Embroidermation Test 3

We had a little breakthrough at Gray-Paley* Labs, doing trapplique with the embroidery machine.

Theo improved stitch quality within the Ziz, but for some reason our registration between layers is always off. As you can see, the machine stitches the registration borders 1-2mm apart on the bottom, while they’re almost exactly lined up at the top. We can’t get our satin stitch quite on target, because the registration step is always slightly off from the satin stitch step. We discovered the machine thinks the files are slightly different sizes. It’s Theo’s challenge to figure out why, since everything is exported from Mathematica at the same resolution.

Even with these problems, the trapplique is a big aesthetic step forward in the project, and if we can work out the remaining technical kinks I’ll be able to make a 12-frame cycle/12-panel quilt soon.

This teal-on-blue iteration used wool batting on the bottom layer, making it the puffiest trapplique by far.

*Graley? PaleGray?

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Embroidermation Test 2

Sequel to Embroidermation Test 1.

Theo Gray and I bought a 10-needle embroidery machine to pursue a dream of embroidered animation. Existing embroidery software sucks too badly to do the automated shape-to-stitch conversions necessary, so Theo found a way to use Mathematica instead. This is his first full test, created in Mathematica, exported directly via an Embroidermodder file conversion program as DST files, stitched on canvas (which made the edges kind of jaggy) and photographed. No loose threads were clipped in the making of this video.

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My Tile Obsession Will Taper Off Eventually

I can already feel it slowing down, which means I’ll have to find something useful to do soon. Meanwhile I wanted to see the morphing tiles as a 2-color map. Easier said than done: Flash crashes every time I try to convert the various symbols making up the outline into “shapes,” so I had to export a PNG and use the clunky old paint bucket in Photoshop. There’s an ugly thick outline I added to close gaps, in order to make said paint bucket work. But at least my 2-color curiosity is now satisfied.

It reminds me of the far-more-awesome M.C. Escher Metamorphosis poster I had in college. And although the thick outline and various other flaws make not-print-worthy, yesterday I made a color version that is:

I ordered a few yards of it from Spoonflower. I can’t wait – once I start quilting this stuff I might get re-obsessed for days!

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More Zizzy color

Slight improvements? Or exprovements? Either way, I’m still fiddling and posting the Ziz as it develops.

I’ve only just learned that if you post a work in progress, everyone wants to tell you how to change it. Not once did I request advice, but advice is clearly what I’ll get if I post unfinished work (or finished work, come to think of it). I’m free to ignore any or all of it; everyone on the interwebs is just talking, they don’t have any power over me unless I give it to them. I can “take what I like and leave the rest” – and sometimes someone offers something useful. (Of course praise is always useful! It’s like water and sunshine to a plant.) Instead of criticizing the critics, which was my initial impulse, I’m remembering that it’s my choice to post these W-I-P’s, and my choice to accept or ignore people’s “helpful suggestions”, and that I’m actually in control here.

If I can learn to do that here, I’ll be better at living with criticism elsewhere. As my daily prayer says:

…forgive us our criticisms
As we forgive those who critique against us

So whether you’re criticizing or praising or ignoring what I post here, I’m benefiting by getting a little stronger and growing up a little more. And hey look – a ZIZ!

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Birdy Ziz

This one has a beak and a different mane, a whole new head design actually. Also: dotted lines everywhere.

In case you’re wondering, all these modifications aren’t in pursuit of the Perfect Ziz. Any of the ones I’ve made so far would be plenty adequate for storytelling, and my motto is, “Adequate is Good Enough.” No, I’m just pulled along by curiosity right now. “What would happen if I did _______?” This kind of open-ended fiddling gets a lot of us artists in trouble – it’s addictive, and also “safe,” not risky like designing a whole new character, or actually telling a story, or moving on and getting a project finished. Hence my motto.

That said, I’m indulging myself right now. Plus I’m getting great exercise ignoring criticism, something I’ll have to do lots more of in the coming years.

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Free Motion quilting at NY Maker Faire

I’ll be demonstrating Free Motion quilting and embroidery at the NY Maker Faire September 17 & 18 (next weekend):

Maker Faire
New York Hall of Science
47-01 111th Street
Queens, NY  11368-2950

Come on down and say hello!

My little Janome, which I'll be bringing to Maker Faire

 

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