24 Free Goddess Gifs

Goddess_gif_small_2 Goddess_gif_small_1 Goddess_gif_small_3Goddess_gif_small_4 Goddess_gif_small_5 Goddess_gif_small_6Goddess_gif_small_11 Goddess_gif_small_7 Goddess_gif_small_8Goddess_gif_small_9 Goddess_gif_small_19 Goddess_gif_small_10Goddess_gif_small_15 Goddess_gif_small_14 Goddess_gif_small_20Goddess_gif_small_12 Goddess_gif_small_13 Goddess_gif_small_16Goddess_gif_small_17 Goddess_gif_small_18 Goddess_gif_small_22Goddess_gif_small_23 Goddess_gif_small_21 Goddess_gif_small_24

Here are 24 individual goddess gifs to use for whatever. Free Culture. No permission needed. Go crazy. I love you.


26 Goddesses

I’ve been painstakingly hand-removing backgrounds from photos in GIMP, so I can use them in Moho.Goddesses_ancient2_4


Queen of the Night



Here’s my collection:

Goddesses_ancient - Frame 0.2

Goddesses_ancient - Frame 0.3

Goddesses_ancient - Frame 0.4

Goddesses_ancient2 - Frame 0

“Creative Freedom” for Ton

Creative Freedom

A Hundred Dollar Drawing.

Introducing Hundred Dollar Drawings!

Notice: This has been popular! New orders temporarily suspended while I work on backlog. I’ll offer Hundred Dollar Drawings again soon.

example of $100 drawing

Example of a $100 drawing

$100: Tell Nina what to draw* and she’ll draw it. It could be as vague as a word (“quadruped,” “equinox”) or more specific (“a cat driving a car,” “a sun and moon shaking hands”) or even more specific (“a tabby cat driving a convertible sportscar over a cardboard box,” “a sun and moon shaking hands over planet Earth, sky behind them half night and half day”). Nina will email you a photo of the finished drawing, and post it on her blog and social media.

*Specify drawing in Paypal checkout


+ $25: We’ll ship you the original art. Sizes will vary but it will be on 8.5 x 11″ or smaller paper.


+ $100: I will also make a “Making-of” video of the drawing, such as the above.


Example of cleaned-up, reproduction-ready PNG file

Example of cleaned-up, reproduction-ready PNG file

+ $100: Drawing cleaned-up and reproduction-ready for ANY USE YOU WANT!



Q: What if I don’t like my drawing?
A: Too bad, sorry.

Q: Can you submit a sketch and let me comment for revisions?
A: No. If you want revisions, commission another $100 drawing, and a third, fourth, etc. You can get 10 $100 drawings for less than my usual professional rate.

Q: Can I use the drawing as a commercial logo for my business?
A: Yes.

Q: Can I use the drawing for advertising or other commercial purposes?
A: Yes, anything you want.

Q: Isn’t that crazy cheap for commercial art?
A: Yes. But some of these drawings are also non-commercial. It’s all less stress for me, and I don’t care what happens to the image after I draw it. (Actually I do care – the more it’s used, the better.)

Q: What about copyright?
A: Like most of my work this is Free Culture. There’s effectively no copyright to license or buy. You can do whatever you want with the art you commission, but it’s non-exclusive. I will be posting it on my blog and social media.

Q: What if I want exclusive rights?
A: Then you’ll have to pay more than $100 – same as most professional commercial art of this caliber. Shoot me an email to discuss.

Q: What if Nina finds my drawing instructions abhorrent?
A: I will refund your money and not do the drawing. Or I’ll keep the money and willfully misinterpret your request. That might be more interesting.

Q: Can you do a caricature if I send you a photo?
A: Not very well, but I’ll try. I am not a caricaturist so likenesses not guaranteed to be recognizable or remotely able to fulfill hopes and dreams.

Reddit IAmA today, 2-4pm EST

DeathKillCycleAMAProof? Here’s your proof.

Head on over here between 2 and 4pm EST today, Friday February 27.

UPDATE: Reddit is not allowing me to post. On my own IAMA. Granted, this IAMA was set up by someone else, who said he had duly submitted my handle (Nina_Paley, created a week ago) to the mods. But it didn’t work. I was on the calendar, but I can’t respond to questions. I am not happy about this but mods aren’t responding, so I give up. You can AMA on Twitter instead.

UPDATE 2: after half an hour the problem was corrected, and I went back and answered questions.



The Second Plague (Frogs) – rough

Music is from “Frogs” by DJ Zeph featuring Azeem, from the album “Sunset Scavenger.” It’s from 2004, making it the most contemporary song in the film. I almost used Taylor Swift’s 2014 “Bad Blood” for Blood, but I ended up deciding Josh White’s 1933 “Blood Red River Blues” was simply a better song. It wasn’t due to fear of lawsuits; I decided long ago not to allow copyright to determine my artistic choices. If you don’t know my stance on Intellectual Disobedience, you can learn about it here:
and here:

I’m curious what frogs DJ Zeph and Azeem were originally referring to. Here, of course, the frogs are these:

“3 And the river shall bring forth frogs abundantly, which shall go up and come into thine house, and into thy bedchamber, and upon thy bed, and into the house of thy servants, and upon thy people, and into thine ovens, and into thy kneadingtroughs:

“4 And the frogs shall come up both on thee, and upon thy people, and upon all thy servants.” -Exodus 8, King James Version

Working in Macromedia Flash 8

Here’s a time-lapse screen-capture of me working in Macromedia Flash 8. This little bit of animation is unlikely to make it into the finished movie, as I later decided on a different approach here. This just shows one aspect of how I use Flash; other work videos to come. Thanks to the Blender Institute for posting this and thinking about maybe possibly developing FLOSS vector animation tools.

This Land Is Mine is yours

Due to horrific recent events, This Land Is Mine has gone viral again.

Here’s a reminder that you don’t need permission to copy, share, broadcast, post, embed, subtitle, etc. Copying is an act of love, please copy and share. Yes means yes.

copying is an act of love, please copy and shareAs for the music, it is Fair UseThis Land Is Mine is a PARODY of “The Exodus Song.” That music was sort of the soundtrack of American zionism in the 1960’s and 70’s. It was supposed to express Jewish entitlement to Israel. By putting the song in the mouth of every warring party, I’m critiquing the original song.


EmbroiderModder 2 kickstarter launch

The world needs open source embroidery software.

Direct Kickstarter link here.

Some of EmbroiderModder 2’s kickstarter rewards include designs and stitched pieces by me.

Czech Myself Before I Wreck Myself

My “Make Art Not Law” talk is finally online!

Text and slides here.

Polish Czech translation and subtitles here.

Next New No-No

Sigh. No one “owns” Sita Sings the Blues, or any of my Free works, but things like this fraudulent copyright claim keep happening:

false copyright claim

false copyright claim

I’ve never had any problem with Next New Networks. I like its founder Fred Siebert. Since I believe the folks at Next New Networks are cool, maybe they could assist with a “teaching moment” and figure out where along the chain of bureaucracy this happened. It would be helpful and enlightening for many to see just how easy it is to make a false copyright claim in YouTube’s hair-trigger content ID system.

Since Sita Sings the Blues is now CC-0 “Public Domain”, I can’t go legal over things like this, nor do I want to. I do wonder what happens with fraudulent claims over other Public Domain material. Do different entities just randomly claim PD works and then duke it out with each other? If PD material can be claimed by big corporations, that will exclude small players from using it because they don’t have the resources to challenge said false claims. But don’t get me started.



Update: Mike Schmitt, who took the screenshot at top, says,

“BTW, the copyright claim flags the 0:34-second mark in the trailer, which is the exact point at which the percussion-heavy song starts. So AFAIK it’s a content claim against the song (since there seems to be some confusion here). The same entity holds a copyright claim against the other Sita trailer on my channel, which starts with a different song.
ETA: the video in question is here: http://www.youtube.com/watch?v=GI0ehPVUGzs “

Make Art, Not Law

Below are the images and text of a Pecha Kucha talk I gave in Champaign, IL. The Pecha Kucha format is 20 slides x 20 seconds per slide. Hopefully the video will be online within a few months Video embedded above.


