Things I Call My Cat

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puss
pussy
pusser
pussy cat
pooty tat
pootae
potato
potato head
mr. potato head
potato cat
mr. cat
mr. boy
boy cat
boykit
babycat
kittybones
mr. fuzz
fuzzums
fuzzcakes
fuzz-lumps
mr. love
love cat
fuzz-potato
fuzzbucket
fur buckets
fuzzbucket-o-love
furbags
purrbag
purr box
sweetness
sweetcakes
sugar-cat
lovekit
kittums
kitten
kit-hen
kit-tay
gato
gato negro
chatul
kätzchen
muffin
pumpkin
pumpkin-head
my beloved
cat-head
catnip
catnips
nips
nipper
lovenips
mr. nip
mr. bite
cat0r
snuggums
snugs
potato boy
boogums
boogs
booples
boopus
boopy cat
boopums
shed-meister
sugar
sweetcat
stinkball
stink-butt
mr. disgusting
mahaatma
Brunito
Brunalito
Bruno

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Whining Advisory Next 600 Words

I got back from Stuttgart, still coughing (albeit less), and slept for about 2 days. Now I’m slogging through my backed-up emails and figuring out what to do next. I looks like I’ll be touring the Eastern Hemisphere most of June and July, and sub-letting my Hell’s Kitchen apartment. Interested parties please get in touch – the apartment comes with my cat Bruno, who needs daily food and love.

You’d think I’d be all overjoyed about this, but actually I’m stressed and confused. Will Sita get a distribution deal? Will it win an award? Awards drive me crazy – I always want one, “for the sake of the film,” I tell myself, but surely it’s for my ego. Press too is like coke, I always want more; google blogsearch is becoming a compulsion. I compare Sita‘s progress with other films, which can’t be good. I’d like to detach from all this, but what about the festivals? This is my big chance to attend film festivals, it’s not like I can postpone them all until next year. But film festivals are orgies of comparison: who’s getting the most press? the best reviews? whose shows are selling out first? who’s getting the award? These are enemies of the Muse, and I’m not sufficiently mature to maintain my equilibrium in their midst.

Also, I am out of money and racking up expenses like you wouldn’t believe. Take “film festival rights”: publishers charge at least $500 a song just to play the film at festivals – and I don’t get money at festivals, I spend money to make the prints and stuff. I’m spending money I don’t have to get the film out there, and although something always works out, I have no idea how I’m going to pay for French subtitles (the “honor” of attending the Annecy Animation Festival is costing me over $5,000), or legal fees, or rent. Someday the film could bring money in, but I’m not sure how I’m going to make it to that day, if it ever comes.

What a whiney post this has turned out to be. On the brighter side, I’ll post next about all the sweeet reviews Sita got at Tribeca, with tasty little quotes selected by Publicity Bitch herself. But I am not Publicity Bitch. I am a servant of the Muse who is losing her way.

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Sita’s Tribeca Premiere

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L-R, Back: Georgia Hilton (mix), Todd Michaelsen (music), Reena Shah (voice, dance), me, Sanjiv Jhaveri (voice), Greg Sextro (sound design), Aseem Chhabra (voice). Front: Rohan (music), Aladdin Ullah (voice), Debargo Sanyal (voice), Bhavana Nagulapally (voice). I love you all!

Photo by Preston Merchant – click to see more.

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Avian Transportation Theory

Aaron Simpson pointed me to this excellent mock-trailer:

Originally found on RichardDawkins.net, it’s a parody of what looks like a truly dumb “Intelligent Design” PR piece.

You’ll notice there’s a little clip of my short film The Stork at the beginning. No, the producers didn’t ask for permission and no, that doesn’t bother me because yes, I enjoyed the piece so much I’m honored to be included (also the clip is really brief – blink and you might miss it). But hey Sexpelled producers – get in touch anyway, I like your style.
Continue reading “Avian Transportation Theory”

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