Cowardice Calls to Cowardice Everywhere

Back when I was originally TERFened, I shared “If A Person Has A Penis He’s A Man” by Connie Bryson. I did not write those lyrics, and never claimed I did, but outrage compromises reading comprehension, so it’s been incorrectly attributed to me. Including by the man who wrote the letter below, whose identity I have concealed.

On yesterday’s International Gaslight Women Day, I was inspired to courage by JK Rowling to share this story on fecebook, and after the uncountable outraged responses urging me to cowardice, including from the author of the advice below, I decided to finally share it with the world.

If you stand up for anything, ever, expect this type of “support” from friends, family and  loved ones. (Of course this is why few people stand up for anything.)

Nov 7, 2018

Nina–

I saw your post on Facebook this morning regarding whether you should post certain material that might feel risky, especially in light of the trans stuff.  I’m not an artist and therefore I don’t–I can’t–have the same passion for needing to present art that you do.  I can’t relate to that.  But I think I understand something that I think got you to this place.

As an artist, you surely know that once you put your art out there, you can’t control how it is interpreted.  When you wrote the poem with “If a person has a penis, it’s a man,” I don’t think you had any understanding of how it would be received. (Raedacted) and I had the same reaction to it: “What’s the point of this?  Does she not understand that it looks like she is taunting a community of people?  Why is she doing this?”  Whether you were correct or not isn’t the point.  What your intent was isn’t the point.  The point is that the form which you chose in order to make your point made you look like a bully to a lot of people.  It looked like taunting.

Since the poem was posted, you have been mistreated.  I find the way you have been treated to be appalling.  Deplatforming is beyond ugly.  So, what to do?

I’ve asked myself what advice I could give you.  I’ve felt like my advice wouldn’t matter to you.  I thought about that when I was in (Redacted) this summer and I came to the conclusion that you wouldn’t listen to me or tell me I was wrong so I left it alone.  The way you were choosing to express yourself made me feel like all I could do is upset you further.  It may be that this email will indeed upset you further, but now I feel like I really should write given the level of despair you have been expressing publicly.

What I think would have helped after initial complaints about your poem would have been to write a post in every social media outlet you use, including your blog, including Facebok, saying something like:

“I realize that the poem I wrote came across in a very poor way.  I did not mean to write something that offended so many.  I meant to engage in a constructive discussion, but I now understand that it came across as mean-spirited and taunting.  While that was not my intention, I apologize to those who were offended.  It is never my intent to cause pain with my words.” 

Leave it at that.  Explaining yourself further may pour salt in wounds.  An unconditional apology even if you are right is sometimes the best way to ameliorate pain.

A quick analogy… Consider the racist politician who panders by saying, “I have lots of black friends.”  A black person may interpret that as, “We have been insulted and now I am told that we shouldn’t be insulted because that person knows a small number of us?  What kind of person does that?  That person has no idea what I live with.  That person does not understand my world.”

Instead of apologizing for the poem, you doubled down, tripled down, and much more, by insisting that what you wrote wasn’t wrong, implying it shouldn’t offend people.  It may have been made even worse by saying, “I have lots of trans friends.”  I wouldn’t be at all surprised to learn that there are trans people who feel that you continue to pour salt into their wounds.

It was not your intent.  But you now have a significant perception problem.

I don’t read every one of your blog entries or see every one of your Facebook posts.  Maybe you have apologized for the poem in an unconditional manner.  Maybe you no longer try to justify your poem.  If so, that is probably the best you can do.  It may be that, near-term, you are going to be stuck with the backlash.  Even with an unconditional apology, there will be people who say, “She’s only saying that because we hurt her and she wants her film to do better.”  I wouldn’t expect overnight improvement in perception.  It’s going to take a while.

Again, there is no excuse for how you have been treated.  It’s horrifying.  That said, my advice, which you can discard if you disagree with me, is to stop doubling down on the poem, to issue that sincere apology, and do not tie that apology to any expected behavior by others.  After that be very, very careful about how people may interpret your future words.  It may be best simply not to engage the trans group even if you want to.  Just ask the question, “What’s the upside?”

