God Calls Moses to Mt. Horeb

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“3 Now Moses kept the flock of Jethro his father in law, the priest of Midian: and he led the flock to the backside of the desert, and came to the mountain of God, even to Horeb.
“2 And the angel of the Lord appeared unto him in a flame of fire out of the midst of a bush: and he looked, and, behold, the bush burned with fire, and the bush was not consumed.
“3 And Moses said, I will now turn aside, and see this great sight, why the bush is not burnt.
“4 And when the Lord saw that he turned aside to see, God called unto him out of the midst of the bush, and said, Moses, Moses. And he said, Here am I.”
–Exodus 3 King James Version (KJV)

Written Designed Directed Animated Produced etc. by Nina Paley. ninapaley.com
Music: excerpted from “Moses Supposes” (music by Roger Edens, lyrics by Comden and Green, vocals by Gene Kelly and Donald O’Connor) from the motion picture Singin’ In The Rain.
Many sound effects from the wonderful freesound.org:
wind: freesound.org/people/medialint/sounds/11863/
fire: freesound.org/people/kingsrow/sounds/181562/
stick: freesound.org/people/davilca/sounds/159494/
thumps: freesound.org/people/FlatHill/sounds/211450/

Director’s note:
Obviously I took a few liberties here.
This is a work-in-progress and may be modified for the final film, Seder-Masochism. Stay tuned for the immediate next scene, where the burning bush gives instructions to Moses!

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More Single Line Art

I am a better line processor than any algorithm we currently have access to. Behold what I turned into a SINGLE LINE by hand:

Look upon my works, ye mighty, and despair!
Look upon my works, ye mighty, and despair!

Many people think we’re using Mathematica to do the drawings of our Quilt Money. We’re not! I am drawing all this stuff by hand. Theo uses Mathematica to route my drawings that contain T-intersections, but I’m learning to make my drawings single lines without T-intersections by hand, because they route much better that way. Everything below was drawn by me, by hand:

$100_new_19_all

Only a few bits (the seals and part of the border) need to be routed in Mathematica. Everything else I drew as single paths. Which is quite a brain-hurter, lemme tell ya. Here’s a screen capture of me working on this same project last week:

I could do this much more efficiently now, using what I’ve learned since then. Which is good, because the better I get at this, the more I can help someone else create algorithms to automate this kind of work.

And yes, at some point we hope to offer an affordable $100 Quilt. But first I have to get the design right, and then our potential partner has to be able actually produce it without losing money. We’re working on it.

Our quilted money is one of the few things I don’t share source (in this case, vector) files for, because currency isn’t exactly like other culture, as I explain here.

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Working in Macromedia Flash 8


Here’s a time-lapse screen-capture of me working in Macromedia Flash 8. This little bit of animation is unlikely to make it into the finished movie, as I later decided on a different approach here. This just shows one aspect of how I use Flash; other work videos to come. Thanks to the Blender Institute for posting this and thinking about maybe possibly developing FLOSS vector animation tools.

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Sheep and Goats

For your insomniac counting pleasure:

sheep+goats

Was Moses a shepherd or a goatherd? I now have both sheep and goats for Seder-Masochism. The sheep design I made a few years ago; the goat I made this week. I much prefer it to this goat design from 2012 (which was just rehashed from Agni’s mount in Sita Sings the Blues):

 

There’s also this embroidermation goat I designed for the all-embroidermated Chad Gadya section of Seder-Masochism, still to be photographed:

That’s 3 goats I’ve designed so far, for one movie. I’m only going to use the most recent 2.

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