Hathor the Golden Calf

HathorWalk36

I took some liberties in this design. “Why all the boobies?” you may ask. Once upon a time, boobies were an object of respect, not shame and ridicule. My goddesses have big, bare breasts to represent that mindset. Not that I think boobies should be worshipped; I’m not into biological fertility, and I’m not a “breast (wo)man”. Having breasts myself, I can say they’re kind of a pain in the ass (nor am I an “ass (wo)man”). But there’s so much shame around female breasts these days, I make ’em big and plentiful on deities to remind myself, and hopefully you, that the shame, discomfort, and anger they provoke is about patriarchy, not women’s bodies.

Here’s Hathor as a golden idol:

HathorGold36

My favorite interpretation of Exodus 32 posits the Golden Calf was Hathor, a very popular Egyptian cow goddess. I’m running with that in my film. Fun!

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Hormoned Hathor

When Yahweh said, “Thou shalt have no other gods before Me” he probably meant goddesses. The popular cow-goddess Hathor may have been the golden calf of Exodus. That’s the angle I’m taking in Seder-Masochism, since so much of the Books of Moses seem devoted to crushing both competing (read: goddess-worshipping) religions as well as actual women (read: Leviticus and the even-worse Numbers). Here is a femmed-up Hathor experiment, a composite of both her cow/profile painting and humanoid/scultpural idioms. Plus some wings, because most Egyptian goddesses were portrayed in winged form sometimes, and wings are cool. Yes, her udders are boobies. Maybe I’ll scale it back for the actual movie, but I like my deities well-sexed. That’s why I portray Mount Sinai like this:

Mt. Horeb, Mt. Sinai

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