Information wants to be free, and so do I.

sitaholdsrama.jpg

My main goal with Sita Sings the Blues was always to have people see it, but the movie business makes that very difficult. I’ve been trying to go the movie biz route, really trying, with a sales rep and everything, but I’m about to throw in the towel. Distributors gain exclusive rights, and if they don’t exploit those rights competently, your film remains unseen (and for a little indie feature like mine, they offer to pay shit for those rights). Television actually pays very little for indies – about 1/6 what studio films get. Then there’s the problem that I can’t afford to sell my own film, due to the cost of officially clearing rights to the underlying compositions (the Hanshaw recordings aren’t protected by Federal Copyright law but the songs’ underlying compositions are still controlled by publishers and estates). I already owe $6,000 just for “festival rights” – the right to lose money sending the expensive prints to film festivals. To officially sell DVDs, I’ll need to purchase even more expensive rights – at prices designed for moneyed studios, not broke artists – and buy “E and O Insurance,” and doG knows what else. Yeah, yeah, I knew this going in, but I expected a distributor to pay for some of it. These costs are a pittance by studio standards, nothing at all really, but I’m still an “indie,” and no matter how many awards Sita wins, no distributor is going to spend real money on her.

I just want people to see the movie.

So last night I thought, maybe it’s time to investigate Plan C – giving it away for free. But how? Free online video like youtube is too low-quality, plus it’s not set up for feature-length works. I’m happy to give the film away for free, but I don’t want it to look like crap! There are higher-quality online venues like itunes, but those aren’t free. I’m pretty adamant about it being free, because

a) I can’t afford to sell it (see above)

b) no one should be denied viewing for lack of funds

c) I detest the movie business and their Digital Rights Management, and don’t want my film used to support their bullshit.

Yes, it would cost money to give Sita away – someone would have to donate a lot of server space and management. But it could be a worthy cause. Has anyone ever given away a really excellent, award-winning feature film online before? Maybe we could start a new trend. I’d ask for donations, of course – to me as an artist, not for the film – and there’s always merchandise, if the film gets really popular. I know many readers of this blog and fans of Sita are progressive, creative computer types. Any ideas? Any friends in high places who could help? I made Sita by ignoring the rules of filmmaking, I’d like to distribute her the same way. Information wants to be free, and so do I.

Share

Press for Success

Another round of articles about Sita Sings the Blues:

“imaginative, giddily witty, visually delicious”
Seattle Weekly (Editor’s Pick)

Animating a Personal Flash Epic: The Making of Nina Paley’s Sita Sings the Blues
a long, detailed, and honest (maybe too honest) interview with Bryant Frazer for Film&Video

Gods, Princes and Demons
New Statesman article by Salil Tripathi about the British Library’s Ramayana exhibit, including a paragraph on Sita

Nina Paley’s Path to “Sita Sings the Blues”
a long article by Ed Liu for ToonZone

Share

Whining Advisory Next 600 Words

I got back from Stuttgart, still coughing (albeit less), and slept for about 2 days. Now I’m slogging through my backed-up emails and figuring out what to do next. I looks like I’ll be touring the Eastern Hemisphere most of June and July, and sub-letting my Hell’s Kitchen apartment. Interested parties please get in touch – the apartment comes with my cat Bruno, who needs daily food and love.

You’d think I’d be all overjoyed about this, but actually I’m stressed and confused. Will Sita get a distribution deal? Will it win an award? Awards drive me crazy – I always want one, “for the sake of the film,” I tell myself, but surely it’s for my ego. Press too is like coke, I always want more; google blogsearch is becoming a compulsion. I compare Sita‘s progress with other films, which can’t be good. I’d like to detach from all this, but what about the festivals? This is my big chance to attend film festivals, it’s not like I can postpone them all until next year. But film festivals are orgies of comparison: who’s getting the most press? the best reviews? whose shows are selling out first? who’s getting the award? These are enemies of the Muse, and I’m not sufficiently mature to maintain my equilibrium in their midst.

Also, I am out of money and racking up expenses like you wouldn’t believe. Take “film festival rights”: publishers charge at least $500 a song just to play the film at festivals – and I don’t get money at festivals, I spend money to make the prints and stuff. I’m spending money I don’t have to get the film out there, and although something always works out, I have no idea how I’m going to pay for French subtitles (the “honor” of attending the Annecy Animation Festival is costing me over $5,000), or legal fees, or rent. Someday the film could bring money in, but I’m not sure how I’m going to make it to that day, if it ever comes.

What a whiney post this has turned out to be. On the brighter side, I’ll post next about all the sweeet reviews Sita got at Tribeca, with tasty little quotes selected by Publicity Bitch herself. But I am not Publicity Bitch. I am a servant of the Muse who is losing her way.

Share

Sita in Berlin (again!) this April 24


hwkpostcardback.jpg


Berliners and other pastries can catch one (and only one!) screening of Sita Sings the Blues this April 24 9:15pm at Haus der Kulturen der Welt (House of World Cultures) immediately following the premiere of “play/dance/music/video/project” The Abduction of Sita by Joachim Schloemer.

Continue reading “Sita in Berlin (again!) this April 24”

Share