Sunday June 21, 2:00 pm
Tishman Auditorium, Vanderbilt Hall, NYU
(40 Washington Square South)
FREE! Part of the Open Video Conference‘s “Hack Day” – no registration required! I will be there.
Animator. Director. Artist. Scapegoat.
Sunday June 21, 2:00 pm
Tishman Auditorium, Vanderbilt Hall, NYU
(40 Washington Square South)
FREE! Part of the Open Video Conference‘s “Hack Day” – no registration required! I will be there.
If you know of an apartment in Lower Manhattan, Inner Brooklyn or Inner Queens, please let me know. I’m childfree and have a cat; I am also quiet, nonsmoking, nondrinking, TV-free, vegetarian, clean, and can pay up to $1,500 a month. I prefer top floor apartments (no noise upstairs, more sunlight, views – and I don’t mind walkups!) but am open to anything. I can be contacted here.
In this Sunday’s New York Times Arts Section:
I’d post a photo of the whole thing, but that would probably be violating copyright, so instead I’ll wait until the story goes online tonight and link to it. Link
The Open-Source Coffee Table Book: Publishing Pop Culture in the Digital Age
Nina Paley (Nina Paley Productions, LLC)
5:25pm Wednesday, 02/11/2009
Keynote
Location: Broadway North (6th Floor)
New York Marriott Marquis Times Square
1535 Broadway
Official blurb:
Why should techies have all the fun? The few publishers to embrace open content focus primarily on technical books. But an increasing number of artists and pop culture creators are seeking alternatives to copy restricting their works. What works for Cory Doctorow’s science fiction can also work for graphic novels, art and coffee table books. Unfortunately, publishers that historically specialize in popular culture – many of which are subsidiaries of the same media conglomerates pushing DRM and extending copyright enforcement – are unwilling to pursue the open-source model. Will existing open-source publishers expand into pop culture to exploit this niche? Will new publishers emerge to serve both pop culture markets and artists?
I’m making a power point (excuse me, keynote) presentation and everything.
Chris Carlson of Diamond Time sends this news:
“we are all approved across the boards with the exception of Memory
Lane Music, who only have a small piece of the song, Mean to Me.”
It will take many months to actually get the contracts from them, and I still need to raise about $45,000 to pay for this limited permission, but films are customarily released right after approvals; Sita Sings the Blues is more or less decriminalized at this point. So it’s time to release her! I have to update the credits and sound designer Greg Sextro is doing some final tweaking of the audio, but we’re hoping to have the film online and free under a Creative Commons Attribution Share-Alike License in about a month.
There’s a ton of work that needs to be done: web design, database set-ups, scanning documents, ideally having some ancillary products ready to go (who wants to make open-source merch? talk to us!), an automated system to give credits to donors….much more work than I can do alone. We’re trying to build a new model for film distribution, one that respects the audience and rewards sharing and freedom. Want to help? Please come to QuestionCopyright.org’s open meeting this Monday February 2 at the Software Freedom Law Center in New York.
See also: Sita’s Distribution Plan.