The closest I come to “storyboards”

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The First Plague (Blood) – rough

“17 Thus saith the Lord, In this thou shalt know that I am the Lord: behold, I will smite with the rod that is in mine hand upon the waters which are in the river, and they shall be turned to blood.

“18 And the fish that is in the river shall die, and the river shall stink; and the Egyptians shall lothe to drink of the water of the river.

“19 And the Lord spake unto Moses, Say unto Aaron, Take thy rod, and stretch out thine hand upon the waters of Egypt, upon their streams, upon their rivers, and upon their ponds, and upon all their pools of water, that

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Reddit AMA – Friday February 27

I’ll be doing a Reddit AMA next Friday February 27, along with Sherwin Siy of Public Knowledge, for Fair Use Week. We’ll be on 2-4pm EST, a.k.a. 1-3pm CST. Ask Me Anything!

I’ll be doing a Reddit AMA next Friday February 27, along with Sherwin Siy of Public Knowledge, for Fair Use Week. We’ll be on 2-4pm EST, a.k.a. 1-3pm CST.

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The Third Plague (Lice) – rough

The Third Plague (Lice) – rough from Nina Paley on Vimeo.

“16 And the Lord said unto Moses, Say unto Aaron, Stretch out thy rod, and smite the dust of the land, that it may become lice throughout all the land of Egypt.

“17 And they did so; for Aaron stretched out his hand with his rod, and smote the dust of the earth, and it became lice in man, and in beast; all the dust of the land became lice throughout all the land of Egypt.”
–Exodus 8, King James Version

Like many filmmakers, I use Moses to represent both Moses and Aharon.

The music is “Insects” by Oingo Boingo (1982). The lyrics, which

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Frogz

Having found suitable song snippets for all Ten Plagues, I am now animating them. This frog is adapted from one in Sita Sings the Blues, where it appeared in “Am I Blue.” In Seder-Masochism it stars in the Second Plague, “Frogs.” Above, a nice messy mass o’ frogs (on a beat of 13.5 frames – the song itself is 13.3 frames per beat, but close enough). Below: same frogs marching in a 27-frame lock-hop.

Having found suitable song snippets for all Ten Plagues, I am now animating them. This frog is adapted from one in Sita Sings the Blues, where it appeared

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The Ninth Plague – ROUGH

This is a ROUGH. It will probably change before the final film. I’m just happy I found the perfect song for the Ninth Plague (Darkness): “Who Turned The Light Out In My Life” by Daniel Boone, from the early 1970’s. There aren’t a lot of songs about lice, flies, and locusts (other than Death Metal, which I can’t use because the words are indecipherable) but I managed to find one, plus songs for murrain, boils, and the rest. All will be used well out of their original context.

Moses is shown way bigger than Pharaoh here because he’s about to win. In an earlier scene (which I’m working on right

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QUANTITATIVE STRETCHING by Theodore Gray

Crossposted from Theo’s new stitchblog. We’re rearranging palegraylabs.com and will hopefully have a functioning blog there soon. –Nina

Welcome to my new Stitching Blog. It’s like my regular blog except all about quilting and embroidery. I’ve separated the two, because I get the feeling that people interesting in my science writing and app-making activities may find all the stitching a bit tedious, and vise-versa. Also, I have taken the liberty of using the same list of subscribers to my stitchcam as the list to be notified (via rss feed) when there’s a new post on this blog. I figure if you’re interested enough in stitching to get real-time notifications of a quilting machine running,

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God Calls Moses to Mt. Horeb

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“3 Now Moses kept the flock of Jethro his father in law, the priest of Midian: and he led the flock to the backside of the desert, and came to the mountain of God, even to Horeb.
“2 And the angel of the Lord appeared unto him in a flame of fire out of the midst of a bush: and he looked, and, behold, the bush burned with fire, and the bush was not consumed.
“3 And Moses said, I will now turn aside, and see this great sight, why the bush is not burnt.
“4 And when the Lord saw that he turned aside to see, God called unto

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Tapdancing yin-yang goat chorus line

Yes these will be in the film. Too bad the animated gif doesn’t have music.

Yes these will be in the film. Too bad the animated gif doesn’t have

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A new video about meeeeeeeee

Continue reading A new video about meeeeeeeee

Dvorak Diary #3: Introvert

On a recent trip to Trivandrum, India, I decided to try learning to touch-type in Dvorak (after decades of hunt-and-peck in QWERTY). Here I share some excerpts of my “Dvorak Diary”.

Thursday, January first, Two thousand fifteen

Yesterday I awoke with a clear and simple melody running through my head, a really good and catchy one. Then I had breakfast with ____ and it was gone. This is why I am an introvert: I want to hear the music in my head. It’s like a wilderness preserve: clumsy tourists wander off-trail and step on the delicate wildlife, killing it inadvertently. They don’t mean to but the endangered plants and animals don’t care; they

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Dvorak Diary #2: Offline

On a recent trip to Trivandrum, India, I decided to try learning to touch-type in Dvorak (after decades of hunt-and-peck in QWERTY). Here I share some excerpts of my “Dvorak Diary”.

Tuesday, December Thirtieth, Two thousand fourteen….

I have been kinda ‘offline’ since returning. The last legs of my flights were awful, and I still haven’t recovered, though at this point it’s probably jetlag more than exhaustion that has me failing to connect to ‘my’ world and identity. I haven’t felt connected online, and am concerned about how I let Facebook information just wash over me with no real engagement on my part. It’s a hell of a lot of information to

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Dvorak Diary #1: Airport

On a recent trip to Trivandrum, India, I decided to try learning to touch-type in Dvorak (after decades of hunt-and-peck in QWERTY). Here I share some excerpts of my “Dvorak Diary”.

 

December Twenty-Fifth, Two Thousand Fourteen….

The airport here has two levels. Lower is a huge confusing mall like Heathrow; upper is one huge business class lounge with its own gates. Lower is a dystopian capitalist nightmare; powerless citizens oppressed by armed guards are blasted with ‘luxury’ images and stores. The more oppressed, powerless, and confused the human, the more vulnerable to advertising. The violence behind capitalism is apparent at airports. Armed guards at the periphery, armed guards at every step, and at the

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More Single Line Art

I am a better line processor than any algorithm we currently have access to. Behold what I turned into a SINGLE LINE by hand:

Look upon my works, ye mighty, and despair!

Many people think we’re using Mathematica to do the drawings of our Quilt Money. We’re not! I am drawing all this stuff by hand. Theo uses Mathematica to route my drawings that contain T-intersections, but I’m learning to make my drawings single lines without T-intersections by hand, because they route much better that way. Everything below was drawn by me, by hand:

Only a few bits (the seals and part of the border) need to be routed in Mathematica. Everything else I drew as

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Angel O’ Death T-shirts

 

Available until December 3 here! There’s a pull-down menu that lets you choose between men’s and women’s crew necks, v-necks, and unisex long sleeved shirts. Teespring worked great for the Passover Satyr shirts – I was pleased with the quality of both the screen printing and the shirt stock. This is a much easier way for me to produce shirts than trying to figure out demand in advance and paying for everything up front.

  Available until December 3 here! There’s a pull-down menu that lets you choose between men’s and women’s crew necks, v-necks, and unisex long sleeved shirts. Teespring worked

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