me, so accessibly and inexpensively.

***

Going back on Prozac feels like defeat. But surrendering brings with it a certain freedom. Surrendering is Step One:

1. Admitted we were powerless over depression, that our lives had become unmanageable.

2. Upped our dose of Prozac.

3. ?????

4. Profit!

Today (February 4, 2025) will be my third day back on 20mg. 2 days so far. Too early to notice a difference, other than a sense of resignation that permeates everything. I can stop trying now. No more little mind tricks, like affirmations, or thinking of 5 things I’m grateful for RIGHT NOW, it’s EXERCISE dammit, HIT THE FLOOR THINK OF 5 THINGS. HUP! HUP!

I give up, which is a relief.

As I’ve aged, my mental health has become easier to maintain (as long as I’m on my meds). Over time I didn’t need to try to be sane anymore, I just was sane. Sanity didn’t require work anymore. This is the secret of the Elders. My friend Gordon once said that as he aged, “my angst circuits burned out.” I thought that was what happened to me, especially with menopause.

My depressions began in childhood, but sharply escalated with puberty. Menopause was the Light At The End Of The Tunnel in so many ways, why wouldn’t I believe my underlying brain problem might be better too? I was so stable for so long, I assumed I didn’t need Prozac anymore, that I was merely dependent on it. If I tapered off slowly enough, I’d be left with a healthy post-menopausal brain untroubled by the illness of my youth. This latest tapering off has been my first since menopause. I may be excused for thinking it might work.

After more reading on the subject, I’ve determined my symptoms aren’t withdrawal. I tapered off so slowly I didn’t have withdrawal at all. I simply got to where I was before medication. Feeling near-constant pain and wanting to die is my “authentic self.”

April 1989. I got on Prozac a few months after this. My artwork opened up and improved as my depression eased.

“I’ve known you several years now,” said Cori.
“You’ve known me + Prozac,” I replied. “Maybe you’ve just known Prozac.”

Who am I, without this drug? Am I substantially different, or just malfunctional?  If my brain is mental gears grinding against each other and the world, Prozac is lubricant. Like bike grease, it allows parts to move without wearing down or seizing up, or snapping.

Before Prozac I didn’t think I’d live to 30. That was generous; even by 20 I longed for death daily. As a unipolar depressive, I lacked the gumption to do anything about it. But 10 more years of the hell I’d already endured by 20…no way. I was a smart girl, I would have figured something out. Maybe I would have been institutionalized; I certainly wanted to be. I would have eagerly undergone electroshock therapy had it been offered. I read up on it. If lobotomy had been available, I would have considered it. I was desperate.

As an older adult, I chalked all that desperation up to puberty and young adulthood, a difficult time for anyone. What a disappointment to find I’m still like that under all the Prozac. The “real me” is a basket case who literally can’t handle Life.

Depression largely defined my youth, hence the title of my first book.

I haven’t had fun in months. I pray for fun. Not like how I draw for fun, or play Scrabble for fun. Praying is not fun. I literally ask God for fun. It is not forthcoming.

I miss play. I desperately long to play with intellectual equals, who are thin on the ground where I live. But what if someone agreed to play with me? What if I got some fun job or gig, the 56-year-old canceled-artist equivalent of a game of catch between 5-year-olds? We’d toss the ball back and forth, and the moment I dropped it, I’d cry. If the ball rolled under a fence I’d have a meltdown. All internally; I have enough adult armor to hide my emotions temporarily. But inside, I’d experience every mistake and failure like a searing hot brand, a punch in my gut, a severe beating, excoriation.

Play and fun require risk. The emotional consequences of small failures are unbearable in my current state. I’m the kid who has a meltdown at seemingly nothing and has to be taken off the playground. Weird kid. The other kids learn not to play with that one.

I say I’m lonely, and I am, but interacting with others is excruciating. My self feels like an open wound, and while I crave the salve of company, most company feels like salt. Better to avoid stimulation and put bandages and pillows between myself and the world. My brain lacks padding, so I compensate by padding my life. Interacting with people is overstimulating. Leaving the house is overstimulating. Eventually, getting out of bed will be overstimulating. This isn’t a matter of “discomfort.” It’s agony and terror. It’s illness.

I can’t think my way out of it, despite my fine intellect. My emotions go crazy while my intellect observes. I cry and shake and melt down, all while knowing nothing bad is actually happening. “It’s all in your mind,” I know very well.

