Working in Macromedia Flash 8


Here’s a time-lapse screen-capture of me working in Macromedia Flash 8. This little bit of animation is unlikely to make it into the finished movie, as I later decided on a different approach here. This just shows one aspect of how I use Flash; other work videos to come. Thanks to the Blender Institute for posting this and thinking about maybe possibly developing FLOSS vector animation tools.

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Miracles and Wonders

MosesSnakeGIF1

Moses casts down his staff, and it becomes a snake!

Sheep and Goats

For your insomniac counting pleasure:

sheep+goats

Was Moses a shepherd or a goatherd? I now have both sheep and goats for Seder-Masochism. The sheep design I made a few years ago; the goat I made this week. I much prefer it to this goat design from 2012 (which was just rehashed from Agni’s mount in Sita Sings the Blues):

 

There’s also this embroidermation goat I designed for the all-embroidermated Chad Gadya section of Seder-Masochism, still to be photographed:

That’s 3 goats I’ve designed so far, for one movie. I’m only going to use the most recent 2.

Walking Goats

goat12single

goat12

A few design refinements. Yes my biblical goat looks a little like a gazelle. I like gazelles.

goat13

Death of the Firstborn Egyptians


The most recently-completed scene from my feature-in-progress Seder-Masochism.

written, directed, designed, animated, produced, etc. by Nina Paley
music from “Spider Suite” by The Duke of Uke and His Novelty Orchestra
sound effects by Greg Sextro

DONATE HERE: questioncopyright.org/sedermasochism

Based on Exodus 12:
21 Then Moses called for all the elders of Israel, and said unto them, Draw out and take you a lamb according to your families, and kill the passover.
22 And ye shall take a bunch of hyssop, and dip it in the blood that is in the bason, and strike the lintel and the two side posts with the blood that is in the bason; and none of you shall go out at the door of his house until the morning.
23 For the Lord will pass through to smite the Egyptians; and when he seeth the blood upon the lintel, and on the two side posts, the Lord will pass over the door, and will not suffer the destroyer to come in unto your houses to smite you.
24 And ye shall observe this thing for an ordinance to thee and to thy sons for ever.
25 And it shall come to pass, when ye be come to the land which the Lord will give you, according as he hath promised, that ye shall keep this service.
26 And it shall come to pass, when your children shall say unto you, What mean ye by this service?
27 That ye shall say, It is the sacrifice of the Lord’s passover, who passed over the houses of the children of Israel in Egypt, when he smote the Egyptians, and delivered our houses. And the people bowed the head and worshipped.
28 And the children of Israel went away, and did as the Lord had commanded Moses and Aaron, so did they.
29 And it came to pass, that at midnight the Lord smote all the firstborn in the land of Egypt, from the firstborn of Pharaoh that sat on his throne unto the firstborn of the captive that was in the dungeon; and all the firstborn of cattle.
30 And Pharaoh rose up in the night, he, and all his servants, and all the Egyptians; and there was a great cry in Egypt; for there was not a house where there was not one dead.

*****

LYRICS by David King, aka Duke of Uke:

DEATH: Falling stars you wished upon
are cinders now and now they’re gone
their residue festoons my fetid field.
Unfeeling husks of lovers past
the shells are all that ever last
I’ve taken everything that they concealed.
Whoever told you life was fair?
Look around you, everywhere
the cruelty of nature is displayed!
Why the scorn?
Why the surprise?
Everything that’s born must die
and it isn’t I who made the world that way.

What wicked little twist of fate
placed you her upon my plate
Here, where no one hears your cries?
Where was your god to steer you through
Perhaps your god’s forsaken you
Otherwise why lead you here to die?

BA (spirit of the dead): I, I know the way how
I’ll melt away now
I know the way.
I’m feeling bliss now
Dissolved to mist how
strangely I go
away
Now I finally know

DEATH: It’s merely moments now,
moments now until
your feeble flesh bends to my will
and it will
so rest your weary head.
There’ll be no pain,
no pain at all
as everything you are dissolves
Your fate resolved
upon my silky thread.

BA: I, I know the way how
I’ll melt away now
I know the way.
I’m feeling bliss now
Dissolved to mist how
strangely I go
away
Now I finally know
(repeat)

Burning Bush redux

Bush7loop

Hopefully an improvement on my previous Burning Bush design which I made a few years ago. The new design can do this:

Bush7loop2

Coming Soon

06Melt_2I just finished animating the “Death of the Firstborn Egyptians” (Exodus 12) scene for Seder-Masochism. It clocks in at 7 minutes 6 seconds. As soon as it gets some extra sound effects I’ll release it online, coinciding with a fundraising drive for the movie. Meanwhile here are some stills.

06Melt_1

08

09

10.2

 

Leviathan/Apep in the sea

ApepBWenlarging

I seem to have created something that looks great as an endlessly looping gif, but is hard to fit into the movie I created it for. I’m still trying to fit it in without overwhelming any scene it appears in.

ba ba black background

02Melt

Egyptian firstborn mummy

03Melt

First flight of the ba

04Melt

The ba passes Ammit and Anubis weighing the heart

More “Death of the Firstborn Egyptians” scenes for Seder-Masochism. I’m using a plain black background in these scenes to suggest the dead are “inside” Death, but the Egyptian art I’m basing it on have light backgrounds, so it’s a bit of a stretch.

 

Leviathan Redux

Leviathan_Snake68_2

I’m adapting the Leviathan I designed a few years ago into an Apep for the “Death of the Firstborn Egyptians” scene of Seder-Masochism. It’ll look more Egyptian later, but right now I’m just happy with the movement, which I re-timed to go with the music. It has a beat every 17 frames, kind of a pain to adjust but I’m pleased with the rhythm.

Uraeus Disc

Egypt Sun Ra Wadjet

Death cycle

DeathKillCycle

I’m currently working on the “Death of the Firstborn Egyptians” chapter of Seder-Masochism. The little move above happens only once in the film, but I wanted to see it over and over, hence the gif.

09.6.2

Death Makes a Holiday

Death of Firstborn Egyptians

I’m currently animating the Death of the Firstborn Egyptians (Exodus 11:1-12:36) for Seder-Masochism. This is the miracle that started Passover! Hooray! I’m being sarcastic!

Chad Gadya cycling backgrounds

Which 24-frame cycle do you like more:

ChadGadya_BG8

Cycle A, “Clouds”, or…

ChadGadya_BG3

Cycle B, “Waves”?

I personally prefer Cycle B, because I like backgrounds where everything is moving – I feel it gives it more depth. As a 2-D design the clouds look nice, but in an animated cycle their stillness bothers me. I did make a version with moving clouds, but on this 24-frame cycle they had to be very dense to repeat:

ChadGadya_BG7

Cycle C, “Repeating Clouds”. I still prefer Cycle B. The sky pattern might be a bit unconventional, but I think it’s stylish. Also I don’t like all that white in the background of A and C.

The palette is limited to 10 colors because this is destined for Embroidermation. The animated GIF doesn’t have great color fidelity; thread colors will look better and have more contrast between foreground and background.

If you have an opinion on which of these you prefer, please leave it in the comments and maybe it will help Theo and me settle our argument.

Water Wheel

water wheel5

click for animated gif

Back on the Quiltimation front, I was wondering if I could arrange animated frames on a quilt in a mandala/medallion pattern, rather than left-to-right cells. This would essentially be a quilted phenakistoscope, with the animation emerging as the whole thing is rotated (we’d keep the camera and lights stable, and rotate the quilt).

water wheel6

click for animated gif

 

The saturated colors here would be lost, although I could use a few colors of thread. The elements are early Leviathan designs, and Water from Chad Gadya which is still in (very slow) progress.