Jews, Zionists, Israelis

European Jew/Zionist
Oy! Nothing but trouble.

The “European Jew/Zionist” label has has drawn the most criticism in This Land Is Mine. Apparently to Israelis (correct me if I’m wrong – this is what I’m learning from the many comments on the movie, and emails) “Zionist” means “historical Zionist” – the mostly-secular, mostly-socialist, hardworking kibbutz-founding idealists who settled mostly-peacefully in Palestine prior to the establishment of the State of Israel. According to one correspondent,

the founders of Israel in general were not religious Jews but on the contrary – secular and even anti-religious…The mainstream of ultra-orthodoxy sees Zionism as blasphemy… As for the image – in Israeli culture we have a caricature called “Srulik” (which is a nickname for the name “Israel”) that depicts the stereotypical 1940’s “new Israeli Jew” with the hat and the sandals

"Srulik"

Some viewers seem to think my illustration is a Chasid. It’s not; it’s supposed to be an Orthodox-ish Jew. Orthodox Jews apparently don’t have to join the Israeli army (WTH not?!) so this depiction further bothers some people. Orthodox Jews, they point out, are not Zionists.

Here I must clarify that “Zionist” means something slightly different to me, as an American Jew. Wikipedia sums it up:

Zionism (Hebrew: ×¦×™×•נות‎, Tsiyonut) is a form of nationalism of Jews and Jewish culture that supports a Jewish nation state in territory defined as the Land of Israel.[1] Zionism supports Jews upholding their Jewish identity and opposes the assimilation of Jews into other societies and has advocated the return of Jews to Israel as a means for Jews to be liberated from anti-Semitic discrimination, exclusion, and persecution that has occurred in other societies.[1] Since the establishment of the State of Israel, the Zionist movement continues primarily to advocate on behalf of the Jewish stateand address threats to its continued existence and security.

I labelled my Orthodox-ish Jew “Zionist” to distinguish him from Jews who aren’t Zionist – like me. When I was growing up, well-meaning relatives and acquaintances would keep asking me when I was going to Israel. “Why should I go to Israel?” I’d ask. Stricken, they would explain how important Israel should be to me. “Everyone needs a homeland!” they’d insist. But I already had a honemland – Urbana, IL. I felt no need for another one, and was troubled that I should create in myself such a need where one didn’t exist. I had enough insecurities already.

Many people use “Jew” and “Zionist” interchangeably, but they’re not the same thing. I am a Jew because I’m descended from a long line of Jews, and because even as atheists my family retained some Jewish cultural quirks. But I am not a Zionist. I don’t need a “homeland” in Israel, and I don’t care if my “Jewish identity” is upheld and assimilation resisted; in fact assimilation is part of my “Jewish identity,” something I’m proud of (as much as I can be legitimately proud of anything other people did before I was born).

I realize as I write this that I represent the religious conservative’s worst nightmare. Like most religions, Judaism requires indoctrination at an early age; Orthodox and Chasids encourage breeding as many offspring as possible, to enlarge the tribe. Assimilation is anathema to religious Jews, because it leads to people like me. I’m supposed to be supporting the Tribe, and instead I’d rather make graven images and spout individualism. I’ve even refused to breed altogether, let alone indoctrinate any spawn.

 

I hope my Great-Zaydie Zalman wouldn't be too disappointed in me.

Anyway, my Orthodox-ish Jew character, if he’s in Israel, is what I’d call a Zionist, although most Israelis would not. That said, I could have left the confusing Zionist label off of him, because he obviously was in Israel in my cartoon.

The “European” part of the label refers to the pressure a vast influx of Jewish refugees from Europe put on Palestine. Yes, there were Zionists there already, living peacefully alongside Arabs and others in the region. And yes, the State of Israel welcomes (or is supposed to welcome) all Jews, not just European ones. But the post-war influx of European Jews really changed things in the region. Would the State of Israel have been established had that not occurred? Would the US have backed it otherwise?

Jews, largely Holocaust survivors, in search of a homeland, aboard the SS Exodus

Why did I draw my character Orthodox-ish at all, when most Zionists and Jews and Israelis don’t look like that? To show the religious side of a “Jewish nation-state” (remember it’s the Jewish nation-state idea that defines Zionists here in the U.S.) And to refer to what I consider the most problematic element in Israel and elsewhere: religious nuts. My character doesn’t look too different from these folks hanging out at the Wailing Wall:

Sayeth Wikipedia:

With the rise of the Zionist movement in the early 20th century, the wall became a source of friction between the Jewish community and the Muslim religious leadership, who were worried that the wall was being used to further Jewish nationalistic claims to the Temple Mount and Jerusalem.