You are an information portal. Information enters through your senses, like your ears and eyes, and exits through your expressions, like your voice, your drawing, your writing, and your movements.


In order for culture to stay alive, we have to be open, or permeable. According to Wikipedia, Permeance is “the degree to which a material admits a flow of matter or energy.” We are the material through which information flows.


It’s through this flow that culture stays alive and we stay connected to each other. Ideas flow in, and they flow out, of each of us. Ideas change a little as they go along; this is known as evolution, progress, or innovation.


But thanks to Copyright, we live in a world where some information goes in, but cannot legally come out.
Often I hear people engaged in creative pursuits ask, “Am I allowed to use this? I don’t want to get in trouble.”


In our Copyright regime, “trouble” may include lawsuits, huge fines, and even jail. “Trouble” means violence. “Trouble” has shut down many a creative enterprise. So the threat of “trouble” dictates our choices about what we express.


Copyright activates our internal censors. Internal censorship is the enemy of creativity; it halts expression before it can begin. The question, “am I allowed to use this?” indicates the asker has surrendered internal authority to lawyers, legislators, and corporations.


This phenomenon is called Permission Culture. Whenever we censor our expression, we close a little more and information flows a little less. The less information flows, the more it stagnates. This is known as chilling effects.


I have asked myself: did I ever consent to letting “Permission Culture” into my brain? Why am I complying with censorship? How much choice do I really have about what information goes in and comes out of me?


The answer is: I have some choice regarding what I expose myself to, and what I express, but not total control. I can choose whether to watch mainstream media, for example. And I can choose what information to pass along.


But to be in the world, and to be open, means all kinds of things can and do get in that are beyond  my control. I don’t get to choose what goes in based on its copyright status. In fact proprietary images and sounds are the most aggressively rammed into our heads. For example:

“Have a holly jolly Christmas, It’s the best time of the year
“I don’t know if there’ll be snow, but have a cup of cheer
“Have a holly jolly Christmas, And when you walk down the street
“Say hello to friends you know and everyone you meet!”


I hate Christmas music. But because I live in the U.S., and need to leave the house even in the months of November and December, I can’t NOT hear it. It goes right through my earholes and into my brain, where it plays over and over ad nauseum.


Here are some of the corporations I could “get in trouble with” for sharing that song and clip in public. I wasn’t consulted by them before having their so-called “intellectual property” blasted into my head as a child, so I didn’t ask their permission to put it in my slide show.


Copyright is automatic and there’s no way to opt out. But you can add a license granting some of the permissions copyright automatically takes away. Creative Commons, the most widespread brand of license, allows its users to lift various restrictions of copyright one at a time.


The problem with licenses is that they’re based on copyright law. The same threat of violence behind copyright is behind alternative licenses too. Licenses actually reinforce the mechanism of copyright. Everyone still needs to seek permission – it’s just that they get it a little more often.


Like copyright itself, licenses are often too complex for most people to understand. So licenses have the unfortunate effect of encouraging people to pay even MORE attention to copyright, which gives even more authority to that inner censor. And who let that censor into our heads in the first place?


Although I use Free licenses and would appreciate meaningful copyright reform, licenses and laws aren’t the solution.  The solution is more and more people just ignoring copyright altogether. I want to be one of those people.


A few years ago I declared sovereignty over my own head. Freedom of Speech begins at home. Censorship and “trouble” still exist outside my head, and that’s where they’ll stay – OUTSIDE my head. I’m not going to assist bad laws and media corporations by setting up an outpost for them in my own mind.


I no longer favor or reject works based on their copyright status. Ideas aren’t good or bad because of what licenses people slap on them. I just relate to the ideas themselves now, not the laws surrounding them. And I try to express myself the same way.


