“40 Years in the Desert,” a talk I gave at Copycamp in Warsaw, Poland, on November 26 2012. Audio is a bit messed up until 02:49, so just start there. I talk a bit about Questioncopyright.org and Minute Memes, liberally quote Rick Falkvinge, mention Fair Use and Creative Commons before getting into Intellectual Disobedience. Toward the end I discuss Seder-Masochism’s release plan.
Category: copyleft
By Popular Demand: Hi-Res This Land Is Mine characters
I just uploaded super-high-res versions of the This Land Is Mine Viewer’s Guide illustrations to archive.org. As so many of you pointed out, I didn’t explicitly name Persians in the guide. But the Assyrians and Babylonians I made up are based on Assyrian, Babylonian, AND Persian art! Did you know it’s all from the same region? Did you know This Land Is Mine is a cartoon? Did you know the pictures in the cartoon are more important than the labels on a blog post? Did you know none of the characters is an accurate historical representation, because (again) it’s a cartoon? Well now you do! As always, my work is Free-as-in-Freedom so you can use these images for whatever you want, except imposing artificial monopolies. Print ’em! Share ’em! Re-label ’em! Use ’em in your Ph.D. thesis, but don’t blame me if their accuracy is called into question! Download the whole set (as well as the whole short movie) at archive.org.
Alternatives to Youtube
With all the false copyright claims happening on Youtube, I’m lately asking myself why I use it at all. I guess the main reason is the Network Effect: Youtube is the most popular video host, so that’s where most people go to find videos. If my vids aren’t on Youtube, there’s a chance they won’t be found.
But I’m not sure that’s a good enough reason, in light of all the Content ID abuse. Thanks to Brewster’s comment yesterday, I’m embedding archive.org video below. If this works, it’ll be an ideal alternative.
Another alternative to Youtube is Vimeo. I’ve had problems with Vimeo’s speed, and have embedded videos fail to load. But maybe those problems will resolve.
Copying Is Not Theft from Nina Paley on Vimeo.
A bonus feature of both of these: they don’t seem to use Flash (which my current Chrome browser doesn’t support anyway).
Anyone care to comment on the quality of the archive.org and vimeo embeds above?
Is Chinese video hosting the answer?
Youtube has been so rife with Content ID abuse – including multiple false claims on our Free Culture anthem, Copying Is Not Theft – I decided to try a Chinese video host. I’m embedding it here just to test how it works. So far the audio seems a little out of synch – anyone else getting that? Comments welcome below.
Intellectual Disobedience
Kids Today
This afternoon I gave a Sita Sings the Blues talk to a roomful of 15-to-17-year-olds. Near the end I explained Free Culture and my stance against copyright, which led to some interesting discussion. Turns out most of them are manga fans, and familiar with publishers’ complaints about scanned and translated manga shared freely online. They all read them anyway (except one, who prefers to read entire manga in the bookstore). I asked them how they would choose to support artists they liked (once they had some disposable income) and they said:
- Donate buttons – with the qualification that they want to know as much as possible about where the donation is going. They said honesty and transparency are important.
- Kickstarter – They all knew about it (which was notable because none of them had heard of Flattr) and valued pitch videos that explained how the money would be used.
- Custom drawings
- Merch
- Physical copies
- Live Shared Experiences, including ballet, museum exhibits, and concerts. The event aspect was important; they wanted to be able to say, “Remember that one time when that awesome show was here…” They agreed seeing things in person is a more powerful experience than seeing things online, and worth spending more on. One said she would buy CD at a live show because “it reminds you of the show.”
- One said he would support artists by promoting their work to his friends.
Semi-related, I took an informal poll of how many would prefer to read a book on paper vs. an e-reader. The vast majority said paper, but what they really seemed to want was dual formats: paper copies to read comfortably and collect, and digital copies to search and reference. Makes sense to me. Only two of them had iPads, and none used them for “enhanced eBooks.”
My favorite quote of the afternoon:
“We don’t want everything for free. We just want everything.”