I’m currently animating the Death of the Firstborn Egyptians (Exodus 11:1-12:36) for Seder-Masochism. This is the miracle that started Passover! Hooray! I’m being sarcastic!
Ancient Egypt parallax
I’ve been designing Egyptian foliage for Seder-Masochism. The ancient Egyptian graphic style is pretty flat; there’s little if any perspective to give a sense of depth.
However, animation can give a sense of depth without compromising the graphic style. Thanks to the magic of parallax, each still frame looks authentically flat, but in motion the scene looks 3-D. Nothing overlaps anything else but there’s still a foreground and background.
Just one of many reasons animation is cool.
Chad Gadya cycling backgrounds
Which 24-frame cycle do you like more:
Cycle A, “Clouds”, or…
Cycle B, “Waves”?
I personally prefer Cycle B, because I like backgrounds where everything is moving – I feel it gives it more depth. As a 2-D design the clouds look nice, but in an animated cycle their stillness bothers me. I did make a version with moving clouds, but on this 24-frame cycle they had to be very dense to repeat:
Cycle C, “Repeating Clouds”. I still prefer Cycle B. The sky pattern might be a bit unconventional, but I think it’s stylish. Also I don’t like all that white in the background of A and C.
The palette is limited to 10 colors because this is destined for Embroidermation. The animated GIF doesn’t have great color fidelity; thread colors will look better and have more contrast between foreground and background.
If you have an opinion on which of these you prefer, please leave it in the comments and maybe it will help Theo and me settle our argument.
Drivin’ That Train
A friend of mine told me she’s dating a guy who works in trains, and among other things can actually drive a train. Naturally I wanted to show her the Casey Jones comic I made for Grateful Dead Comix in 1991, but I couldn’t find it anywhere online. I couldn’t even find it on my own hard drives – apparently I’d never even scanned it. Probably because everyone who worked on Grateful Dead Comix did it as work-for-hire. Well I don’t play that no more, so here for your (and my friend’s) edification and enjoyment are all 8 pages of Casey Jones. The Dead will have to censor this themselves, since I’m not doing it for them.
For super high resolution scans, so high you can see all the little print dots, visit archive.org.
Cattle of Egypt
I’m back to working on Seder-Masochism after a very long hiatus. Here are some biblical Egyptian cattle:
And here they are after I AM THAT I AM gets through with them: