How to Feel Good About Garbage

Figure 1: carbon in the earth, oxygen in the atmosphere

Primitive species turned carbon from Earth’s earlier, carbon-rich atmosphere into more of themselves:

early primitive life (procaryote cells) modified our planet by converting CO2 and H2O to organic matter and releasing oxygen to the environment. As a consequence these organisms moved carbon from the atmosphere to the rocks (Figure 11) and broke down water molecules releasing oxygen to the ocean and eventually to the atmosphere. Life therefore is a powerful force controlling the composition of the Earth’s atmosphere which in turn exerts a powerful control on our planet’s climate. http://eesc.columbia.edu/courses/ees/climate/lectures/earth.html

Now we’re taking that carbon out of the earth and spewing it back into the atmosphere…

Figure 2: digging up carbon and burning it into the atmosphere

…creating a climate suitable for bacteria and prokaryotes, but not for the complex life forms we cherish today (such as ourselves).

Figure 3: Carbon in the atmosphere good for some bacteria, bad for us.
Figure 3: carbon in the atmosphere good for some bacteria, bad for us.

To restore climate balance, we must put carbon back into the earth.

We should throw carbon into large holes, cover them up with layers of rock and soil, and allow them to compress for millions of years, over which time they will again form a viscous underground carbon sludge safely distant from our preferred oxygen-rich air.

Figure 4: Trees fix atmospheric carbon
Figure 4: trees fix atmospheric carbon

In other words, we should be putting our carbon waste (paper and plastic) in landfills. Not recycling them.

Figure 5: Put the carbon back in the earth
Figure 5: put the carbon back in the earth

Paper comes from tree farms, which are carbon sinks. In an ideal climate-restoration system, farmed trees would fix atmospheric carbon, become paper, and get buried back into the ground, with earthbound carbon accumulating every year as atmospheric carbon diminishes.  By this logic, the junk mail industry is helping the environment, as it converts atmospheric carbon to bury-able waste, paid for entirely by advertisers.

Plastic is made of carbon humans dug up from deep within the Earth as petroleum. If it’s buried it can become petroleum-like again in several million years. If petroleum is burned as fuel, more carbon goes into the atmosphere. Petroleum is more valuable as a plastic source than as a fuel; solar energy can power vehicles but it can’t become plastic (without the intervention of billions of years of photosynthesis and compression).

So bury your paper and plastic (carbon) waste. Bury it in a good landfill.

But recycle metal. It’s much more efficient than mining anew. Metals aren’t carbon. And recycle glass. It’s silicon, not carbon.

 

Based on numerous conversations with Theodore Gray.

 

Note: none of this is going to fix the world. We’re all doomed for many reasons. It does however take some air out of the sails of “recycling paper and plastic helps the Earth!!!” The ritual of recycling paper and plastic is mostly just that – a ritual which eases denial of environmental catastrophe in progress. I’m suggesting we can abandon that ritual now.

 Update from Theo* (via email): 

The thing everyone keeps missing is that none of that matters. The only thing you have to understand is that ALL carbon that can be dug out of the ground in any form, will be. The economic pressure to do so is simply overwhelming, and no one is going to be able to stop it. The ONLY question is whether it will be burned, or made into plastic and thrown away (which keeps it out of the atmosphere).

And the only thing that matters in answering that question is whether there is more money to be made in burning it, or in making it into plastic. What is the relative price of fuel vs. feedstocks for plastic, and what is the relative demand for fuel vs. for plastic. Right now it’s evenly enough matched that a lot goes into both, but if something tips the balance towards it’s being worth much more for plastic, there would be a massive worldwide switch away from burning it. No need for demonstrations, it would just happen.

Things that can tip the balance in that direction are:

  1. Cheaper alternatives for fuel, so wind power, hydrogen from solar, etc, etc.
  2. Things that increase demand for plastic.

