I’m crossposting this from Mimi & Eunice today because it is one of my best ever and I’m impatient for everyone in the world to see it.
What distinguishes
Copyright from Censorship? The profit motive.
There’s one more day to back the Mimi & Eunice’s Intellectual Pooperty minibook project! The above comic won’t be in it, alas, since I just drew it yesterday and the book is already at the printer. But there will be 40 other fine selections from the IP category, in full color.
I’ve mentioned quilter Leah Day here before, and will mention her again. Leah “e”-teaches me and countless others how to Free Motion Quilt via her online Free Motion Quilting Project. I wrote about her refreshingly open attitude and progressive business model on Techdirt a few months ago. But I’m posting today to bring your attention to her new informational copyright page, which is so beautiful it almost brings a tear to my eye. This is how it’s done, people.
I was neither prepared nor in a particularly good mood when I did this “webinar” for Agora I/O. It was eerie having a “conversation” in which I could neither see nor hear the other participants. It was just me and my own voice, with questions and comments occasionally popping up in text on another webpage. Because of that, I couldn’t read anyone’s body language and try to pre-emptively smooth things over and “people please”; I could only speak my mind. Which I did. Which, upon reviewing, was a pretty great thing. You may not like me, but I sure do!
The fun starts about 8 minutes in, and gets better as it goes along. If you know about my story and Sita Sings the Blues, you can skip what comes before that, which is a basic recap.
On a lighter note, enjoy this online toy coded by my friend Margo Burns. It is based on “Face-O-Matic” cards I originally designed to teach very inhibited grad students to draw cartoon facial expressions for a visual storytelling class at Parsons. Turns out all ages enjoy it. The drawings are extremely simple, so even people who claim they have no drawing skills can copy them without fear.
These aren’t dolls, or toys, or cushions – they’re SOFT SCULPTURES. Why? because regulatory capture means the cost of registrations, licenses, and fees to legally call it a doll are beyond anything we could possibly afford.
These limited edition soft sculptures were hand-appliqued, beaded, and embroidered in India by the craftswomen of Ubuntu at Work; each unique piece is signed in embroidery by the woman who fashioned it. Because of the cost of registrations, licenses, and fees to legally import them already stuffed, they were sent unstuffed to New York, where I and my colleagues lovingly stuffed each one with polyester fiber-fill and sewed them up by hand.
That way, if calling them soft sculptures not dolls/toys/cushions, and including this “WARNING! DANGER! NOT FOR CHILDREN! UNREGULATED ITEM MAY CAUSE CHOKING, EXPLOSIONS, OR APOCALYPSE!” is not sufficient to avoid a lawsuit, it is I, Nina Paley, who will accept the liability, rather than Ubuntu at Work.
While stuffing and sewing are exactly the sort of labor the craftswomen of Ubuntu at Work desire, and do efficiently and well and affordably, regulatory capture of stuffed goods in the U.S. ensures they won’t get this work, and established legacy toy corporations with legal teams will hire slave labor to make corporate crap instead. Therefore this is a LIMITED EDITION of only 30 soft sculptures. Each one is also signed and numbered by me, Nina Paley.
Made of cotton fabric; cotton and polyester thread; small glass beads; polyester fiber fill. About 15″” tall.
WARNING! DANGER! NOT FOR CHILDREN! UNREGULATED ITEM MAY CAUSE CHOKING, EXPLOSIONS, OR APOCALYPSE!
“I laughed out loud!…[The Intellectual Pooperty cartoons] are very very funny….however, if you could inform readers that this naive concept doesn’t correspond to the laws that actually exist, it would avoid encouraging them to believe that it does.”
—Richard Stallman
Here’s a photo of the book surrounded by more copies of the book with pages open in seductive poses: