Based on this famous 13th Century BCE plaque found in Israel:
Hebrews tossing ass-loads (literally carried out of Egypt on the backs of asses) of treasure into a crucible, to cast into the Golden Calf.
My Asherah is loosely based on these:
Because mine rotates, the design is super simple with hardly any detail. Here’s another version that looks slightly less like the real Ashera figures, but is a cleaner design (due to longer hair):
How many frames of animation do you need to make something look like it’s moving? Two.
After a little over a year and a half, and many interruptions, we finally finished our embroidermated short, Chad Gadya. While we were working on it (actually I was working, Theo was procrastinating) this other embroidered short came out, but there are differences. Thanks to Theodore Gray’s stitchcoding in Mathematica, we weren’t restricted by (invariably crappy) off-the-shelf software. This allowed us to automate beautiful iridescent stitches and preserve them from frame to frame, so the resulting animation really looks like moving embroidery.
Every single embroidered frame you see here is available for sale, signed and numbered and one-of-a-kind. Only 9 months ’til Passover!
Chad Gadya will function as a sort of “intermission” in my feature film Seder-Masochism, marking the end of the Passover meal but just the beginning of the Israelites’ trials in the desert.
Update: Theo’s post on the technical side of stitchcoding embroidermation.
Update 2: All the stitching files we made for this are Free (CC-BY-SA) at archive.org! Download ’em and stitch ’em out as you please. They’re PES format; wish we had something better, but all embroidery formats suck.
Edit: Happy Summer Solstice to everyone in the Northern Hemisphere! And Happy Winter Solstice to everyone in the Southern Hemishpere. And to those in the tropics, Happy Just Another Day Pretty Much Like All The Rest.
These are some lousy test prints (I have no skill as a printer plus I used cheap water-based ink and cheap thin waste paper) I made of some linoleum print plates I designed and “cut” with the laser engraver at the local Fab Lab. The plates are to be part of a larger project with many artist participants, organized in Germany; I’ll write about it when it’s properly printed and officially released. My understanding is it’s about how the advent of the printing press led to the explosion of a unique kind of illustration: the wood-cut. Since I think the internet is in many ways analogous to the printing press, I saw a parallel in its own new kind of illustration: the animated gif. So my (linoleum) “wood-cuts” were designed to end up as animated gifs. When the project is done I will use the final, better prints to make better versions of these loops. But patience is not one of my virtues and I am excited about the test animated gifs I made from my lousy test prints, and when I make an animated gif I can’t wait to post it, so I didn’t wait, so here:
Some photos of the linoleum plates themselves:
Exodus 12:28 And the children of Israel went away, and did as the Lord had commanded Moses and Aaron, so did they.
Exodus 12:35 And the children of Israel did according to the word of Moses; and they borrowed of the Egyptians jewels of silver, and jewels of gold, and raiment:
Exodus 12:37 And the children of Israel journeyed from Rameses to Succoth, about six hundred thousand on foot that were men, beside children.
Exodus 13:21 And the Lord went before them by day in a pillar of a cloud, to lead them the way; and by night in a pillar of fire, to give them light; to go by day and night:
Exodus 14:21 And Moses stretched out his hand over the sea; and the Lord caused the sea to go back by a strong east wind all that night, and made the sea dry land, and the waters were divided.
Exodus 14:22 And the children of Israel went into the midst of the sea upon the dry ground: and the waters were a wall unto them on their right hand, and on their left.
Exodus 14:23 And the Egyptians pursued, and went in after them to the midst of the sea, even all Pharaoh’s horses, his chariots, and his horsemen.
Exodus 14:28 And the waters returned, and covered the chariots, and the horsemen, and all the host of Pharaoh that came into the sea after them; there remained not so much as one of them.
Exodus 14:30 Thus the Lord saved Israel that day out of the hand of the Egyptians; and Israel saw the Egyptians dead upon the sea shore.
The last beat is the desert, where the Hebrews will spend the next 40 years:
Exodus 16:3 And the children of Israel said unto them, Would to God we had died by the hand of theLord in the land of Egypt, when we sat by the flesh pots, and when we did eat bread to the full; for ye have brought us forth into this wilderness, to kill this whole assembly with hunger.
Big ups to my friend Barry Israelewitz, who wrote a shell script for ffmpeg (based on this article shared in this comment by Paul Wise) and taught me how to use Terminal on my mac to make much better animated gifs than Flash exports directly. Currently it’s significantly more work than just exporting .gif from Flash, because I have to instead export a PNG sequence, import the frames to Quicktime 7, and export as a new .mov to use as an input file for making the gif. This may be streamlined a little bit in the future, but for now at least I can make higher quality gifs if I need to.
Below are close-up details of single frames. “Before” is here, “after” is above.
Here’s a smaller-sized (because fewer frames) animated gif for side-by-side before-and-after comparison:
Much better, no? Plus using Terminal is METAL.