It’s in item number 2 that recycling comes into play. If you recycle paper, that lets people make more paper packaging instead of using plastic. If you recycle plastic, that keeps it out of the landfill (where it belongs and can do some good) and returns it to the market to compete with virgin plastic, thus reducing the demand for oil to make new plastic, thus diverting more carbon into the atmosphere.

Burying paper also has the side effect of removing even more carbon from the air because it’s made out of carbon from the air, but that’s only one reason for doing it. Helping increase the price of plastic is at least as important a reason.

No questions about how much fuel it takes to do any of these things is relevant. The fuel is going to get burned. Exponential growth has no mercy: The carbon IS going to be dug out of the ground, nothing can stop that, all we can do is try to re-bury as much of it as fast as we can.

 *Please note Theo’s opinions are his own; I’m sharing them here because I think they’re interesting and worth discussing.

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Crazy Little Thing

I interrupt this series of Ziz iterations to tell you about a new book you are likely to enjoy.  It’s called Crazy Little Thing: Why Love and Sex Drive us Mad, by Liz Langley. Why are you reading about it here on my blog? Because there’s a whole chapter about ME, that’s why! Apparently I am a paragon of how not to kill your ex in a tormented rage, and make a work of art instead. Most of the other profiles in the book are about people killing/maiming/permanently damaging their exes or themselves after breakups, but an alternative is to make a feature film, which is what I did and how I merited this sweeeet chapter. Also the book is well-written and funny, and you should read it.

Crazy Little Thing: Why Love and Sex Drive Us Mad

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Spiral In, Spiral Out

I’ve been drawing for so long, I forget what it feels like to learn how to draw. But once in a while, I learn something really basic for the first time. I wanted to write about it before I forget what it feels like.

The topic: spirals. I love ’em. I used ’em for clouds in Sita Sings the Blues:
cloud from Sita Sings the Blues

And for ocean waves in my fake-Moghul-minature style:
Lanka from Sita Sings the Blues

Now, I believe I can draw anything. That doesn’t mean I can just sit down and draw anything off the top of my head. What it really means is I can copy anything. Everything in my drawing memory banks originated from copying one thing or another at one time (notice how I used “originated” and “copying” in the same sentence). Everything I copy is stored somewhere in my head, and my muscles too – actually moving my hand around a shape forms my mind in a way that just looking doesn’t.

I’ve looked at a lot of pictures of Tibetan-style clouds. Some of these showed up in Indian art, in the Adventures of Hamzaa, the beautiful catalogue of which I owned until I left it behind with the bed bugs. Apparently Moghuls imported artists from all over Asia, which is why some Moghul miniatures are beautiful mish-mashes of Persian and Himalayan styles.

I saw the spirals in those cloud designs, so I drew clouds with spirals. They didn’t really look the same, which was fine – I wasn’t copying directly, merely being “influenced.” I made do with the spiral-drawing skills I had.

Fast-forward to today, and my new hobby: sewing. It turns out you can draw with an ordinary sewing machine! It’s called “free motion,” and I only learned it was possible last month. A few weeks ago I bought a machine and fabric and stuff, beginning another kind of spiral that’s taking over my life & apartment (more on that later). Drawing with a sewing machine is different from drawing conventionally in 2 significant ways:

  1. The “pen” stays still and you move the “paper” (fabric) around.
  2. You can’t lift the pen. It stays down the whole time.

is simple in theory, but difficult in practice as I need to retrain my muscles. It’s like holding a pen for the first time, or drawing with my feet. I’m clumsy, for sure.

#2 seems simple – after all, isn’t drawing intricate designs with long meandering continuous lines what every stoned college kid does? Well, I haven’t been a college kid for 23 years, and I don’t get stoned (my few experiences with pot didn’t go very well). I never thought about how much I lift my pen. I usually draw with a lot of short strokes. I had to get in the stoned-doodling-college-kid mindset and keep my pen down.

I thought the cloud designs from SSTB would look nice quilted, so I used one in this, my first Trapunto experiment (more after the jump):
Continue reading “Spiral In, Spiral Out”

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