Having a sick mind troubles me more than external losses. I have grieved much in my life, fully and long, and not suffered as when my brain does what it’s been doing lately. “Depression” is its own thing, and its detachment from reality makes it more horrific. It’s not like being sad because my cat died — that’s the purest kind of grief, and grief the purest pain. My depression, or whatever it is, is just pain for no reason, or almost no reason. It’s like being cut to bloody ribbons by a feather. It’s stupid and I know it, and knowing it helps not at all.

Only Prozac helps. Goddamnit.

Thankfully, all I have to do is up my dose (I hope!) and I can exit hell without dying. Of all the drugs I could be dependent on, Prozac is a great one. It’s literally free now, on my insurance. It’s accessible as hell today, unlike when I first got it in 1989. Back then, it required the frequent oversight of a medical doctor, preferably a psychiatrist. Gatekeeping was intense. Now it’s thrown at patients like peanuts to monkeys in a zoo. It’s hard to not get prescribed an SSRI, doctors love them so.

“No one likes being dependent on a drug!” I complain, as yet another friend assures me Prozac is akin to insulin for a diabetic. Ironically, I am dependent on another drug, Skyrizi, for the Crohn’s disease I developed after Covid in 2023. Skyrizi retails at $25,000 a dose, one injection every 8 weeks. It’s fully covered by my insurance but much, much more complicated than a daily capsule of Fluoxetine. I am dependent on this fancy designer monoclonal antibody, and will be for the rest of my life. Yet Skyrizi doesn’t bother me the way Prozac does (it bothers me its own way*). Maybe because Crohn’s disease is purely physical, and the gut, while poorly understood, is better-understood than the brain. I hate colonoscopies, but at least they are possible; no one can ram a probe up my skull and take photos of my neurons. I have pictures of the lesions in my gut; with my brain I just have symptoms. I will never know what’s really going on in there. No one will.

Likewise, I will never know if this winter, this season of grief, is what brought me to my knees and broke my brain. I’ll never know if I just held on until spring, until summer, maybe I’d get better on my own. My current symptoms are so very, very familiar, and I am so tired, I am ending my tapering-off experiment. I’d rather never know if it’s seasonal, than continue as a raw bloody skin-less stump of pain in the indifferent world. I’d rather never know…But I do know. I know what this is. I know why I’ve been on one SSRI or another for 36 years, despite multiple attempts to go off.

I know.

And I hate it.

I look forward to forgetting what this feels like again. I look forward to Prozac working so well I try to go off it again, like an idiot.

I also look forward to death, because after only 2 days the 20mg dose hasn’t kicked in yet. But in a week or two, I should be back to my old inauthentic self. The one that can live outside an institution and look to all the world and herself like a functional human being. The one I’ve been for 36 years, minus a year or two of “breakthrough depression” — certainly more than half my life. The one who doesn’t want to die.

See you on the other side.

P.S.: To everyone about to suggest I change my diet (again), or do yoga, or take this supplement, or do this meditation, or try this therapy, or join this cult: a preemptive fuck you to you all. Seriously, go fuck yourselves. You’re welcome.

*What I hate most about the “chemical imbalance”/physical condition theory is it leaves me off the hook. Being unable to control my mood, mind, and feelings is like having public diarrhea. I actually have the same problem with Crohn’s disease, despite knowing better. I should be able to control this. I can’t. I hate that.

 

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Musical Memory

I have an excellent musical memory. I forget everything else, but music stays. Music plays in my head 24/7, and has my whole life. I can remember entire symphonies my sister would spin on our record player, although I have no idea what their names are, or the names of their composers, let alone conductors or orchestras. Names are the weakest part or my memory by far. Music is the strongest.

Musical memory evolved to preserve epic poetry and precious human culture, to bind the tribe and pass on important wisdom to future generations. Yet mine is full of commercial jingles from the 1970’s onward, and crappy Christmas music I never wanted to hear in the first place, and musical “product” engineered for popularity and sales by copyright industries. And now it’s hooked on AI-generated songs, not even human voices or instruments. My amazing musical memory, the strongest part of my crumbling mind, designed for binding humans together: occupied by venal, commercial, exploitative, and now not-even-human patterns, forever. God must be rolling in His grave.

I feel grateful nonetheless, not least because most of those AI songs in my head were generated at the behest of my friend Cori, so I associate them with our friendship. Cori even generated (directed? prompted? pushed a button requesting?) a commercial for “Nina’s Art Gloves” which he inserted into the latest episode of our Heterodorx podcast. It is hilarious. 

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My T-Shirt Got Auto-Deplatformed

I launched an older T-shit design on TeeSpring over the weekend:

front

Minutes after I shared it on social media, it disappeared, with no option for me to re-launch.

