Death of the Firstborn Egyptians


The most recently-completed scene from my feature-in-progress Seder-Masochism.

written, directed, designed, animated, produced, etc. by Nina Paley
music from “Spider Suite” by The Duke of Uke and His Novelty Orchestra
sound effects by Greg Sextro

DONATE HERE: questioncopyright.org/sedermasochism

Based on Exodus 12:
21 Then Moses called for all the elders of Israel, and said unto them, Draw out and take you a lamb according to your families, and kill the passover.
22 And ye shall take a bunch of hyssop, and dip it in the blood that is in the bason, and strike the lintel and the two side posts with the blood that is in the bason; and none of you shall go out at the door of his house until the morning.
23 For the Lord will pass through to smite the Egyptians; and when he seeth the blood upon the lintel, and on the two side posts, the Lord will pass over the door, and will not suffer the destroyer to come in unto your houses to smite you.
24 And ye shall observe this thing for an ordinance to thee and to thy sons for ever.
25 And it shall come to pass, when ye be come to the land which the Lord will give you, according as he hath promised, that ye shall keep this service.
26 And it shall come to pass, when your children shall say unto you, What mean ye by this service?
27 That ye shall say, It is the sacrifice of the Lord’s passover, who passed over the houses of the children of Israel in Egypt, when he smote the Egyptians, and delivered our houses. And the people bowed the head and worshipped.
28 And the children of Israel went away, and did as the Lord had commanded Moses and Aaron, so did they.
29 And it came to pass, that at midnight the Lord smote all the firstborn in the land of Egypt, from the firstborn of Pharaoh that sat on his throne unto the firstborn of the captive that was in the dungeon; and all the firstborn of cattle.
30 And Pharaoh rose up in the night, he, and all his servants, and all the Egyptians; and there was a great cry in Egypt; for there was not a house where there was not one dead.

*****

LYRICS by David King, aka Duke of Uke:

DEATH: Falling stars you wished upon
are cinders now and now they’re gone
their residue festoons my fetid field.
Unfeeling husks of lovers past
the shells are all that ever last
I’ve taken everything that they concealed.
Whoever told you life was fair?
Look around you, everywhere
the cruelty of nature is displayed!
Why the scorn?
Why the surprise?
Everything that’s born must die
and it isn’t I who made the world that way.

What wicked little twist of fate
placed you her upon my plate
Here, where no one hears your cries?
Where was your god to steer you through
Perhaps your god’s forsaken you
Otherwise why lead you here to die?

BA (spirit of the dead): I, I know the way how
I’ll melt away now
I know the way.
I’m feeling bliss now
Dissolved to mist how
strangely I go
away
Now I finally know

DEATH: It’s merely moments now,
moments now until
your feeble flesh bends to my will
and it will
so rest your weary head.
There’ll be no pain,
no pain at all
as everything you are dissolves
Your fate resolved
upon my silky thread.

BA: I, I know the way how
I’ll melt away now
I know the way.
I’m feeling bliss now
Dissolved to mist how
strangely I go
away
Now I finally know
(repeat)

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Burning Bush redux

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Hopefully an improvement on my previous Burning Bush design which I made a few years ago. The new design can do this:

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Coming Soon

06Melt_2I just finished animating the “Death of the Firstborn Egyptians” (Exodus 12) scene for Seder-Masochism. It clocks in at 7 minutes 6 seconds. As soon as it gets some extra sound effects I’ll release it online, coinciding with a fundraising drive for the movie. Meanwhile here are some stills.

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Leviathan/Apep in the sea

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I seem to have created something that looks great as an endlessly looping gif, but is hard to fit into the movie I created it for. I’m still trying to fit it in without overwhelming any scene it appears in.

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Egyptian firstborn mummy

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First flight of the ba

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The ba passes Ammit and Anubis weighing the heart

More “Death of the Firstborn Egyptians” scenes for Seder-Masochism. I’m using a plain black background in these scenes to suggest the dead are “inside” Death, but the Egyptian art I’m basing it on have light backgrounds, so it’s a bit of a stretch.

 

Leviathan Redux

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I’m adapting the Leviathan I designed a few years ago into an Apep for the “Death of the Firstborn Egyptians” scene of Seder-Masochism. It’ll look more Egyptian later, but right now I’m just happy with the movement, which I re-timed to go with the music. It has a beat every 17 frames, kind of a pain to adjust but I’m pleased with the rhythm.