Then of course you have “The Settlers“:

I chose the more Orthodox garb because to me it more than anything said, “religion.” But critics do have a point when they say the Orthodox Jews in Israel get others to do their shooting for them.

There are Jews who are not Zionists. There are Zionists who are not Jews. Most Jews are not Israelis; most Israelis are Jews. Many Jews are not religious; many Israelis are not religious. There are deeply religious people who aren’t violent. There are violent people who aren’t deeply religious.

But when you combine religion, cultural identity, and statehood, you get a bigger mess than any of those things alone. My Orthox-ish dude is contemporary to his State counterpart:

State of Israel

(Thanks to another group of comments, I now know he’s holding the wrong kind of gun, and he’s holding it wrong. That I can live with.)

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This Land Is Mine

I envisioned This Land Is Mine as the last scene of my potential-possible-maybe- feature film, Seder-Masochism, but it’s the first (and so far only) scene I’ve animated. As the Bible says, “So the last will be first, and the first will be last.”

This Land Is Mine from Nina Paley on Vimeo.

Who’s Killing Who? A Viewer’s Guide

Because you can’t tell the players without a pogrom!

Early Man

 

Early Man
This generic “cave man” represents the first human settlers in Israel/Canaan/the Levant. Whoever they were.

Canaanite

 

 

Canaanite
What did ancient Canaanites look like? I don’t know, so this is based on ancient Sumerian art.

Ancient Egyptian

 

 

Egyptian
Canaan was located between two huge empires. Egypt controlled it sometimes, and…

Assyrian

 

 

Assyrian
….Assyria controlled it other times.

Israelite

 

 

Israelite
The “Children of Israel” conquered the shit out of the region, according to bloody and violent Old Testament accounts.

Babylonian

 

 

Babylonian
Then the Baylonians destroyed their temple and took the Hebrews into exile.

Macedonian/Alexander

 

 

 

Macedonian/Greek
Here comes Alexander the Great, conquering everything!

Greek

 

 

Greek/Macedonian
No sooner did Alexander conquer everything, than his generals divided it up and fought with each other.

Ptolmaic

 

 

Ptolemaic
Greek descendants of Ptolemy, another of Alexander’s competing generals, ruled Egypt dressed like Egyptian god-kings. (The famous Cleopatra of western mythology and Hollywood was a Ptolemy.)

Seleucid

 

 

Seleucid
More Greek-Macedonian legacies of Alexander.

 

Hebrew Priest

Hebrew Priest
This guy didn’t fight, he just ran the Second Temple re-established by Hebrews in Jerusalem after the Babylonian Exile.

Maccabee

Maccabee
Led by Judah “The Hammer” Maccabee, who fought the Seleucids, saved the Temple, and invented Channukah. Until…

 

Roman

 

Roman
….the Romans destroyed the Second Temple and absorbed the region into the Roman Empire…

Byzantine

 

 

Byzantine
….which split into Eastern and Western Empires. The eastern part was called the Byzantine Empire. I don’t know if “Romans” ever fought “Byzantines” (Eastern Romans) but this is a cartoon.

 

Caliph

 

 

Arab Caliph
Speaking of cartoon, what did an Arab Caliph look like? This was my best guess.

Crusader

 

 

Crusader
After Crusaders went a-killin’ in the name of Jesus Christ, they established Crusader states, most notably the Kingdom of Jerusalem.

Egyptian Mamluk

 

 

Mamluk of Egypt
Wikipedia sez, “Over time, mamluks became a powerful military caste in various Muslim societies…In places such as Egypt from the Ayyubid dynasty to the time of Muhammad Ali of Egypt, mamluks were considered to be “true lords”, with social status above freeborn Muslims.[7]” And apparently they controlled Palestine for a while.

 

Ottoman Turk

 

Ottoman Turk
Did I mention this is a cartoon? Probably no one went to battle looking like this. But big turbans, rich clothing and jewelry seemed to be in vogue among Ottoman Turkish elites, according to paintings I found on the Internet.

Arab

 

 

Arab
A gross generalization of a generic 19-century “Arab”.

 

British

British
The British formed alliances with Arabs, then occupied Palestine. This cartoon is an oversimplification, and uses this British caricature as a stand-in for Europeans in general.

Palestinian

 

 

Palestinian
The British occupied this guy’s land, only to leave it to a vast influx of….

European Jew/Zionist

 

European Jew/Zionist
Desperate and traumatized survivors of European pogroms and death camps, Jewish Zionist settlers were ready to fight to the death for a place to call home, but…

Hezbollah

 

 

PLO/Hamas/Hezbollah
….so were the people that lived there. Various militarized resistance movements arose in response to Israel: The Palestinian Liberation Organization, Hamas, and Hezbollah.

