I’m reposting this (originally posted July 2009) because misinformation continues to spread all over the interwebs. Maybe I’ll post it every month.
Dear Journalists Dear Journalists, bloggers, commenters, etc.,
Some of you are writing that I was forced to choose the Creative Commons Attribution Share Alike license because the film is violating copyright. That is completely untrue, but has become the dominant motif of stories I read about the project. The confusion is understandable, so I attempt to sort it out below.
Sita Sings the Blues is 100% legal. I am free to release it commercially, which is why the film is gaining a number of commercial distributors in addition to its free sharing/audience distribution, which is also legal, and wonderful.
Sita Sings the Blues is in complete compliance with copyright regulations. I was forced to pay $50,000 in license fees and another $20,000 in legal costs to make it so. That is why I am in debt. My compliance with copyright law is by no means an endorsement of it. Being $70,000 in the hole reminds me daily what an ass the law is. The film is legal, and that legality gives me a higher moral ground to stamp my feet upon as I denounce the failure that is copyright.
Having paid these extortionate fees, I could have gone with conventional distribution, and was invited to. I chose to free the film because I could see that would be most beneficial to me, my film, and culture at large. A CC-SA license does not absolve a creator of compliance with copyright law. The law could have sent me to prison for non-commercial copyright infringement. I was forced to borrow $70,000 to decriminalize my film, regardless of how I chose to release it.
Note that in some ways the film is not, and never will be free. For each disc sold, distributors must pay $1.65 to these faceless money sinks. Transaction costs raise that amount to about $2.00 per disc. That is why my own Artist’s Edition is limited to 4,999 copies. I’ve already bled $50,000 into their vampiric maws; I have no intention of paying more.
Thank you for your attention.
Love,
–Nina
I’ve been digging through my old original comics archives, selecting artwork for upcoming exhibits at the San Francisco Cartoon Art Museum and the Betty Boop Festival in Wisconsin Rapids, Wisconsin. This old gem, while not one of my best, has extra sentimental value. “George the Monster,” who featured in early Nina’s Adventures strips, is my longtime friend Ian Akin. Remarkably, we’ve stayed friends almost 22 years. In fact Ian is visiting me in New York right now! I’d forgotten all about this song he wrote for me when I was fighting some battle or other in my 20’s. Upon rediscovering it, I found it’s just as cheering as I fight some battle or other in my 40’s.