Uraeus Disc

Egypt Sun Ra Wadjet

Death cycle

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I’m currently working on the “Death of the Firstborn Egyptians” chapter of Seder-Masochism. The little move above happens only once in the film, but I wanted to see it over and over, hence the gif.

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Death Makes a Holiday

Death of Firstborn Egyptians

I’m currently animating the Death of the Firstborn Egyptians (Exodus 11:1-12:36) for Seder-Masochism. This is the miracle that started Passover! Hooray! I’m being sarcastic!

Chad Gadya cycling backgrounds

Which 24-frame cycle do you like more:

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Cycle A, “Clouds”, or…

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Cycle B, “Waves”?

I personally prefer Cycle B, because I like backgrounds where everything is moving – I feel it gives it more depth. As a 2-D design the clouds look nice, but in an animated cycle their stillness bothers me. I did make a version with moving clouds, but on this 24-frame cycle they had to be very dense to repeat:

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Cycle C, “Repeating Clouds”. I still prefer Cycle B. The sky pattern might be a bit unconventional, but I think it’s stylish. Also I don’t like all that white in the background of A and C.

The palette is limited to 10 colors because this is destined for Embroidermation. The animated GIF doesn’t have great color fidelity; thread colors will look better and have more contrast between foreground and background.

If you have an opinion on which of these you prefer, please leave it in the comments and maybe it will help Theo and me settle our argument.

Water Wheel

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click for animated gif

Back on the Quiltimation front, I was wondering if I could arrange animated frames on a quilt in a mandala/medallion pattern, rather than left-to-right cells. This would essentially be a quilted phenakistoscope, with the animation emerging as the whole thing is rotated (we’d keep the camera and lights stable, and rotate the quilt).

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click for animated gif

 

The saturated colors here would be lost, although I could use a few colors of thread. The elements are early Leviathan designs, and Water from Chad Gadya which is still in (very slow) progress.

 

$1Kat

$1Kat2Gray the cat approves of the $1,000 quilt.

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Work in Progress: the $1K Quilt

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This is a TEST of the One Thousand Dollar Quilt, conceived as a more affordable version of my handmade Ten Thousand Dollar Quilt.

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This is a test, it is only a test. We stitched out two versions to see how the quilt plotter would handle it, how the thread density would look, etc. There’s well over half a million stitches here, and it took the plotter about a day to stitch. Then I spent half a day cutting, sewing, and ironing binding, and binding it.

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Rae Spooner of Bent Bean Chocolates (Urbana, IL) enjoys the cozy warmth of One Thousand Dollars.

It’s about 8 feet long. The front is high thread count unbleached cotton muslin, the back is regular thread count same. The batting is a mystery – either polyester or poly-cotton, not sure because it’s left over from another project Theo bought it for, and he doesn’t remember. The quilt is remarkably soft and flexible given all the dense stitching

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Unlike the Ten Thousand Dollar Quilt, which uses reverse applique, this gets its color solely from the thread. The result is lower contrast, but I like all the stitch lines. Also there’s no way I could do a reverse applique version for under a thousand dollars.

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The bright green thread is 30-weight, thicker than the 40-weight dark green and white. What a nice solid effect it gives.

The thread is polyester: the dark green and white are 40 weight, and the lighter green is 30 weight, which is significantly thicker. We may do another test using 30 weight dark green. Heavy thread works beautifully, but it’s very expensive. Then again for a Thousand Dollars we can use expensive thread.

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Registration is off as expected, but could be worse. He have a strategy for improving registration in the next test.

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Medallion background fill will be crosshatched in the next iteration.

The portrait medallion fill will be crosshatched in the next version. I didn’t like these curved shading lines at all, because the machine double-stitched some of them which ruined the gradient effect. The next version will also have fill lines on Cleveland’s face, along with a larger border with more of the swirly fill.

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The back. We had a few thread nests but overall it’s pretty clean.

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Rae helps me hold up the 8-foot comfy currency. Photo by anonymous friendly woman who was trying to buy chocolate at Rae’s shop.

Then came the Holy One, Blessed be He…

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…and smote the Angel of Death that slew the Slaughterer that killed the Ox that drank the Water that extinguished the Fire that burnt the Stick that beat the Dog that bit the Cat that ate the Goat that my father bought for two zuzim. Chad Gadya

The Angel of Death came…

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…and slew the Slaughterer that killed the Ox that drank the Water that extinguished the Fire that burnt the Stick that beat the Dog that bit the Cat that ate the Goat that my father bought for two zuzim. Chad Gadya