So today (Monday) I emailed TeeSpring, and they replied:

There can be many things that may have caused your listing to be taken down. I’m unable to provide any insight about your listing being disabled, but I’ve forwarded your case over to our Trust & Safety Team for review. They’ll get back to you as soon as they can.

Good ol’ Trust & Safety. Yes indeed I can only guess why I was swiftly bumped off of yet another platform. However they did fix it:

It appears the listing in question was falsely removed by our image filtering system. We apologize for the error, and we have un-suspended your listing. This listing will appear in your dashboard in an ended state.

You can now relaunch your listing at any time from your dashboard.

So I have re-launched it. Let’s see how long it lasts this time.
https://teespring.com/melissa-bee

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What Is Happening To My Creativity?

When I was younger, art skills were meaningful and important.  Filmmaking was too expensive for any but the elite; there was more demand than supply of “media.” Animation was drawn by hand, every frame. Even a short animated film required money in digits that blew my mind, and whole teams of “talent” and managers.

So when I figured out how to make animated movies on my own, I suddenly advanced to elite status. I could do for little money, by myself, what many huge overfunded studios couldn’t achieve. And before that, I drew. When my work made it to print, I got thrills such as I never experience today. When my first T-shirt design, “Leal School is high class,” was chosen for silkscreening, I nearly peed my pants. When my first comic strip was printed in the Daily Illini newspaper, I secreted more adrenaline than I could handle.

Less creative excitement comes to me these days. I did make my first round of “Recovery Gloves” this summer, and I was extremely excited to put the first ones on my hands and photograph them. I guess I still care, a bit.

“Recovery Gloves”

The big change since my youth is that supply of “content” vastly exceeds demand. More writing, more art, more videos and music are made than anyone can consume. This has been enabled by tech, from “desktop publishing” (remember when it was unimaginably revolutionary?), to digital video editing, to phones — phones! — able to capture high-res everything, to AI.

The Attention Economy was coined a while ago and continues to be useful. Is my attention now a more valuable asset than my ability to create? Is that why I feel like I create so much less now? AI produces higher quality work than most humans. So what are we even for? Do robots even need human attention, or can they attend to themselves?

I am still a human being with a voice. I make art when I think something needs to exist in this world, and the only person who can make it so is me. Hence the gloves. Hence Sita Sings the Blues.

But plenty of other stuff can and does come into being without me. Pretty pictures don’t need me to exist. Articles don’t need me. Well, this one does, but it’s not that great. I’m not writing this to meet any demand, I’m writing it because my thoughts are bothering me and I’m trying to sort them out. That’s about the only thing that differentiates humans from AI right now, and maybe even that distinction will vanish.

Ah heck, let’s ask ChatGPT:

Me: You are an artist experiencing a creative block. You feel you were more creative 20 years ago, before the Internet and AI. Write an article exploring why recent advances in technology may have suppressed your creative drive.

ChatGPT:

The Tech Trap: How Internet and AI Innovations Have Stifled My Creative Spirit

As an artist, creativity is both my passion and my lifeblood. Yet, recently, I have found myself grappling with a persistent creative block. Reflecting on my artistic journey, I realize that I felt more creatively fulfilled 20 years ago, before the pervasive rise of the internet and artificial intelligence (AI). While these technological advancements have brought about tremendous benefits, they have also introduced challenges that can stifle the creative spirit.

The Overload of Information

One of the most profound changes brought about by the internet is the sheer volume of information available at our fingertips. Twenty years ago, inspiration was drawn from tangible experiences—visiting art galleries, reading books, and engaging in deep conversations. Today, the endless stream of online content can be overwhelming. The constant barrage of images, videos, and articles can dilute one’s unique artistic voice, leading to a sense of creative paralysis rather than inspiration.

The Pressure of Digital Perfection

The internet, coupled with AI, has created a culture of digital perfection. Social media platforms showcase polished, picture-perfect versions of art, often enhanced by AI tools. This can create unrealistic standards for artists, leading to self-doubt and a fear of not measuring up. Twenty years ago, the artistic process was more forgiving, allowing for mistakes and imperfections that were integral to growth and creativity. Now, the pressure to produce flawless work can inhibit the experimental and exploratory nature of art.

The Erosion of Deep Work

In the pre-internet and pre-AI era, creative work was often a solitary and deeply immersive process. Artists could lose themselves in their work without the distractions of notifications, emails, and social media. Today, the digital age has fragmented our attention spans, making it difficult to achieve the deep focus necessary for true creativity. The constant interruptions and the temptation to check our devices can prevent us from entering the state of flow where the most profound creative insights occur.