State of Israel

 


 

Guerrilla/Freedom Fighter/TerroristState of Israel
Backed by “the West,” especially the US, they got lots of weapons and the only sanctioned nukes in the region.

 

Guerrilla/Freedom Fighter/Terrorist
Sometimes people fight in military uniforms, sometimes they don’t. Creeping up alongside are illicit nukes possibly from Iran or elsewhere in the region. Who’s Next?

Angel of Death

 

 

 

and finally…

The Angel of Death
The real hero of the Old Testament, and right now too.

 

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The Highest Praise

Some people love Sita Sings the Blues enough to devote time and energy (and probably money!) to protesting it in public. My movie is now in the same league as the paintings of the late M. F. Hussein. I have arrived.

Article: Troll Sena protests Sita Sings the Blues in San Jose

Related: Aseem Chhabra on Sita Sings the Blues and free speech, in the Mumbai Mirror.

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RANTIFESTO

Adapted from a talk and slide show I presented at the Open Knowledge Conference in Berlin on July 1, 2011. –NP

Why are the Freedoms guaranteed for Free Software not guaranteed for Free Culture?

Free software is a matter of the users’ freedom to run, copy, distribute, study, change and improve the software. More precisely, it means that the program’s users have the four essential freedoms:

  • The freedom to run the program, for any purpose (freedom 0).
  • The freedom to study how the program works, and change it to make it do what you wish (freedom 1). Access to the source code is a precondition for this.
  • The freedom to redistribute copies so you can help your neighbor (freedom 2).
  • The freedom to distribute copies of your modified versions to others (freedom 3). By doing this you can give the whole community a chance to benefit from your changes. Access to the source code is a precondition for this.

The Free Software Definition

These are the Four Freedoms of Free Software. They are foundational principles, and they are exactly right. They have served and continue to serve the Free Software Movement very well. They place the user’s freedom ahead of all other concerns. Free Software is a principled movement, but Free Culture is not – at least not so far. Why?

1. The No Derivatives (-ND) Restriction

If you tinker with software, you can improve it. You can also break it or make it worse, but the Freedom to Tinker is one of the foundational 4 Freedoms of Free Software. Your software may also be used for purposes you don’t like, used by “bad people,” or even used against you; the Four Freedoms wisely counsel us to GET OVER IT.
Unfortunately, The Free Software Foundation does not extend “Freedom to Tinker” to Culture:

Cultural works released by the Free Software Foundation come with “No Derivatives” restrictions. They rationalize it here:

Works that express someone’s opinion—memoirs, editorials, and so on—serve a fundamentally different purpose than works for practical use like software and documentation. Because of this, we expect them to provide recipients with a different set of permissions (notice how users are now called “recipients,” and their Freedoms are now called “permissions” –NP): just the permission to copy and distribute the work verbatim. (link)

The problem with this is that it is dead wrong. You do not know what purposes your works might serve others. You do not know how works might be found “practical” by others. To claim to understand the limits of “utility” of cultural works betrays an irrational bias toward software and against all other creative work. It is anti-Art, valuing software above the rest of culture. It says coders alone are entitled to Freedom, but everyone else can suck it. Use of -ND restrictions is an unjustifiable infringement on the freedom of others.

For example, here I have violated the Free Software Foundation’s No-Derivatives license:

The Four Freedoms of Free Culture:

1. The freedom to run, view, hear, read, play, perform, or otherwise attend to the Work;
2. The freedom to study, analyze, and dissect copies of the Work, and adapt it to your needs;
3. The freedom to redistribute copies so you can help your neighbor;
4. The freedom to distribute copies of your modified versions to others. By doing this you can give the whole community a chance to benefit from your changes.
(link)

Without permission, I’ve created a derivative work: the Four Freedoms of Free Culture. Although I violated FSF’s No-Derivatives license, they violated Freedoms # 2 and 4, so we’re even.

2. The Non-Commercial (-NC) Restriction

The Freedom to Distribute Free Software is essential to its success. It has given rise to many for-profit businesses that benefit the larger community.

 

 

 

Red Hat, Canonical – would the world be better if such companies were forbidden? Would Free Software benefit from a ban on those businesses?

Yet the Cultural ecosystem is stunted by the prevalence of Non-Commercial restrictions. These maintain commercial monopolies around works, and  – especially for vocational artists like me – are functionally as restrictive as unmodified copyright. Yet they are widely  mislabeled “Free Culture,” or even “Copyleft.”

Which of these things does not belong?

This is a still from the mostly excellent and popular documentary RIP:a Remix Manifesto. This film is many peoples’ introduction to the term “Free Culture” and “Copyleft.” But as you can see, the Non-Commercial restriction is lumped in with actual Free license terms.