Like millions of others who don’t give a rat’s ass about copyright, I hope you join me. Make Art, Not Law.



Tupi’s Kickstarter now live

Remember when I pleaded for good Free vector animation software? The Tupi project just launched a Kickstarter campaign and I’m a backer.

Tupi’s strength is its simplicity; it’s great for kids and anyone new to animation. It doesn’t yet have the power I need to produce feature films, but its development is a good thing for all of us. Since it’s FLOSS (Free Libre Open Source), any innovations made in Tupi can be applied to other Free programs, and anyone who wants to customize it can. Oh, and it’s free – you can download and start playing with it right now.

Dear Domestic Embroidery Machine Manufacturers

Your machines are amazing. There is so much I could do with one! I could render a vector-based animated movie, convert each frame into a simple embroidery file, and sew out a frame at a time as a quilt. It would be amazing. I want to do that so much! And your domestic embroidery machines could do it. They are reasonably priced – a few thousand dollars is quite reasonable for a machine that can do that, and many are priced even lower. Such potential! The artist in me is drooling.

But the software. For some reason you sell software for insanely high prices. All I need is software that converts common vector formats (like .eps or .ai) to an embroidery file, and allows me to size it to fit your hoops, and get it into your machine.

To do that would cost me a minimum of $900*. And is Windoze only. Brother’s PE Design NEXT (which is the minimal “level” of software I’d need for my simple vector-to-stitches conversion) appears to cost about $1,000.  But I’m not sure – Brother’s web site doesn’t say, and they don’t offer it for sale online, only through “dealers.”

I understand it costs money to develop software for your machines. It also costs money to develop the machines. That’s why you sell the machines. Here’s a tip: The more useful your machines are, the more you will sell! Under the current regime of ridiculous embroidery software prices, you are selling fewer machines. I am not buying your potentially amazing machines because of the software issue. And I really really want an embroidery machine and would be happy to pay many thousands of dollars for one. I’m a ready and eager customer! But no sale.

I would buy one if I could design my own stuff for it.

Imagine a sewing machine that shipped with a limited set of licensed Disney® dress patterns, with a few more online you could download for $5 to $20 each. But sewing your own dress pattern would require expensive proprietary software, closed-source of course so it can’t be improved or debugged or customized. Or how about a sewing machine that uses only proprietary fabric? Which the sewing machine company has a monopoly on, so they sell it for $500 a yard? Sewing machines are popular and diverse because fabric is inexpensive, widely available, and can be used in any machine. The cheaper fabric is, the more sewing machines sell. Expensive proprietary fabric would mean fewer machines would sell. But that is exactly the idiotic business model embroidery machine makers have locked themselves into.

The more useful your machines are, the more you will sell!

Sewing machines are great because you can sew anything with them. Computers are great because you can make anything with them. Computers+automated embroidery machines would be great if you could embroider anything with them, but you can’t. Embroidery software for my Mac is $2,299!

Functional, accessible software makes your machines more valuable. Expensive, restricted software makes them useless.

Let me repeat: functional, accessible software makes your machines more valuable. Expensive, restricted software makes them useless. Which is a pity because they have so much potential.

*P.S. Yes I know there is Embird, which would “only” cost me $309 ($164 basic module + $145 font engine, to convert vector files) to be minimally useful for me (maybe – I can’t even be sure of that). Plus the cost of a PC (which isn’t actually that much because PC manufacturers, unlike embroidery machine manufacturers, know the value of their product increases the more useful it is, and so they encourage lots of software and even support Free Software so they sell lots of PCs, thus driving the price down further even while their manufacturers’ profits increase – think about that!) But Embird only converts  EMF, WMF and CMX   vector formats, so I’d need yet another program to convert a .eps sequence (or .ai or .swf) first.

There is also this Free svg-to-pcs (Pfaff) converter which I tried with this pcs-to-pes converter a few times and it didn’t work. And also doesn’t have stitch editing or further control. But it is promising.

Even the mighty Linus Torvalds knows about the embroidery software problem, but it’s still not fixed.