The Homogenization of Art

AI, with its reliance on vast datasets, tends to produce content that mirrors existing trends and styles. While this can lead to interesting combinations, it can also result in a homogenization of artistic expression. Twenty years ago, artists drew inspiration from a wide range of sources, leading to a diverse array of styles and perspectives. Now, the risk is that AI-generated art, based on similar datasets, may lack the originality and diversity that come from human experience and intuition.

The Shift from Creation to Curation

The digital age has shifted the focus from creation to curation. Artists now spend a significant amount of time curating their online presence, managing social media profiles, and engaging with their audience. While this has its benefits, it can detract from the actual process of creating art. Twenty years ago, artists could dedicate their time and energy solely to their craft without the distraction of maintaining an online persona.

The Devaluation of Effort and Skill

With AI’s ability to produce art quickly and effortlessly, there is a growing perception that artistic creation is less valuable if it can be replicated by a machine. This shift can be demoralizing for artists who invest considerable effort and skill into their work. Twenty years ago, the value of art was closely tied to the artist’s dedication and the unique human touch that went into each piece. Today, the line between human and machine-made art is increasingly blurred, leading to questions about the true value of artistic effort.

Finding a Balance in the Digital Age

Despite these challenges, it is possible to find a balance that allows for the preservation of deep, meaningful creativity. Here are some strategies for navigating the modern artistic landscape:

  1. Digital Detox: Regularly disconnecting from the internet can help reclaim uninterrupted time for creativity. This can involve setting aside specific hours or days where digital devices are put aside to focus solely on artistic work.
  2. Mindful Consumption: Being selective about the content consumed online can reduce overwhelm and allow for more profound inspiration. Curating a digital diet that includes high-quality, diverse sources of inspiration can help maintain a unique artistic voice.
  3. Embrace Imperfection: Recognize that mistakes and imperfections are a natural part of the creative process. Allowing for experimentation and accepting that not every piece needs to be perfect can foster a more open and innovative approach to art.
  4. Seek Offline Inspiration: Continue to engage with the physical world—visit galleries, attend workshops, and have face-to-face interactions with other artists. These experiences can provide fresh perspectives and break the cycle of digital dependency.
  5. Integrate Technology Thoughtfully: Use AI and digital tools to augment rather than replace the creative process. Embrace technology as a collaborator that can enhance creativity without overshadowing the human touch.

In conclusion, while the internet and AI have transformed the creative landscape in many ways, it is essential to navigate these changes thoughtfully. By finding a balance and reclaiming some of the practices from the pre-digital era, artists can overcome creative blocks and reignite the artistic spark that once burned so brightly.

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The War of Resistance

“Oceania had always been at war with Eastasia.”

In George Orwell’s 1984, the past is altered, but war is constant; the names of the combatants are changed retroactively, but combat is continuous. 

Members of nations at war bond more tightly with their compatriots. War offers a shared dream of triumph over a common enemy. Thus, continual state of war is an effective means of social control. It doesn’t really matter who Oceania is at war with, as long as Oceania is, and always has been, at war.

1984 illustrates how supporting wars is a sucker’s game. War is a product of the Establishment — governments, the military-industrial complex, corporations — using us, the people, to maintain their power. Keeping us in line. Keeping us obedient with fear!

We the enlightened, who have read 1984, don’t get caught up in nationalism. Instead, we RESIST. We resist the war machine, the governments, the military-industrial complex. We don’t play their games. We organize a student protest! We build a shantytown on campus. We demand a ceasefire now!

Students have always joined such movements against the Establishment. “Revolution Now” has been chanted for centuries. There is always a revolution in progress, and there is always a power structure to be revolted against. There is always a dream of triumph over a common enemy.

While most revolutions fail, every once in a while one succeeds. Then what happens? The Resistance becomes the Establishment. The Resistance IS the Establishment. Just as the students making protest camps on the green lawns of universities ARE the upper middle class. 

Who funds the Resistance? The Establishment.

Why would they do that? Because they want to be always at war. The same reason warring nations do. Social control, you dupes.

The Resistance has always been at war with the Establishment.

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Bat Mitzvah

A poem about connecting with my Ashkenazi heritage.

Today I am a woman.
Today I am a Jew.
Today I have an ailment
my ancestors all knew.

For many generations,
my Fathers’ guts have hurt.
My Mother can’t eat chocolate:
a most unjust dessert.

I gather all my chocolate;
I give it all away.
No more can I digest it;
And I have Crohn’s today.

I feel myself much older
than I have ever known.
Today I have a Crohn’s disease;
Today I am a crone.

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