The Creation Museum in Kentucky is really a marvelous testament to what money can buy. A temple of Mammon, if you will. Designers and craftspeople work for money, not ideology, and the money here paid for some good ones. It reminded me a lot of Las Vegas that way.
You won’t learn much about the Bible here, since creationists really pick and choose. From an Old Testament perspective the whole place is outrageously idolatrous, violating the Second Commandment: “Thou shalt not make unto thee any graven image, or any likeness [of any thing] that [is] in heaven above, or that [is] in the earth beneath, or that [is] in the water under the earth…” —Exodus 20:4-6 (KJV)
Finally, the Creation Museum is a magnificent monument to the limits of human psychology. Here it’s especially easy to see the extraordinary lengths humans go to to make some kind of PALATABLE sense of the world. I vastly prefer science to biblical authority, but even the best method of inquiry gets mashed through our squishy, emotional, fallible, fragile human minds. It’s easy to make fun of creationists, but we all have similar longings to understand the world, and there’s only so much cognitive discomfort we can handle before we just project on reality as we see fit.
Big ol’ bible dinosaur at the entrance
The Bible is authoritative, without error, and inspired by God. UNLIKE YOUR SILLY “SCIENCE” NONSENSE!
I’m gearing up to do the most interesting Seder-Masochism episode: the Golden Calf, wherein the stiff-necked people disobey Moses and revert to their pagan, goddess-worshipping ways. Lotta design work this month, because goddesses.
I’m gearing up to do the most interesting Seder-Masochism episode: the Golden Calf, wherein the stiff-necked people disobey Moses and revert to their pagan, goddess-worshipping ways. Lotta design
After a little over a year and a half, and many interruptions, we finally finished our embroidermated short, Chad Gadya. While we were working on it (actually I was working, Theo was procrastinating) this other embroidered short came out, but there are differences. Thanks to Theodore Gray’s stitchcoding in Mathematica, we weren’t restricted by (invariably crappy) off-the-shelf software. This allowed us to automate beautiful iridescent stitches and preserve them from frame to frame, so the resulting animation really looks like moving embroidery.
Every single embroidered frame you see here is available for sale, signed and numbered and one-of-a-kind. Only 9 months ’til Passover!
Chad Gadya will function as a sort of “intermission” in my feature film
Edit: Happy Summer Solstice to everyone in the Northern Hemisphere! And Happy Winter Solstice to everyone in the Southern Hemishpere. And to those in the tropics, Happy Just Another Day Pretty Much Like All The Rest.
Edit: Happy Summer Solstice to everyone in the Northern Hemisphere! And Happy Winter Solstice to everyone in the Southern Hemishpere. And to those in the tropics, Happy Just Another
These are some lousy test prints (I have no skill as a printer plus I used cheap water-based ink and cheap thin waste paper) I made of some linoleum print plates I designed and “cut” with the laser engraver at the local Fab Lab. The plates are to be part of a larger project with many artist participants, organized in Germany; I’ll write about it when it’s properly printed and officially released. My understanding is it’s about how the advent of the printing press led to the explosion of a unique kind of illustration: the wood-cut. Since I think the internet is in many ways analogous to the printing press, I saw a parallel
Which picture best depicts Copyright? Vote in comments.
I’ll be asking this question tonight at this talk:
Questioning Copyright: Sharing or Stealing?
Start Time: 7:00 PM
End Time: 8:30 PM
This event will be at Pizza M, 208 West Main Street, downtown Urbana. Delicious snacks from Pizza M will be provided.
Does copyright protect creative work? What impact does copyright have on censorship? And what would happen if we abolished copyright? Join us for a provocative conversation with two guests: artist and copyright abolitionist Nina Paley and UIUC law professor and activist Paul Heald.
Nina Paley is the creator of the animated musical feature film Sita Sings the Blues and the short This Land
Big ups to my friend Barry Israelewitz, who wrote a shell script for ffmpeg (based on this article shared in this comment by Paul Wise) and taught me how to use Terminal on my mac to make much better animated gifs than Flash exports directly. Currently it’s significantly more work than just exporting .gif from Flash, because I have to instead export a PNG sequence, import the frames to Quicktime 7, and export as a new .mov to use as an input file for making the gif. This may be streamlined a little bit in the future, but for now at least I can make higher quality gifs if I need to.
Concept, design, reverse-applique snipping by Nina Paley
Stitchcoding & binding by Theodore Gray
Stitched by Behemoth
Based on horse photographs by Eadweard Muybridge, 1878
Same horse at half speed
Algorithmic quilt fill patterns by Chris Carlson Concept, design, reverse-applique snipping by Nina Paley Stitchcoding & binding by Theodore Gray Stitched by Behemoth Based on horse photographs by Eadweard Muybridge,