Alumnuts

University High School 1984

Super high-res (800 dpi) image at archive.org!

I recently dug up, scanned and restored this cartoon I drew in 1984 for the Uni High yearbook. It makes me nostalgic not for school (for which I still carry much resentment*) but for the glorious escape drawing provided those years. There were no art classes at Uni while I was there, for which I am eternally grateful. While my liberal friends are mostly “arts education” boosters, I owe my survival to Art staying beyond the reach of school, teachers, and institutionalization. School ruined math, literature, physical exercise, social interactions, and pretty much everything else that could be beautiful – thank doG it didn’t ruin drawing too.

 

*Dropping out of the University of Illinois at the end of my Sophomore year was the first Great Decision I ever made. My second Great Decision was freeing Sita Sings the Blues and dropping out of Copyright. I’ve only made two Great Decisions in my life, but they’re plenty. Dayenu.

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Embroidermation du jour: twirling dancer

twirling dancer embroidermation

Today’s embroidermation features a rotoscoped dance outtake performed by Reena Shah about 7 years ago for Sita Sings the Blues. Theo coded the stitches and the animated sin wave loop background. This is designed for larger quilts, but this version is tiny as it was stitched on our embroidery machine.

I sewed the 16 panels together like so:

The cycle is actually 13 frames long – an annoying number for animation. The final 3 frames are repeats so it could be a 4 x 4 square. Finished size is 16″ x 16″.

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Embroidermation: Tree of Life

The source animation (a vector file sequence) was adapted from my short segment for the upcoming feature film “The Prophet.” That will definitely not be rendered in Embroidermation, but the Tree of Life is such a classic, traditional embroidery motif it was just crying out to be used in this test.

embroidery

In addition to stitchcoding, Theo hooped and ran the machine on all 96 frames, and then he made them into a flipbook.

Theo hand-stitching 96 embroidered frames into a flipbook

Because he’s crazy, that’s why. He even crafted a copper rig to cut out the frames precisely, and register them for photography (he photographed them too).

embroidermation cutting device

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All The Pretty Horses

I ran an inversion on yesterday’s horse Traveling Salesman Problem animation:

Again I had to take out a few stray lines manually. Here’s the same white on black:

Yesterday’s negative image and today’s positive image together:

The positive image has only 2,000 points, so it was faster to process. It’s still denser than the negative image (background) which has just under 4,000 points but covers a lot more area.

Here are both with contrast on grey:

and in yellow and blue on magenta:

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Embroidermation Test 4

animated quilt, quilted animation

Really this is Quiltimation, the result of our embroidery/quilting/trapplique techniques. Here’s a single frame without all the .gif compression 8-bit color artifacts:

embroidermation Ziz single frameThe trapplique technique was a lot of work, requiring multiple hoopings for each frame, as well as precision cutting and placing. We probably won’t do more of that. Our next project is more traditional embroidery with just one color of fabric and multiple colors of thread. Whole lotta math required to make this work, which is fortunately Theo’s department. Meanwhile I’ll stitch together these 12 frames into some sort of viable wall hanging.

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