See that dollar sign with the slash in it? That means Non-Commercial restrictions, which are most definitely NOT Copyleft. (I’ve posted about Creative Commons’ branding confusion before, but it’s only gotten worse since then.)

NC stands for Not Copyleft

This film is itself licensed under unFree Non-Commercial restrictions. As an artist and filmmaker, I have found confusion is rampant among my creative colleagues. Some filmmakers are beginning to think the term “Free Culture” is cool, but they still want to restrict others’ freedom and impose commercial monopolies on their works.

This doesn’t help either

The book Free Culture by Lawrence Lessig its itself not Free culure, but it is widely looked up to. It sets an unfortunate and confusing example with its Non-Commercial license. It illustrates the absence of guiding principles in the Free Culture movement.

I have spoken to many artists who insist there’s “no real difference” between Non-Commercial licenses and Free alternatives. Yet these differences are well known and unacceptable in Free Software, for good reason.
Calling  Non-Commercial restrictions “Free Culture” neuters what could be an effective movement, if it only had principles.

So what do I want?
I want a PRINCIPLED Free Culture Movement.

I want Free Software people to take Culture seriously. I want a Free Culture movement guided by principles of Freedom, just as the Free Software movement is guided by principles of Freedom. I want a name I can use that means something – the phrase “Free Culture” is increasingly meaningless, as it is often applied to unFree practices, and is also the name of a famous book that is itself encumbered with Non-Commercial restrictions.

I want a Free Culture ecosystem that allows artists to make money. I want anyone to be able to accept money for their work of remixing and building on Culture – just as a trucker can accept money for driving on a road. I want money to be among the many incentives to participate in building culture. Without the freedoms to Tinker and Redistribute without restriction, there is little incentive to build on  and improve cultural works. There is little reward to help your neighbor, when you are guaranteed to lose money doing so. “Free Culture” with non-Commercial restrictions will remain a hobby for those with a surplus of time and labor, and those who only accept money from monopolists.

I want commerce without monopolies. I want people to understand the difference.

I want a Free Culture ecosystem that includes equivalents of  businesses like Red Hat and Canonical. I want cultural businesses that give back to their communities, that work with their customers instead of against them. Only if we refuse to place Non-Commercial and No-Derivatives restrictions on our works will a robust Free Culture ecosystem be able to emerge.

I want the Free Software community – those who currently best understand the Four Freedoms – to champion the rest of Culture, not just Software. I want Freedom for All.

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I am awesome

I was neither prepared nor in a particularly good mood when I did this “webinar” for Agora I/O. It was eerie having a “conversation” in which I could neither see nor hear the other participants. It was just me and my own voice, with questions and comments occasionally popping up in text on another webpage. Because of that, I couldn’t read anyone’s body language and try to pre-emptively smooth things over and “people please”; I could only speak my mind. Which I did. Which, upon reviewing, was a pretty great thing. You may not like me, but I sure do!

The fun starts about 8 minutes in, and gets better as it goes along. If you know about my story and Sita Sings the Blues, you can skip what comes before that, which is a basic recap.

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Analytic Chemist Needed

A few weeks ago I ran this comic at Mimi & Eunice:

I’ve long suspected that soy sauce could contain only small traces of wheat, so I did a little online research. Surprisingly, I found only one item that addressed the gluten content of soy sauce directly, and found it contains none at all:

Gluten analysis of two popular soy sauces
We sent a sample of soy sauce of the brands Kikkoman and Lima to an external laboratory to determine gluten levels. In both samples the gluten content was below detection limit of 5ppm (see report). According to a new European legislation, which will only be fully implemented in 2012, gluten-free foodstuffs should contain less than 20 ppm gluten. The FDA also proposes a limit of 20 ppm. This means that our two tested products may be considered as gluten-free soy sauce. link

The article contains a link to a lab report which appears to be Belgian. It’s strong evidence, but celiac organizations are still claiming soy sauce contains gluten, which leads trolls to leave furious comments at mimiandeunice.com and my Facebook page for daring to suggest otherwise.

I’d like to clear up the soy sauce confusion once and for all. A Belgian lab report makes one data point, but more data points are needed, especially because these substances may differ between the US and Europe. What I’d like is an analysis of several brands of American soy sauce, both conventional shoyu (derived from wheat ingredients) and “gluten-free” tamari. Also both fancy health food store brands, and cheap run of the mill supermarket kinds. What would really be helpful is a brand-by-brand chart the wheat-sensitive could refer to.

So, is there an analytic chemist in the house? A chemistry grad student? A biochem hacker space with time and resources on their hands? I’m certainly not a chemist, but if you produce such a report you’ll have my undying gratitude and whatever publicity I and Mimi & Eunice can muster. Also, you’d be doing good for the world.

Continue reading “Analytic Chemist Needed”

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