Love,

(Redacted)

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Have At It

HUGE VIDEO FILE AT ARCHIVE.ORG

Compressed hi-res MP4 at Vimeo

After 4 tedious days of rendering hundreds of high-resolution video files, only to discover they seemed to be missing one frame each and so weren’t looping properly, followed by a few days of unhappy procrastinating, followed by 3 additional tedious and crabby days of re-rendering, I finally have all the animation of ApocalypseAnimated.com in Ultra HD (3840 x 2160 pixel) uncompressed Apple ProRes video for your remixing pleasure. Roughly in order, each loop in this gigantic, 20GB file appears exactly once. They can be cut apart and looped again and again in your video editor.

It’s under a Share-Alike license, so you can do whatever you want as long as what you make with it is also Free. I understand some projects want proprietary licenses, and I can negotiate a waiver for those if you email me.

People have used my other Free Cultural works as backdrops for dances and runway shows, illustrations in books, giant puppets, and of course music videos, and I hope all that happens with these too.

In my heart of hearts, some creative sound designer(s) would make fresh audio for these. I made my own short musical video, but it’s barely 3 minutes, and with almost 12 minutes of animation total, most of the work wasn’t included. Plus, I almost always animate to music; what I never do is make animation first and add sound effects later, and these clips provide an opportunity for just that. By looping, the total length of the piece can be extended indefinitely. That means if someone wants to attempt an audio reading of the Book of Revelation, with this animation as the visuals, it can be done.

If you want to try your hand at editing and/or sound design, please have at it. Credit me for the animation and yourself for your work, and anything else you throw in there to whomever else is responsible. Do whatever you want. No permission needed. Have fun and send me a link.

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Apocalypse Animated video

I made this little “trailer” video for ApocalypseAnimated.com . It’s only 3 minutes long, while there are almost 12 minutes of animation (without even looping!) in the project, so this is but a mere sample of the wonders to find at the website. But this has music so people are likelier to share and attend to it.

There are some technical looping flaws that bother me. Apparently when I export HD video from Moho, it omits the last frame of the loop, causing a jerk in the seams. This doesn’t happen when I export gifs. To make my hi-res video archive perfect, I will have to go back and add one frame and re-render every. single. file. This took 4 boring tedious days last time, and I’m not looking forward to doing it again. But such are the responsibilities of an Apocalypse animator.

Choosing the song was not straightforward. I was really smitten by Fuck Everything by Euringer (aka Jimmy Urine). It would have supplied nice ironic tension because it’s not intentionally about the Apocalypse, and it’s from the point-of-view of two bratty entitled lovers, which is an interesting lens through which to view John of Patmos and his God. But Fuck Everything already has a perfect video, and who knows what kind of headaches it would cause me; even if Jimmy isn’t a copyright maximalist, his songs are distributed in a  system that doesn’t recognize Fair Use, and YouTube’s ContentID would surely block even its first upload. I did start making an edit with it, but got frustrated (as one does) and that anxiety contributed to my consideration of an alternative song.

Fortunately I’d already compiled a list of old gospel songs that might work, and the top entry proved a good fit. I found it on the wonderful archive.org, where I always go a-hunting in my research phases. I worried that straight-up gospel wouldn’t be ironic enough with the animation, but When The Fire Comes Down had its own irony, contrasting a cheerful jaunty melody with horrific subject matter. Everything fit right away and I banged out this edit in a single day. Thank you, Internet Archive!

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It is Done

“It is done.” — Revelation 21:6

I’ve finished ApocalypseAnimated.com! All 22 chapters are now illustrated. I will undoubtedly continue to fuss with it, adding and revising things here and there, but this is basically it.

I’ve been working on it all day every day since October.

Next I work on an app for it, and generate high-res video of all the loops for other uses.

Hope you enjoy it! Please share it if you do.

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