Loins of Punjab Presents

It’s one of my favorite movies of all time. Its director, Manish Acharya, is the voice of “Shadow Puppet #3” in Sita. And it’s opening TODAY in the US!

Showtimes in NY/NJ/CT:

Quad Cinema, 34 West 13 Street (btwn 5th & 6th Ave)
Fri, Sat, Sun Showtimes: 1:00, 3:10, 5:20, 7:35, 9:50

The ImaginAsian, 239 East 59 St. (btwn 2nd & 3rd Ave)
Fri, Sat, Sun Showtimes: 12:15, 2:30, 4:45, 7:00, 9:15, 11:30
(No 11:30 pm show on Sunday)

Bloomfield 8 Cinemas, 863 Park Avenue, Bloomfield, CT
Showtimes: Fri – 3:30, 5:30, 8:00, 10:00
Sat/ Sun – 1:30, 3:30, 5:30, 8:00, 10:00

Columbia Park 12 Theatres, 3115 Kennedy Blvd, North Bergen, NJ
Showtimes: Fri / Sat/ Sun – 1:00, 3:00, 5:00, 7:00, 9:00, 11:00
(no 11pm show on Sunday)

Share

The Bright Side of the Dark Side of the Rainbow

darkside.jpg

Here’s that Very Good Idea I promised yesterday. Please bear with this long post, it’s worth it I promise.

I.

Everyone’s heard of Dark Side of the Rainbow: You play your own legally-obtained audio of Pink Floyd’s Dark Side of the Moon, while watching a legally-obtained video of the Wizard of Oz. As long as the audio is legal, and the video is legal, enjoying them at the same time is legal.

Continue reading “The Bright Side of the Dark Side of the Rainbow”

Share

Information wants to be free, and so do I.

sitaholdsrama.jpg

My main goal with Sita Sings the Blues was always to have people see it, but the movie business makes that very difficult. I’ve been trying to go the movie biz route, really trying, with a sales rep and everything, but I’m about to throw in the towel. Distributors gain exclusive rights, and if they don’t exploit those rights competently, your film remains unseen (and for a little indie feature like mine, they offer to pay shit for those rights). Television actually pays very little for indies – about 1/6 what studio films get. Then there’s the problem that I can’t afford to sell my own film, due to the cost of officially clearing rights to the underlying compositions (the Hanshaw recordings aren’t protected by Federal Copyright law but the songs’ underlying compositions are still controlled by publishers and estates). I already owe $6,000 just for “festival rights” – the right to lose money sending the expensive prints to film festivals. To officially sell DVDs, I’ll need to purchase even more expensive rights – at prices designed for moneyed studios, not broke artists – and buy “E and O Insurance,” and doG knows what else. Yeah, yeah, I knew this going in, but I expected a distributor to pay for some of it. These costs are a pittance by studio standards, nothing at all really, but I’m still an “indie,” and no matter how many awards Sita wins, no distributor is going to spend real money on her.

I just want people to see the movie.

So last night I thought, maybe it’s time to investigate Plan C – giving it away for free. But how? Free online video like youtube is too low-quality, plus it’s not set up for feature-length works. I’m happy to give the film away for free, but I don’t want it to look like crap! There are higher-quality online venues like itunes, but those aren’t free. I’m pretty adamant about it being free, because

a) I can’t afford to sell it (see above)

b) no one should be denied viewing for lack of funds

c) I detest the movie business and their Digital Rights Management, and don’t want my film used to support their bullshit.

Yes, it would cost money to give Sita away – someone would have to donate a lot of server space and management. But it could be a worthy cause. Has anyone ever given away a really excellent, award-winning feature film online before? Maybe we could start a new trend. I’d ask for donations, of course – to me as an artist, not for the film – and there’s always merchandise, if the film gets really popular. I know many readers of this blog and fans of Sita are progressive, creative computer types. Any ideas? Any friends in high places who could help? I made Sita by ignoring the rules of filmmaking, I’d like to distribute her the same way. Information wants to be free, and so do I.

Share

Things I Call My Cat

bruno_face_sm.jpg

puss
pussy
pusser
pussy cat
pooty tat
pootae
potato
potato head
mr. potato head
potato cat
mr. cat
mr. boy
boy cat
boykit
babycat
kittybones
mr. fuzz
fuzzums
fuzzcakes
fuzz-lumps
mr. love
love cat
fuzz-potato
fuzzbucket
fur buckets
fuzzbucket-o-love
furbags
purrbag
purr box
sweetness
sweetcakes
sugar-cat
lovekit
kittums
kitten
kit-hen
kit-tay
gato
gato negro
chatul
kätzchen
muffin
pumpkin
pumpkin-head
my beloved
cat-head
catnip
catnips
nips
nipper
lovenips
mr. nip
mr. bite
cat0r
snuggums
snugs
potato boy
boogums
boogs
booples
boopus
boopy cat
boopums
shed-meister
sugar
sweetcat
stinkball
stink-butt
mr. disgusting
mahaatma
Brunito
Brunalito
Bruno

Share

Whining Advisory Next 600 Words

I got back from Stuttgart, still coughing (albeit less), and slept for about 2 days. Now I’m slogging through my backed-up emails and figuring out what to do next. I looks like I’ll be touring the Eastern Hemisphere most of June and July, and sub-letting my Hell’s Kitchen apartment. Interested parties please get in touch – the apartment comes with my cat Bruno, who needs daily food and love.

You’d think I’d be all overjoyed about this, but actually I’m stressed and confused. Will Sita get a distribution deal? Will it win an award? Awards drive me crazy – I always want one, “for the sake of the film,” I tell myself, but surely it’s for my ego. Press too is like coke, I always want more; google blogsearch is becoming a compulsion. I compare Sita‘s progress with other films, which can’t be good. I’d like to detach from all this, but what about the festivals? This is my big chance to attend film festivals, it’s not like I can postpone them all until next year. But film festivals are orgies of comparison: who’s getting the most press? the best reviews? whose shows are selling out first? who’s getting the award? These are enemies of the Muse, and I’m not sufficiently mature to maintain my equilibrium in their midst.

Also, I am out of money and racking up expenses like you wouldn’t believe. Take “film festival rights”: publishers charge at least $500 a song just to play the film at festivals – and I don’t get money at festivals, I spend money to make the prints and stuff. I’m spending money I don’t have to get the film out there, and although something always works out, I have no idea how I’m going to pay for French subtitles (the “honor” of attending the Annecy Animation Festival is costing me over $5,000), or legal fees, or rent. Someday the film could bring money in, but I’m not sure how I’m going to make it to that day, if it ever comes.

What a whiney post this has turned out to be. On the brighter side, I’ll post next about all the sweeet reviews Sita got at Tribeca, with tasty little quotes selected by Publicity Bitch herself. But I am not Publicity Bitch. I am a servant of the Muse who is losing her way.

Share