#ff00ff;">Update: Chaz Ebert confirms Ebertfest’s decisions had nothing to do with my no-platforming in Urbana and Beligium, and they were unaware of any controversy.
Ebertfest (Roger Ebert’s Film Festival) is the big film festival in my town (Champaign-Urbana, Illinois). In October, its director told 2 film critics/scholars I know that my new feature film Seder-Masochism was “at the top of our list.” Which makes sense, since it’s by an Urbana filmmaker (me) whose last film was a star at the festival (Sita Sings the Blues) and contains my late father’s voice, which is known to much of the fest’s audience (he used to be Mayor of Urbana, as well as a math professor at the U of I). I emailed Ebertfest in January to ask if they were going to screen it, because I have to make plans in April. They didn’t reply. I emailed them again over a week later (Friday). “Sorry, we don’t have room for it.”
A week earlier Seder-Masochism was the target of a de-platforming campaign in Belgium. The women’s film festival that programmed its Belgian premiere removed all traces of it from their web site after transactivists threatened them. A few days before that, I was the target of a Twitter mob for sharing opinions with Graham Linehan.
Ebertfest’s decisions are made behind closed doors, and I’m certainly not entitled to be at any film festival. But it is my opinion that their decision is very much related to my defamation and condemnation as a “TERF“. Much of the witch-hunt against gender-critical feminists comes from Academia, and Ebertfest is an extension of the University of Illinois College of Media. Last Fall the self-described “Chair of Gender Studies” Mimi Nguyen led a campaign against me to have my film de-platformed at a local cafe.
All singing! All dancing! All 40+ minutes of my feature-film-in-progress, Seder-Masochism! This is not the finished movie, but the core musical scenes animated in Flash. While I take a production break to learn new software to make the rest of the film, let’s watch all these crazy scenes together in a theater. Featuring:
Unsubtle phallic imagery!
$5 suggested donation, no one turned away for lack of funds. FREE MATZOH!
Which picture best depicts Copyright? Vote in comments.
I’ll be asking this question tonight at this talk:
Questioning Copyright: Sharing or Stealing?
Date: 5/11/2015 Start Time: 7:00 PM End Time: 8:30 PM
This event will be at Pizza M, 208 West Main Street, downtown Urbana. Delicious snacks from Pizza M will be provided.
Does copyright protect creative work? What impact does copyright have on censorship? And what would happen if we abolished copyright? Join us for a provocative conversation with two guests: artist and copyright abolitionist Nina Paley and UIUC law professor and activist Paul Heald.
Nina Paley is the creator of the animated musical feature film Sita Sings the Blues and the short This Land Is Mine. Her adventures in our broken copyright system led her to joinQuestionCopyright.org as artist-in-residence, where she produced a series of animated shorts about intellectual freedom called Minute Memes. As half of PaleGray Labs, she develops techniques to combine animation with her other passions of quilting and embroidery. Nina is a former syndicated cartoonist, a 2006 Guggenheim Fellow, and currently making a new animated feature called Seder-Masochism.
Paul Heald lectures on patent, copyright and international intellectual property law around the world. He is the University of Illinois Richard W. and Marie L. Corman Professor of Law and is currently a fellow and associated researcher at CREATe, the RCUK Centre for Copyright and New Business Models in the Creative Economy, based at the University of Glasgow. He’s also the author of a recently released mystery novel Death in Eden.