I took some liberties in this design. “Why all the boobies?” you may ask. Once upon a time, boobies were an object of respect, not shame and ridicule. My goddesses have big, bare breasts to represent that mindset. Not that I think boobies should be worshipped; I’m not into biological fertility, and I’m not a “breast (wo)man”. Having breasts myself, I can say they’re kind of a pain in the ass (nor am I an “ass (wo)man”). But there’s so much shame around female breasts these days, I make ’em big and plentiful on deities to remind myself, and hopefully you, that the shame, discomfort, and anger they provoke is about patriarchy, not women’s bodies.
Here’s Hathor as a golden idol:
My favorite interpretation of Exodus 32 posits the Golden Calf was Hathor, a very popular Egyptian cow goddess. I’m running with that in my film. Fun!
When Yahweh said, “Thou shalt have no other gods before Me” he probably meant goddesses. The popular cow-goddess Hathor may have been the golden calf of Exodus. That’s the angle I’m taking in Seder-Masochism, since so much of the Books of Moses seem devoted to crushing both competing (read: goddess-worshipping) religions as well as actual women (read: Leviticus and the even-worse Numbers). Here is a femmed-up Hathor experiment, a composite of both her cow/profile painting and humanoid/scultpural idioms. Plus some wings, because most Egyptian goddesses were portrayed in winged form sometimes, and wings are cool. Yes, her udders are boobies. Maybe I’ll scale it back for the actual movie, but I like my deities well-sexed. That’s why I portray Mount Sinai like this:
I interrupt this series of Ziz iterations to tell you about a new book you are likely to enjoy. It’s called Crazy Little Thing: Why Love and Sex Drive us Mad, by Liz Langley. Why are you reading about it here on my blog? Because there’s a whole chapter about ME, that’s why! Apparently I am a paragon of how not to kill your ex in a tormented rage, and make a work of art instead. Most of the other profiles in the book are about people killing/maiming/permanently damaging their exes or themselves after breakups, but an alternative is to make a feature film, which is what I did and how I merited this sweeeet chapter. Also the book is well-written and funny, and you should read it.
You’ll notice there’s a little clip of my short film The Stork at the beginning. No, the producers didn’t ask for permission and no, that doesn’t bother me because yes, I enjoyed the piece so much I’m honored to be included (also the clip is really brief – blink and you might miss it). But hey Sexpelled producers – get in touch anyway, I like your style. Continue reading Avian Transportation Theory
This Saturday, fellow indie animatrix Signe Baumane is presenting a program called Women’s Side of Sex, including a clip from Sita. She and I and one other filmmaker will be present to answer questions and further embarrass ourselves.
Saturday March 22, at 8pm
at Millennium Film Workshop, 66 East 4th street
information: 212 673 0090
Seven seasoned in animation, sex and relationships women are going to share their sex/love stories with you :