Help the University of Illinois Library Help “Nina’s Adventures”

They need $7,000 to scan, prep, and upload my entire comics oeuvre, including Nina’s Adventures and Fluff. Under a Creative Commons Share Alike license, of course, so everyone can see, share, use, and build on them.

The Library is looking for…

$7,000 for Digital Content Creation to digitize a collection of the original comic strip art boards of Nina Paley, an Urbana-born cartoonist and animated filmmaker, whose award-winning animated film Sita Sings the Blues was reviewed by Roger Ebert as “astonishingly original” and selected by him for screening at Ebertfest 2009 in Champaign.
Her cartoon series include Nina’s Adventures (self-syndicated) and Fluff (distributed internationally by Universal Press Syndicate).  Nina’s Adventures was a semi-autobiographical, often experimental, alternative weekly comic strip that delivered incisive commentary on consumerism, overpopulation, and other social issues.  Ms. Paley is interested in making her artwork openly and freely available for distribution and reuse.
If interested please call the Library: (217) 333-5683

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Hooray for Entropy!

Remember the days before digital copying? Every copy introduced small errors; a copy was always a degraded, inferior version of its parent. But entropy has a beauty of its own, as in this beautiful film By Alexander Stewart (it’s not embeddable, so you have to follow this link):

Errata is an animation made by photocopying copies of copies. Starting with a blank sheet of paper, each successive copy becomes a frame of animation, meaning that each on-screen image is a copy of the last. All movements, pans and zooms in the film were accomplished using standard zoom and shrink features on copy machines; the animation camera used to shoot the copies onto 16mm film was not used to manipulate or direct the film’s motion. Comprising thousands of copies made on a dozen copiers, the resulting imagery is a moving Rorschach test of analog textures, bleeding ink spots and pareidolic cloud formations.

In contrast, digital copies are perfect – indistinguishable from their “originals.” Compression, however, retains that exciting element of entropy, as artist hadto demonstrates:

Granted he intentionally increased the compression from frame to frame; the discussion on the video page  is enlightening (and led me to Errata in the first place).

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